Introducing
Your new presentation assistant.
Refine, enhance, and tailor your content, source relevant images, and edit visuals quicker than ever before.
Trending searches
With the very first words, that he utters, spoken "emptily", Eli reveals that he is feeling very far from from "good", in sharp contrast with his father's mood. This is the start of the chracterization for Eli.
Sylvia is impressed because her son is a member of an acient and moneyed family , and she is impressed by the number of Remenzels who have attened Whitehill because the number suggests a long history of wealth and infleunce. Referring to Eli as number also serves to dehumanize him, making him a link in a numbered chain rather than an individual.
Sylvia is "nouveau riche" (French for newly rich; new money), and she takes a rather vulgar delight in her son's beign part of an important family with an sacred school tradition.
We learn that Sylvia is foolishly childish and that her husband is funny cognizant (having knowledge or being aware) of her weakness.
The earlier description of the back of Eli's head as a "pinwheel" of coarse hair suggests a physical lack of control in his appearance. He may be feeling chaos within himself, but we don't know why yet.
Dr. Remenzel's attitude toward his wife varies from annoyed impatience to patronizing snobbery. He seems more interested in his plans than in Sylvia or his son, Eli.
The Rolls-Royce obviously indicates wealth and status; the shabby Chevy shows a lack of both. The Rolls Royce is also described to be in top condition, while the Chevy is described here as "shuddering".
Kurt Vonnegut Jr.
Literary Critique #1, p. 82
The Africans highlight the innate prejudices of Sylvia (and later, Dr. Remenzel, but that's later in the story). Sylvia's snobbery and patronizing attitude towards those who are not on her financial or social level is apparent when she speaks about the dorming as she constantly refers to the African students as "those people"--as if they are pariahs.