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Literature Period 1

Neoclassical Period

Romantic Period

Victorian Age

(Twentieth Century)

SE Literature

SE Literature

2/

15

ru

The Neoclassical Period

The Neoclassical Period

Romantic Period

1800-1830

From an agricultural society to an industrial society

Idealization of people close to nature ("simple" country people)

The Romantic Period

French revolution 1789

Ideals of freedom and equality, abolition of class distinction

Poetry of simplicty not guided by reason but by imagination, Emotion intuition

An individual voice addressing the individual reader.

La Belle Dame Sans Merci

Romantic Period Poetry

Nature poetry

Idealization of people close to nature ("simple" country people)

Disappointment with present -> renewed interest in idealized past (resulted in adoptation/revival of old country ballads) - escape in time

Ozymandias

Romantic Period

Poetry

The Solitary Reaper

Attraction to exotic cultures - escape in place

Anti-intellectual attitude (opposite of previous period) -> supernatural elements

Child - pure and close to God/nature

"It's a beauteous Evening, Calm and Free"

I Wandered Lonely as a Cloud

I wandered lonely as a cloud

That floats on high o’er vales and hills,

When all at once I saw a crowd

A host, of golden daffodils,

Beside the lake, beneath the trees,

Fluttering and dancing in the breeze.

Continuous as the Stars that shine

And twinkle on the Milky Way,

They stretched in never-ending line

Along the margin of the bay:

Ten thousand saw I at a glance°.

Tossing their heads in sprightly dance.

The waves beside them danced, but they

Outdid the sparkling waves in glee.

A poet could not but be gay,

In such a jocund company:

I gazed and gazed — but little thought

What wealth the show to me had brought:

For oft, when on my couch I lie

In vacant or in pensive mood,

They flash upon that inward eye

Which is the bliss of solitude;

And then my heart with pleasure fills,

And dances with the daffodils.

William Wordsworth (1770-1850)

The Solitary Reaper

Behold her, single in the field,

Yon solitary Highland Lass!

Reaping and singing by herself; Stop here, or gently pass!

Alone she cuts and binds the grain,

And sings a melancholy strain;

O listen! for the Vale profound

Is overflowing with the sound.

No Nightingale did ever chaunt

More welcome notes to weary bands

Of travellers in some shady haunt,

Among Arabian sands:

A voice so thrilling ne'er was heard

In spring-time from the Cuckoo-bird,

Breaking the silence of the seas

Among the farthest Hebrides.

Will no one tell me what she sings?--

Perhaps the plaintive numbers flow

For old, unhappy, far-off things,

And battles long ago:

Or is it some more humble lay,

Familiar matter of to-day?

Some natural sorrow, loss, or pain,

That has been, and may be again?

Whate'er the theme, the Maiden sang

As if her song could have no ending;

I saw her singing at her work,

And o'er the sickle bending;--

I listened, motionless and still;

And, as I mounted up the hill,

The music in my heart I bore,

Long after it was heard no more.

"It's a beauteous Evening, Calm and Free"

It is a beauteous evening, calm and free,

The holy time is quiet as a Nun

Breathless with adoration; the broad sun

Tis sinking down in its tranquillity;

The gentleness of heaven broods o'er the Sea:

Listen! the mighty Being is awake,

And doth with his eternal motion make

A sound like thunder — everlastingly.

Dear Child! dear Girl! that walkest with me here,

If thou appear untouched by solemn thought,

Thy nature is not therefore less divine:

Thou liest in Abraham's bosom all the year;

And worshipp'st at the Temple's inner shrine,

God being with thee when we know it not.

La Belle Dame Sans Merci

Oh what can ail thee, knight-at-arms,

Alone and palely loitering?

The sedge has withered from the lake, And no birds sing.

Oh what can ail thee, knight-at-arms,

So haggard and so woe-begone?

The squirrel's granary is full, And the harvest's done.

I see a lily on thy brow,

With anguish moist and fever-dew,

And on thy cheeks a fading rose

Fast withereth too.

I met a lady in the meads,

Full beautiful - a faery's child,

Her hair was long, her foot was light,

And her eyes were wild.

I made a garland for her head,

And bracelets too, and fragrant zone;

She looked at me as she did love,

And made sweet moan.

I set her on my pacing steed,

And nothing else saw all day long,

For sidelong would she bend, and sing

A faery's song.

She found me roots of relish sweet,

And honey wild, and manna-dew,

And sure in language strange she said -

'I love thee true'.

She took me to her elfin grot,

And there she wept and sighed full sore,

And there I shut her wild wild eyes

With kisses four.

I saw their starved lips in the gloam,

With horrid warning gaped wide,

And I awoke and found me here,

On the cold hill's side.

And this is why I sojourn here

Alone and palely loitering,

Though the sedge is withered from the lake,

And no birds sing.

Breaking Bad

Ozymandias

Watchmen

Alien Covenant

I met a traveller from an antique land

Who said: "Two vast and trunkless legs of stone

Stand in the desert. Near them on the sand,

Half sunk, a shattered visage lies, whose frown

And wrinkled lip and sneer of cold command

Tell that its sculptor well those passions read

Which yet survive, stamped on these lifeless things,

The hand that mocked them and the heart that fed.

And on the pedestal these words appear:

`My name is Ozymandias, King of Kings:

Look on my works, ye mighty, and despair!'

Nothing beside remains. Round the decay

Of that colossal wreck, boundless and bare,

The lone and level sands stretch far away".

Percy Bysshe Shelley (1792-1822

Red Dead Redemption 2

The Victorian Age

1830-1900

England at the heights of its power

The Victorian Age

Victorian literature

Widening gap between rich and poor

Origin of Species - controversy

Age of the novel - installment system

Victorian Literature

Description of society and its social problems

Fusion of romantic and realist style of writing

Jungle Book

Idealized portraits of difficult lives in which hard work, perseverance, love and luck win out in the end.

Progress, character improving in nature, with central moral at heart

The Jungle Book

Character progress - In Tiger! Tiger, Mowgli becomes a man

The hero triumphs

Moral built in the story

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