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ENC1101
Spring 2020
As the Norton Field Guide explains, an evaluation is "a writing genre that makes a judgment about something--a source, poem, film, restaurant, whatever--based on certain criteria" (G/I-13).
The key word here is judgment, since "an evaluation is at bottom a judgment; you judge something according to certain criteria, supporting your judgment with reasons and evidence" (202).
How is writing evaluations similar to writing arguments?
When writing an evaluation, it is important that you give background information on what you're evaluating. However, as the Norton Field Guide explains, "You should include just enough information to let readers who may not be familiar with your subject understand what it is" (205). Remember, the goal of an evaluation is to evaluate, not summarize.
Q: How might the information we give differ between types of subjects? For instance, if we're evaluating a movie, what kind of background information might be necessary? What if we were evaluating a new energy drink? A local gym?
An evaluation is not an evaluation, or at least not a successful evaluation, without clear criteria that act as the basis for your judgment. You can either integrate these criteria into your writing, or you can more explicitly announce your criteria. The way you incorporate your criteria into your evaluation depends on different aspects of your rhetorical situation, such as your audience and your media/design.
Q: Using the previous examples, what criteria might be best to use when evaluating a movie? An energy drink or other beverage? A gym or other local establishment?
Throughout the course of this semester, we've discussed the importance of ethos, not only how to identify it in others' writing, but also how to employ it in our own. Establishing ethos when writing evaluations is crucial; in order to "evaluate something credibly, you need to show that you know it yourself and that you've researched what other authoritative sources say" (206). Just one or the other will not make for a trustworthy evaluation.
Q: What are some other ways to establish ethos in your evaluation?
As previously mentioned, "An evaluation is centered on a judgment" (202). If our judgments are not presented fairly, just like if we do not consider other authoritative sources on our subject, then our judgments will come across as unreliable and/or biased. The Norton Field Guide notes that "seldom is something all good or all bad" (206). Fair evaluations often acknowledge both the strengths and weaknesses of a subject; they are not completely positive or negative. (Consider the templates for both agreeing, disagreeing, and agreeing/disagreeing in They Say/I Say.)
Q: Think of a store or restaurant you've gone to recently. What were some good things about the experience? What were some bad things? Do the positives outweigh the negatives, or vice versa?
In order to argue for your judgment, you need to provide good reasons supported by strong evidence. These reasons and types of evidence will depend on your subject, as well as your rhetorical situation. As you review how well your subject meets your criteria, you will decide how best to support your judgment, "providing reasons and evidence that might include visual and audio as well as verbal material" (206).
Q: To return to the previous examples, what kinds of evidence would best support an evaluation of a movie? An energy drink? A local gym?
As we've discussed in nearly every genre of writing we've so far explored, choosing a topic that is specific rather than broad is key to creating a successful piece of writing.
An effective evaluation depends in part on the strength of your subject, and "the more specific and focused your subject, the better you can write about it" (207).
Let's say you want to evaluate a diner for your essay. What aspects of the diner might you focus on in order to effectively evaluate it?
After exploring what you already know about your subject by free-writing or utilizing another type of idea-generating strategy, list criteria you think should be used to evaluate your subject.
Sometimes it takes a while to settle on a specific set of criteria, and that's okay! It's very important to identify strong criteria before you begin working on your evaluation.
Cubing and questioning (see pp. 334-35) are two beneficial processes for thinking about your criteria.
This is a particularly useful strategy when your audience is not familiar with your subject.
Acknowledge objections or other opinions.
State your judgment.
Restate your overall judgment.
Describe what you're evaluating.
Provide reasons and evidence, discussing criteria as you apply them.
This strategy, which first identifies your criteria and then discusses how well your subject meets those criteria, "foregrounds the process by which you reached your conclusions" (209).
Identify criteria for evaluation.
State your overall judgment.
Describe what you're evaluating.
Evaluate it against each of your criteria, one at a time, adding potential objections or other opinions in relation to each criterion.
What kinds of products do you use in your everyday life?
What matters most about these products? Quality? Convenience? Value for your money?
What kinds of places do you frequent?
How do your expectations differ between different establishments?