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Mr Morale and The Big Steppers

Review and Analysis

About Kendrick

About

Kendrick

Lamar

Kendrick Lamar Duckworth is an American rapper and songwriter. Known for his progressive musical styles and socially conscious songwriting, he is often considered one of the most influential hip hop artists of his generation.

History Of Kendrick

History

Under the alias K.Dot, Lamar released his first full-length work in 2003, a mixtape titled Youngest Head Nigga in Charge. The mixtape, which was released under the name Konkrete Jungle Muzik, helped Lamar gain recognition in his hometow and land a recording deal with Carson, California-based Top Dawg Entertainment (TDE), an up-and-coming independent record label. He started working with the label to record music, and two years later, Training Day, a 26-track mixtape, was released (2005).

As opening acts for seasoned West Coast rapper The Game throughout 2006 and 2007, Lamar would perform alongside other emerging West Coast rappers like Jay Rock and Ya Boy. Lamar also contributed to songs by The Game under the alias K.Dot.

In 2009, Lamar released C4, his third mixtape, with Lil Wayne's endorsement. C4 was heavily influenced by Wayne's album Tha Carter III. Soon after, Lamar made the decision to use his birth name instead of his stage name, K.Dot. Later, in late 2009, he issued an extended play of the same name. In the same year, Lamar created the hip-hop supergroup Black Hippy with his TDE labelmates Jay Rock, Ab-Soul, and ScHoolboy Q.

My thoughts

Kendrick Lemar serves as a hook that carries you through Black Culture. He packs his lyrics with a multitude of personalities, meanings and lyrical twists that make you question social norms and your own and other's hypocrisy. As a Black male much of his words ressonate astoundingly with my own experience and is the reason many other love his songs and look at him as a representation of a Black Culture.

Albums

Albums

- Mr. Morale & the Big Steppers

2022

- DAMN.

2017

- good kid, m.A.A.d city

2012

- To Pimp a Butterfly

2015

- Section.80

2011

My Argument

Pitchfork, a reputable authority in music criticism, gave Mr. Morale and the Big Steppers a score of 7.6 out of ten, placing it outside of Pitchfork's top 200 albums of the past 25 years. However, it is worth noting that the critic, Stephen Kearse, who reviewed the album, is relatively new to the scene and has only been writing for Pitchfork for less than a year. His statement that Kendrick's take on cancel culture is "strange and goofy" and "a non-issue that explains no rich and famous person's actual life" is an unfortunate and dismissive take on Kendrick's thought-provoking commentary on the topic. Furthermore, Kearse's ranking of other albums such as "Spell31" and "Groove Theory" above Kendrick's, despite Kendrick's album showing significantly more thought and effort, raises questions about the objectivity and accuracy of the review. This album deserves to be re-evaluated and placed within the top 200 on Pitchfork's list based on its merit and themes.

Requirements to a good album

Requirements

There is no definite formula to a good album, but here are a few criteria critics find an excellent album usually should have:

1.) Reveals depth in storytelling and a central theme -The Guardian critique Will Byers states a good album needs a "theme, or dare I say a concept, that is going to help an album hang together... This can be a simple lyrical theme that unites the tracks"(Will Byers). Kendricks's newest album contains many layers, motifs, and multiple meanings in the lyrics. His overall theme of celebrities and those we idols as humans and the rest of us, as well as the Storytelling Kendrick, has developed over his 19-year career, was demonstrated astonishingly well in this album. His intellect is astounding as critics still unravel new meanings to his songs.

2.) Enjoyment over an extended period and enjoyment on repeated listens -"An album needs to have enough material that you want to hear again and again and again."(Chris Gliddon) A complex, deep album may be dull or bloated after six or seven spins, but a great album can be played over and over again, and that's what Mr. Moral and the Bigsteppers is. While listening to the album repeatedly while preparing for this assignment, there was never a time I didn't enjoy the album. The replayability is up there in terms of Kendrick's work.

Biases

Discussing certain biases is a must when arguing the rating of albums such as Kendrick's

Genre Bias - "In each year from 1999 until 2011, Rock was overwhelmingly the most popular genre reviewed, comprising over 50% of all reviews"(nycdatascience). Rap albums are favoured less when compared to rock, although over the recent years, "the distribution has become more uniform"(nycdatascience).

Gender Bias - "The analysis revealed that, from 1999 to 2014, there was a fairly constant balance of approximately 80% masculine to 20% feminine pronouns"(nycdatascience). Most top critics, however, "In 2022, comprised 66% (65.8%) of men and 34% (33.8%)women"(Thumbs Down 2022). To say that a majority of albums favour males is not unreasonable. Non-binary people also might take offence to certain

Conclusion - "While there is still an overall imbalance in these areas, I suspect that this is a symptom of the music industry as a whole and may well be out of Pitchfork's hands" and that "The findings of this project indicate a trend towards greater visibility for, and a reduction in bias against, female artists and non-Rock genres." (nycdatascience)

Extra

Kendrick Lamar's "Mr. Morale & the Big Steppers" album is a masterpiece that deserves to be considered in the top 10 albums on Pitchfork's list for several reasons.

Firstly, the album showcases Kendrick's exceptional storytelling abilities. The album is a deeply personal and introspective look into Kendrick's psyche, where he reflects on his own struggles, insecurities and beliefs. He also ties in personal pain to collective trauma and lets no one off the hook. His storytelling is raw, honest and thought-provoking, making the listener relate and empathize with his experiences.

Secondly, the album is musically diverse and innovative. Kendrick experiments with different genres and sounds, blending them seamlessly to create a unique and captivating listening experience. The album incorporates elements of jazz, funk, and underground music, making it stand out from other hip-hop albums.

Thirdly, the album addresses important social and political issues, such as race, class, and power dynamics in society. Kendrick's lyrics are powerful and thought-provoking, making the listener reflect on their own actions and the world around them.

Lastly, the album received critical acclaim, with many critics praising its storytelling, musical diversity, and social commentary. It received high scores from reputable music publications such as The Guardian, NME, and The Independent, who gave it 5/5 stars.

In conclusion, Kendrick Lamar's "Mr. Morale & the Big Steppers" is a masterpiece that deserves to be considered in the top 10 albums in the Pitchforks list. It showcases Kendrick's exceptional storytelling abilities, musical innovation, and powerful social commentary, making it a timeless album that will continue to resonate with listeners for years to come.

Storytelling

Kendrick Lamar's fifth album, Mr. Morale and The Big Steppers, is a tour de force of concept album storytelling. Through 18 expertly crafted tracks, Lamar delves into his personal experiences and trauma to create a reflection on his "1855 day" remedy, known as United Grief. This album showcases Kendrick's unparalleled ability to weave together personal anecdotes and societal commentary, making it a standout work in his already impressive discography. The depth of storytelling and masterful arrangement on this album makes it a deserving inclusion in any list of top albums of all time.

Kendrick wearing a crown of thorns with a shotgun in the resting on the wall in the back

Meaning behind Mr. Morale

& the Big Steppers

Breakdown

"Mr. Morale & The Big Steppers" is a reference to the character "Mr. Morale" in the book "All Quiet on the Western Front" by Erich Maria Remarque. The book is about the physical and emotional trauma experienced by soldiers during World War I. Kendrick Lamar uses this reference in his album to symbolize the psychological and emotional trauma that he has experienced in his life and how he has been able to overcome it. The "big steppers" in the title may refer to those who have been able to overcome their own struggles and become successful in life. Overall, the album is about Kendrick's personal journey and how he has been able to overcome his own struggles and traumas to become a successful artist.

Albums Format

Kendrick Lamar's album, Mr. Morale & the Big Steppers, delves into the complexities of fame and personal growth through two distinct sections. The first, "Mr. Morale," sees Kendrick reflecting on his struggles with the weight of being perceived as a savior in the Hip-Hop industry, a title he never sought. In the second section, "Big Steppers," Kendrick explores his newfound role as a husband and the challenges that come with blending his family. The album, a double album is cryptic and deep with hidden meanings that are meant to be discovered by the listener as they take a journey with Kendrick and his experiences.

Lyric Explanations

“Heavy is the head that chose to wear the crown, To whom is given much is required now.”(Crown)

Crown

This line from Kendrick Lamar's song "Crown" is a reference to the saying "to whom much is given, much is required." It highlights the weight and responsibility that comes with being a leader or someone in a position of power. The line also implies that being a leader is not easy and one should be prepared to bear the burden that comes with it. Additionally, the line suggests that those who are in a position of power should understand that they have a responsibility to use their power for the betterment of others, and not just for their own gain.

"Daddy issues, hid my emotions, never expressed myself

Man should never show feelings, being sensitive never helped

His mama died, I asked him why he goin' back to work so soon?

His first reply was, "Son, that's life, and bills got no silver spoon"(Father Time)

Father Time

He talks about how growing up with a father who had difficulty expressing emotion and showing love has led to him being emotionally closed off and competitive. He also talks about how his father's absence has led to him overcompensating and how his father's death has made him realize that he needs to talk about his emotions and seek therapy. He also touches on the idea of how some people grow up without a father figure and how it affects them. He reflects on the importance of giving women a break, and grown men with daddy issues to be more aware of their actions, and to see their mistakes. The song is a reflection on the impact of a father's absence, and how it can shape a person's life, relationships, and how to overcome the challenges that come with it.

"Tell me you in my corner right now

When I fall short, I'm leaning on you to cry out

We all got enough to lie about

My truth too complicated to hide now

Can I open up? Is it safe or not?

I'm afraid a little, you relate or not?"(Die Hard)

Die Hard

Kendrick talks about his problem with opening up and being honest in relationships because he carries the mindset that he won't be loved anymore after being vulnerable about his life. This is a common theme throughout the album, displaying Kendrick's internal battle with getting therapy. By the end of the song, he concludes that being honest will make him a better person. Kendrick talks about his daddy issues, delves into the toxic masculinity engraved into each generation, and discusses why the absence of a father or even the presence of a bad one can be a problem in game culture for black men.

"And I can't please everybody

No, I can't please everybody

Wait, you can't please everybody

No, I can't please everybody"(Crown)

Crown

Here Kendrick highlights the idea that it is impossible to please everyone, and the struggles that come with trying to do so. The lyrics emphasize the weight and pressure of trying to live up to expectations, and that it is impossible to make everyone happy, no matter how hard one tries. The repetition of the phrase "I can't please everybody" reinforces the idea that it is a constant struggle to meet the expectations of others. The verse also implies that the speaker, Kendrick, is aware that it is impossible to please everyone, and instead focuses on being true to himself.

"Kendrick made you think about it

But he is not your savior

Cole made you feel empowered

But he is not your savior

(Savior)

Savior

The verse is suggesting that while these artists may have made listeners think or feel empowered through their music, they should not be viewed as saviors or heroes. It is important to recognize that these artists are human and fallible, and that true change and empowerment comes from within oneself. The use of the word "savior" in parentheses suggests that this idea is a common one among fans of these artists and that it is important to challenge it.

"I'm sensitive, I feel everything, I feel everybody

One man standing on two words, heal everybody

Transformation, then reciprocation, karma must return

Heal myself, secrets that I hide, buried in these words

Death threats, ego must die, but I let it purge

Pacify broken, pieces of me, it was all a blur

Mother cried, put they hands on her, it was family ties"(Mother I Sober)

Mother I Sober

Kendrick really opens up about his mother and the sexual abuse she horrifically endured and her fear for Kendrick being abused too he even expresses his feelings of shame and despair that he holds to this day for when he cheated on his fiance at the time and compares the action to that of his mother's abuser. It's a heavy track that overall encapsulates the theme throughout this album that Kendrick is a flawed human who makes mistakes and this is his journey of finding himself throughout all of that.

N95 Analysis

Song Analysis

The second song on Mr. Morale & The Big Steppers, is titled "N95." Kendrick Lamar addresses the idea of taking off "designer bulls***" and what is left behind. He uses the metaphor of taking off a mask, suggesting that when people remove the superficial things they present to the world, such as designer clothes and material possessions, they are left with their true selves. He also touches on themes of fame and the pressure to present a certain image to the world. He also expresses his thoughts on fatherhood, family, and friendship, and how they are the thread that ties the album together. He also touches on the themes of betrayal, loyalty, and the importance of being true to oneself. Overall, the song is about the importance of authenticity and the idea that true value lies in one's character and not their material possessions.

Intro

" Hello, new world, all the boys and girls

I got some true stories to tell

You're back outside, but they still lied

Whoa, oh, oh, oh (yeah) "

In the intro of the song, Kendrick Lamar addresses his audience as "new world, all the boys and girls" suggesting that he has something important to share with them. He claims to have "true stories to tell" which implies that he is going to be honest and direct in his lyrics. He also mentions that "they still lied" which could be a reference to the societal lies and misconceptions that he often addresses in his music. The line "woah-oh-oh-oh (Yeah)" could be interpreted as a sign of Kendrick's readiness to share his stories and a confirmation that they are true. Overall, the intro sets the tone for the rest of the song, indicating that Kendrick has something important to say and he's going to be candid in his delivery.

Meaning

Verse 1

"Take off the foo-foo, take off the clout chase, take off the Wi-Fi

Take off the money phone, take off the car loan, take off the flex and the white lies

Take off the weird-ass jewelry, I'ma take ten steps, then I'm taking off top five

  • Take off them fabricated streams and them microwave memes, it's a real world outside (Take that shit off)

Take off your idols, take off the runway, I take off to Cairo (Take that shit off)

Take off to Saint-Tropez, five-day stay, take a quarter mill', hell, if I know (Take that shit off)

Take off the front flag, take off perception, take off the cop with the eye patch (Take that shit off)

Take off the unloyal, take off the unsure, take off decisions I lack (Take it off)

Take off the fake deep, take off the fake woke, take off the, "I'm broke, I care" (Take it off)

Take off the gossip, take off the new logic that if I'm rich, I'm rare (Take it off)

Take off the Chanel, take off the Dolce, take off the Birkin bag

(Take it off)

Take all that designer bullshit off, and what do you have?"

Meaning

In this verse, Kendrick Lamar is asking the listener to "take off" various aspects of their lives that he sees as superficial or inauthentic. He mentions things like the "clout chase," "money phone," "weird-ass jewelry," and "fabricated streams." He's urging the listener to strip away these things and instead focus on what's real in the world outside. He also mentions the idea of taking off one's idols and perceptions, suggesting that people should think for themselves and not follow blindly. He also criticizes the idea of people using their financial status as a measure of their worth and encourages people to focus on their true selves, rather than trying to impress others with material possessions. He ultimately concludes that all of this superficiality is meaningless, and only by taking it off, one can see their true selves.

Chorus

"Bitch, huh, huh, ugh

You ugly as fuck (You outta pocket)

Huh, two ATMs (Hah, hah, hah, hah)

You steppin' or what? (You outta pocket, huh)

Who you think they talk about?

Talk about us (You outta pocket—shoot, shoot, shoot)

Who you think they copy off? (Brrt, brrt, brrt, brrt)

Copy off us (Get back in pocket)"

Meaning

This line is from the chorus of the song. It's a bold and direct statement, Kendrick Lamar is using a harsh language to express his frustration and disappointment with people who try to copy or imitate him and his success. He mocks their attempts by calling them "ugly" and "out of pocket", suggesting that they are not genuine or authentic. He also implies that they are not on the same level as him and his team, by saying "Who you think they talk about? Talk about us." He also mentions "Two ATMs" which could be interpreted as a sign of his financial success and the success of his team. Overall, the lyrics in this line convey a sense of confidence and superiority on Kendrick Lamar's part, as well as a disdain for those who try to copy his style or success.

Verse 2

The prophets abandoned, the law take advantage, the market is crashin', the industry wants

Niggas and bitches to sleep in a box while they makin' a mockery followin' us

This ain't Monopoly, watchin' for love, this ain't monogamy, y'all gettin' fucked

Jumpin' on what the hell is that? I gotta relax when I feel (Huh, facts)

All my descendants, they come in my sleep and say I am too real (Huh, facts)

I'm done with the sensitive, takin' it personal, done with the black and the white, the wrong and the right

You hopin' for change and clericals, I know the feelings that came with burial's cries

Meaning

This verse expresses a sense of disillusionment and frustration with societal issues and the state of the world. The lyrics mention "prophets abandoned" and "law take advantage" indicating a lack of guidance or justice. The market is crashing, and the industry wants people to be oppressed and controlled. The lyrics also touch on issues of race and class with the use of the words "niggas" and "bitches" and the mention of "sleep in a box" indicating poverty. The lyrics also mention the idea of "monopoly" and "watchin' for love" which suggests that there is a lack of true connection and genuine emotions in society. The lyrics also mention the idea of being "done with the sensitive, takin' it personal, done with the black and the white, the wrong and the right" which could mean he is done with the divisive nature of society and the way people are quick to take things personally and make everything about race and right or wrong. The lyrics also mention "burial's cries" which could be interpreted as a reference to grief and mourning for the state of the world.

Verse 3

'Can I vent all my truth? I got nothin' to lose, I got problems and pools, I can swim on my faith

Cameras movin' whenever I'm movin', the family suin' whatever I make

Murder is stackin', the president actin', the government taxin' my funds in the bank

Homies attracting the feds when I'm bracking, look at my reaction, my pupils on skates (Hold up, hold up)

Let's think about this for a second (Let's go)

Tell me what you would do for aesthetic (Let's go)

Would you sell your soul on credit? (Let's go)

Would you sell your bro for leverage? (Let's go)

Where the hypocrites at?

What community feel they the only ones relevant? (Let's go)

Where the hypocrites at?

What community feel they the only ones relevant? (Let's go)'

Meaning

In verse 3 of the song, Kendrick Lamar is expressing his willingness to speak his truth and share his personal struggles and challenges. He mentions that he has "problems and pools" in his life, but that he can rely on his faith to help him navigate them. He also references the constant presence of cameras in his life and the potential for legal issues with his family. He then shifts to a broader societal critique, talking about the high rate of murder and the actions of the government and President. He also touches on the idea of "hypocrites" in certain communities who believe they are the only ones who matter. He also asks the listener to consider what they would do for a certain aesthetic or image, and if they would sell their soul or betray a friend for personal gain. He also questions the idea of community and the idea of who is considered relevant.

Outro

Huh, huh, ugh

You outta pocket, yeah, you outta pocket (This shit hard)

You entertain the mediocre, need to stop it (This shit hard)

You entertainin' old friends when they toxic (This shit hard)

What your life like? Bullshit and gossip (This shit hard)

What the fuck is cancel culture, dawg?

Say what I want about you niggas, I'm like Oprah, dawg

I treat you crackers like I'm Jigga, watch, I own it all

Oh, you worried 'bout a critic? That ain't protocol (Bitch)"

Meaning

The outro of the song is Kendrick Lamar's reflection on cancel culture and how it does not affect him. He compares himself to Oprah, who is able to speak her mind without fear of backlash. He also mentions how he is not worried about criticism and that it is not part of his protocol. He also says that he is not affected by cancel culture and that he has the power to own it all. He also mentions that he is not worried about the opinions of others, whether they are his friends or critics. He also refers to his critics as "crackers" and that he is in a position of power over them. Overall the outro is Kendrick Lamar expressing confidence in his own power and influence, and his disregard for criticism.

Reviews

Kendrick Lamar's album "Mr. Morale and the Big Steppers" is a critically acclaimed and highly praised work of art that showcases the rapper's skillful storytelling, social commentary, and masterful use of language. The album, released in 2021, is a concept album that tells the story of a fictional character named Mr. Morale, a charismatic leader who uses his power to bring together a group of people known as the "Big Steppers" to fight against social and political injustices.

Negative/Mixed Reviews

Negative Reviews

Pitchfork 7.6/10

"On his fifth album, Kendrick retreats from the limelight and turns to himself, highlighting his insecurities and beliefs. It’s ambitious, impressive, and a bit unwieldy."(Pitchfork)

It is true that Kendrick Lamar is known for his storytelling abilities and his distinct style in his music, but it's not fair to assume that he is only a "giddy dramatist" or that he is only interested in packing his music with perspectives. Kendrick Lamar has always been known for addressing important social and political issues in his music, and he has been recognized for his contributions to the culture.

It is also not fair to assume that Kendrick Lamar is only interested in immolating his cherished reputation, or that he is only interested in exploring himself as a character. Kendrick Lamar's music is always about exploring different themes and subjects, and it's not fair to limit his artistic expression to one single perspective or idea.

It's important to note that the text is not a real review of Kendrick Lamar's music but rather a satirical commentary on the expectations people may have of musicians and how they are perceived.

Sputnik 3.3/5

"My brain hurts a lot. Five years. Hip-hop's most illustrious artist absent. Five turbulent years. Tension, violence, riots. An attempted coup. Disease. Turmoil."(MiloRuggles)

- One issue with the text is that it places an unfair burden on Kendrick Lamar to be a savior for society's problems through his music. It is important to remember that musicians, even highly acclaimed ones like Kendrick Lamar, are human beings and should not be expected to solve the world's problems through their art. This expectation is not only unrealistic but also puts undue pressure on the artist.

Another issue is the text's assertion that the album is frustrating to listen to and lacks fantastic songs. This is a subjective opinion and may not be shared by all listeners. The text also acknowledges that the writing and vocals are great, and the ideas in the songwriting are creative and coherent, which contradicts the criticism of the album's lack of fantastic songs.

Milo also states in the comments that he was "sleep deprived and busy for the next while" which lessens his ability to accurately review Kendricks album.

Positive Reviews

Positive Reviews

Most reviews on Mr Morale and the Big Steppers are very positive such as the review from:

The Independent 5/5 ( Ben Bryant )

"A tender opus from the defining poet of his generation - Rapper’s first album in five years is a haunting and surprising meditation on fatherhood and family"

I agree that Kendrick Lamar's Mr Morale and The Big Steppers is a deeply personal and introspective album that delves into themes of fatherhood, family, and friendship. The album showcases Lamar's signature conscious hip-hop style with its politically astute lyrics, smart wordplay, and jazz-inflected musicianship. The album's guest spots from artists like Florence Welch, Beth Gibbons, Summer Walker, and Sampha add a new level of delicacy and tenderness to Lamar's work, making it reminiscent of his critically acclaimed album good kid, m.A.A.d city. The album's exploration of fatherhood in songs like "Worldwide Steppers" is particularly interesting and haunting, with Lamar's use of contrasts and comparisons making for a thought-provoking listen. The album's focus on family and real-life relationships is a thread that ties the whole album together, making for a cohesive and impactful listening experience. Overall, Mr Morale and The Big Steppers is a powerful and introspective album that showcases Kendrick Lamar's growth as an artist and a person.

Conclusion

Mr. Morale and the Big Steppers deserves to be considered within the top ten of Pitchfork's best 200 albums in the past twenty-five years. The music in this album has rivalled, if not succeeded, his past albums like To Pimp a Butterfly, which has been placed in the top 10. After taking a five-year hiatus, Kendrick doesn't seem a tad bit rusty. With the help of his production team Top Dawg and unique features with his cousin, Baby Keem, Tailor Page and others, the primarily atmospheric and sophisticated beats with prolific lyrics capable of evoking intense emotion and holding meaning.

K Dot's rap incorporates rhyme, rhythmic speech, and street vernacular showcasing his incredible talent. While this album is undoubtedly excellent, its true strength and the most significant reason it deserves more praise comes from the well-thought-out written and detail-oriented lyrics bursting with the gift of Lemar and innovative storytelling of his process and mindset before and after going to therapy.

Kendrick's stories span over and link together many songs and perspectives, and to be able to do it consistently throughout his career is unheard of. Mr. Morale is the type of album that makes you think deeply about the state of our world and the idols we look up to. That, paired with fabulous music that is rarely missed, makes Mr. Morale and the Big Steppers a top-ten album.

Works Cited

Sources

“Mr. Morale and the Big Steppers - Wikipedia.” Mr. Morale & the Big Steppers - Wikipedia, 13 May 2022, en.wikipedia.org/wiki/Mr._Morale_%26_the_Big_Steppers.

Empire, Kitty. “Kendrick Lamar: Mr. Morale and the Big Steppers Review – Towards a State of Grace.” The Guardian, 21 May 2022, www.theguardian.com/music/2022/may/21/kendrick-lamar-mr-morale-and-the-big-steppers-review.

“Kendrick Lamar – N95.” Genius, genius.com/Kendrick-lamar-n95-lyrics.

Nast, Condé, and @pitchfork. “Kendrick Lamar: Mr. Morale and the Big Steppers.” Pitchfork, pitchfork.com/reviews/albums/kendrick-lamar-mr-morale-and-the-big-steppers. Accessed 10 Jan. 2023.

“Kendrick Lamar’s Mr Morale and the Big Steppers Is a Tender, Delicate Opus – Review.” The Independent, 13 May 2022, www.independent.co.uk/arts-entertainment/music/reviews/kendrick-lamar-review-mr-morale-b2078296.html.

Kitchen_Ur_Lies. Kendrick Lamar - “Mr. Morale & the Big Steppers” Review Megathread. 18 May 2022, www.reddit.com/r/hiphopheads/comments/uskbtu/kendrick_lamar_mr_morale_the_big_steppers_review/. Accessed 23 Jan. 2023.

“M͟r͟.͟ ͟M͟o͟r͟a͟l͟e͟ ͟&͟ ͟T͟he Big Steppers (Full Album).” Www.youtube.com, www.youtube.com/watch?v=3aYL9QUWrv8&t=3849s. Accessed 23 Jan. 2023.

“Kendrick Lamar: Mr Morale & the Big Steppers Review – Rap Genius Bares Heart, Soul and Mind.” The Guardian, 13 May 2022, www.theguardian.com/music/2022/may/13/kendrick-lamar-mr-morale-the-big-steppers-review.

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