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The Renaissance

The Renaissance Ballet

  • A simpler type of secular vocal music than the madrigal was the ballet, a dancelike song for several voices.
  • In contrast to much of Renaissance music, the ballet was mostly homophonic in texture, with the melody in the highest voice.
  • Like the madrigal, the Renaissance ballet originated in Italy. It was cultivated in England from 1595 to the 1620's.

Instruments

Theorbo

Instrumental Music during the Renaissance

  • Among the important Renaissance instruments were:
  • Recorders
  • Shawms
  • Cornetts(wooden instruments with cup-shaped mouthpiece)
  • Sackbuts(early trombones)
  • lutes
  • Viols(bowed string instruments)
  • Harpsichord

Thomas Weelkes (c.1575-1623)

Review

Pictures of Instruments

  • Instrumental music became more important during the Renaissance, but vocal music was still considered more Superior.
  • Instruments were often used to accompany the voice or to play the vocal part on the instrument.
  • Instrumental music was intended for dancing, popular pass-time during the Renaissance.

Recorder

Sackbuts

Cornetts

Shawms

  • Most famous for his madrigals.
  • Strong use of word-painting in his compositions.
  • Was both a poet and musician.
  • Most famous piece is the As Vesta Was.

Viols

Lute

Harpsichord

Listening guide

  • Instrumental Dance, "Danserye"
  • Composer: Tylman Susato
  • Style Renaissance
  • Naxos Catalog No. HCD12194

Continued

Secular Music during the Renaissance

  • Popular dance pieces written for instrument - Pavana and Galliard.
  • Dance music was performed by a group of people or by a soloist.
  • Instruments were often distinguished by volume: Loud instruments, trumpet or shawm and Soft instruments, Lute or recorder.

Listening Guide

  • Vocal - Madrigal
  • Instrumental - Dance music, etc...
  • Madrigal, "As Vesta Was"
  • Composer: Thomas Weelkes
  • Naxos Catalog No. CR-8807

Guillaumme Du Fay (c.1397-1474)

  • Associated with the Bugundian court.
  • Trained at the Cathedral of Cambrai in Northern France.
  • Served as a chapel musician in Italy and Savoy.
  • His travels exposed him to a wide variety of music, from France, Italy, England. Absorbed many stylistic traits into his own compositions.
  • Blending of national styles can be traced in his Chansons, song.

Madrigal

  • Originated in Italy, later English Madrigals began to appear.
  • The English adapted the Madrigal to their taste with a less serious style than the Italians.
  • Consists mostly of Polyphonic texture with some Homophonic passages.
  • Often featured Word Painting.
  • Secular in nature, often refers to Greek and Roman mythology. Tells a story of some kind.
  • At times would feature non-sense words like "fa-la-la-la-la."(Ballett)

Music During the Renaissance

Music Example Sheet Music

  • Imitation
  • Expanded vocal range, so the music does not sound as cluttered.
  • Most Renaissance composers were trained at choir schools and usually had other jobs outside of music.
  • Many musicians were hired by patrons, including royalty, ruling families and religious figures.

The Renaissance (1450-1600)

Word Painting

New Compositional Method

  • French for rebirth
  • Time for rediscover, advances in science and technology
  • Invention of the printing press allowed new knowledge to spread
  • Advances in ship building allowed for exploration
  • The study of Humanities, things pertaining human knowledge
  • During the second half of the fifteenth century, composers moved away from structural voices and toward greater equality of voices.
  • Voices imitate a motive or phrase in another voice.

Listening Guide

Giovanni Pierluigi Da Palestrina (1525-1594)

Motet

  • Composers would often us Word Painting, musical representation of specific poetic images.
  • For instance, the words descending from heaven might be set to a descending melodic line.
  • Ave Maria... Virgo Serena
  • Composer: Josquin Des Prez
  • Style: Renaissance
  • Naxos Catalog No. 8.553428

Continued

  • Is polyphonic choral work based on sacred text.
  • Motets were first developed in the late middle ages, but flourished during the Renaissance.
  • Renaissance motets are smooth-sounding and imitative
  • Similar to a Mass, without the five prayers from the Mass Ordinary.
  • Usually sung A Cappella.
  • Because composers served patrons in a variety of geographical locations, they were exposed to a variety of musical styles.
  • International musical style developed, and in the sixteenth century, new national song styles emerged.
  • The leading Italian composer of church music during the 16th century.
  • Spent most of his career in Rome as a church musician.
  • Was renowned for his masses, motets, and secular madrigals.
  • Ordered by the Council of Trent to revise the official book of chants, which was used well into the 20th century.

Josquin Des Prez (c.1440-1521)

  • Humanists sought to revive ancient learning, emphasizing the study of grammar, poetry, history and philosophy from Rome and Greece.
  • Visual art became more realistic.
  • The Catholic Church began to have less power compared to the Middle Ages.

Mass

  • Mass is still the most significant sacred genre in the Renaissance.
  • Masses started to use imitation, expanded in length and range.
  • The Mass became more smooth, controlled and expressive than the Mass in the Middle Ages.
  • Ex. The Machaut Mass.
  • Palestrina became the most popular in composing the Mass.

Listening Guide

  • Pope Marcellus Mass, Kyrie
  • Composer: Giovanni Palestrina
  • Style: Renaissance
  • Naxos Catalog No. 8.558170-71

Leonardo da Vinci

  • Held series of prestigious position at courts and churches in France and Italy.
  • 1538, Martin Luther proclaimed that "Josquin is the master of the notes. They must do as he wills..."
  • Much of his work was published and performed a century after his death.
  • Composed masses, motets and secular vocal pieces.

Mona Lisa 1503

Texture

Printing Music

  • Printing music allowed wider distribution of music at a lower cost with greater accuracy and less time spent recopying by hand, creating the first true market for music as a commodity.
  • The texture during the Renaissance is still mostly Polyphonic
  • Homophonic texture is being composed predominantly in instrumental music, such as dance music.
  • Choral music is still played without instrumental accompaniment - A Cappella
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