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PRESENTATION TITLE

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General Characteristics of Drama

Examples

DRAMA

-made to be seen

-characters <-> audience = feelings

-dialogues made in verse or in prose

-types : tragedy, comedy, opera, melodrama, docudrama

-characters divided in protagonists and antagonists

techniques : dialogues, monologues, soliqui

-element most important=magic

-music (and also light) creates the atmosphere

SOME WE HAVE STUDIED

-OTHELLO

-ROMEO AND JULIET

-EVERYMAN

-MACBETH

STRUCTURAL ELEMENTS MORE IN DETAIL : ACTORS, PLAYWRIGHTS AND AUDIENCE

GLOSSARY

STRUCTURAL ELEMENTS

AUDIENCE :

-ALL THE SOCIAL STRATA OF ELIZABETHAN SOCIETY

-SOCIALISATION, INTERACTION AND COMMENTS DURING THE SHOW

PLAYWRIGHTS :

-MODEST BACKGROUND

-THE COMPANY FIRST OF ALL

ACTORS :

-NO WOMAN INCLUDED

-SHAREHOLDERS OF THEIR COMPANY

SIMILIAR QUESTIONS

-What is a play?

-What is a performance?

-What is a setting?

-What is a stage?

WHY LONDON?

THE ROLE OF LONDON

ADVANTAGES:

-CENTRE OF POLITICAL, RELIGIOUS AND CIVIL POWER

-RIVER THAMES : CITY'S MAIN MEANS OF CONNECTION TO THE REST OF THE WORLD

-CITY OF ENTERTAINMENT

-CITY WHERE THE COURT AND THE QUEEN LIVED

DISADVANTAGES:

-POLLUTED AND DANGEROUS CITY

-RIVER THAMES : PLAYHOUSES MIAN SOURCE OF DIRTINESS

ELIZABTHAN PLAYHOUSE

PLAYHOUSE

THE OLD AND THE NEW GLOBE THEATRE

ELIZABETHAN THEATRES

OLD THEATRE :

-OPENED IN 1599

-OWNED BY SIX MEN, BUT MOSTLY BY BROTHERS RICHARD AND CURTBETH BURBAGE

-IT LASTED ONLY 14 YEARS

-AFTER BEING REBUILT THE FOLLOWING YEAR, IT WAS DESTROYED IN 1644

GLOBE THEATRE :

-IDEA OF SAM WANAMAKER

-LOCATED ON BANKSIDE

-SIMILIA TO THE ORIGINAL

-MODERN DIFFERENCES : STATE-OF-THE-ART LIGHTING AND THE EVER-PRESENT SPRINKLERS IN CASE OF FIRE

ELIZABETHAN PLAYWRIGHTS

-MARLOWE'S MODERNITY : he didn't respect the Aristotele's units. Both comic and tragic tones

-REVENGE TRAGEDIES by SENECA : insistence of horrors

-WILLIAM SHAKESPEARE : he didn't respect Aristotele's units. First phase=revenge tragedy, history plays; second phase= human soul and the complexities of human life, historical plays and comedies; third phase=dark comedies; fourth phase=romances plays

-BEN JONSON : he respected the Aristotele's units. Both tragedy and comedies, and also comedies of humor.

-WEBSTER AND FORD: both of them were characterised by Italian setting, bloodcurdling scenes and plots full of murderous actions and intrigues.

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