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After Christmas is whipped, he is described as, "not flinch[ing], no quiver passed over his face. He was looking straight ahead, with a rapt, calm expression like a monk in a picture." (Chapter 7)
Throughout chapter 7, Christmas is beaten by his adoptive father. His childhood was normalized by violence and erratic behavior, leading him to act on those same impulses as an adult.
Joanna's efforts to reform Christmas by encouraging him to explore his racial identity (as a black man) remind him of Mr. McEachern's effort to convert him to Christianity. Except, instead of being the victim of violence, he becomes the instigator of violence. His struggle with his identity and growing frustration with Joanna lead him to killing her.
Christmas is unable to deal with the kindness of women. Even an act as slight as a woman sewing buttons for him makes him angry enough to cut them off with a knife. He is repulsed by the affection of women.
"He had nothing in his nature of reticence or of chivalry toward women." (Chapter 12)
Christmas remains unaware of his identity and is conflicted about where to place himself. Similarly, society is inclined to impose racial stereotypes to him, despite the ignorance surrounding his ancestry.
Christmas is not only blatantly disrespectful towards women, but he is unable to express any form of reverence or chivalry towards them. He will never see women as his equal.
Christmas's unpleasant interactions with women during his childhood lead him to act on misogynistic impulses as an adult.
In Light In August, Faulkner uses the character of Joe Christmas to display the impact past burdens have on a person, effects such as racism, misogyny, and violence.
Christmas is driven to place himself in a community and to belong somewhere. He is torn between his "black blood" and "white blood." This shows his internalized battle with himself.