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AESTHET(H)IC(s) IN ARTS

Real Life Situation

Bengi Su ES

Dilay Selin Yıldırım

Nur İşcan

  • Vatican Museum
  • Greek Gods
  • Apollo Belvedere - Leochares
  • Confliction with moral values
  • Cultural effect

Knowledge Question

To what extent do moral values influence the way the artistic pieces are appreciated?

Relation of arts & ethics and ways of knowing (reason, sense perception, emotions)

  • To what extent is the reality reflected through artworks?

  • How does our emotions affect our understanding of the art?

  • How does the perspective of the artist affect THE PERSPECTIVE OF THE SOCIETY?

  • To what extent do the moral values HAVE A ROLE in the appreciation of arts?

Sub-questıons

To what extent ıs the realıty reflected through the art works?

sub-ıssue#1

Evidence

A Few Small Nips by Frida Kahlo

CLAIM #1

  • Artist reflect the reality based on his/her observations without hiding anything.

  • Artworks that contain reality of humans are evaluated in the form of criticism.

Claım #1

COUNTER Claım #1

  • An artwork reflects the social problems to educate society in terms of being a human.

  • The essential thing in arts is the meaning behind it. Instead of showing uncomfortable realities of the world, the meaning evaluated is shown.

COUNTER Claım #1

HOW DO EMOTIONS AFFECT OUR UNDERSTANDING OF THE ARTS?

sub-ıssue#2

Evıdence #2

CLAIM #2

Claım #2

  • Emotions of the spectator affect his/her viewpoint through an artwork, they elicit the meaning behind it.

COUNTER CLAIM #2

COUNTER Claım #2

  • Emotions do not affect the understanding of the arts.

  • Perspective of the artist shape the sense of the artwork, what the artist try to express affect the intellection of the person

HOW DOES THE PERSPECTIVE OF THE ARTIST AFFECT THE PERSPECTIVE OF THE SOCIETY?

sub-ıssue#3

evıdence

Guernica by Picasso

CLAIM #3

  • Artist’s perspective influence the society's evaluation on the context given in an artwork.

  • Society’s stance is shaped according to way of message transmitted by the artist.

claım #3

COUNTER CLAIM #3

  • The arts is relative for everyone. Every individual in society has different perspectives which develop various messages from an artwork.

COUNTER claım #3

TO WHAT EXTENT DO THE MORAL VALUES HAVE A ROLE IN THE APPRECIATION OF ART?

sub-ıssue#4

evıdence

sleepıng venus by gıorgıone

CLAIM #4

  • The supposed ‘immoralist’ artist will often provide an explanation, a concept, a reason for the works existence, which again adds not only to the aesthetic experience of the audience but to the work itself
  • It strengthens the artist’s relation to their own work.

COUNTER CLAIM #4

  • "Kant" writes that "the beautiful is the symbol of the morally good" . Including immoral actions, it makes spectator think or believe in that way.
  • society may incline to immortality.

Mını-conclusıons

  • Artworks that contain the reality of humans are evaluated in the form of criticism.
  • Emotions of the spectator affect his or her viewpoints through an artwork, they elicit the meaning behind it.
  • Artist’s perspective influences the evaluation of the society on the context given in an artwork.
  • Moral values do not affect artistic integrity.

ARTISTIC JUDGEMENT

IN CONCLUSION

conclusıon

FINALLY

Reasoning

Artistic judgement

Emotions

Artist's perspective

  • Artist should reflect the realities of the world. It can be a social problem, true psychology of human, a criticism of a belief.
  • Arts, in essence presents the ordinary.
  • Arts guides us to perceive the world, to look at it from a new angle.
  • Artworks that contain sexuality or violence should be evaluated in the form of authenticity, realism

So, in our opinion ethics is not a limitation for arts

REFERENCES

  • Greenspan, J. (2013, April 8). 8 Things You May Not Know About Picasso. Retrieved from https://www.history.com/news/8-things-you-may-not-know-about-picasso.
  • Images, B. (2018, May 8). The horrible inspiration behind one of Picasso's great works. Retrieved from https://www.nationalgeographic.com/history/magazine/2018/05-06/pablo-picasso-guernica-painting-history/.
  • Picasso against Franco: what the archives of the Musée Picasso-Paris reveal. (n.d.). Retrieved from http://museupicassobcn.org/congres-internacional/en/mercier/.
  • Picasso, Guernica. (n.d.). Retrieved from https://www.khanacademy.org/humanities/art-1010/cubism-early-abstraction/cubism/a/picasso-guernica.
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