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Transcript

The long and winding road

The Enlightenment

also called

the Age of Reason

or

the Augustan Age

Defoe

Robinson Crusoe

1719

objectivity

realistic description

of reality

importance given to facts rather than feelings

Romanticism

The Victorian Age

The Preface

to Lyrical ballads

1800

Daffodils

nature

imagination

feelings

The Solitary Reaper

emotions recollected

in tranquillity

peace

and tranquillity

solitude

My heart leaps up

pantheism

childhood

ordinary world

simplicity of language

Wordsworth

symbolism

loneliness

nature

Victorian society is criticised

realistic description of the society of the time

novels published in instalments

sublime

imagination

The Rime of the Ancient Mariner

Lyrical ballads

1798

supernatural

a ballad

willing suspension of disbelief

the dark hero

improbable coincidences

flat characters

suspense

eventful plots

pantheism

I want some more

Oliver Twist 1837

autobiographical elements

Coleridge

comic effects

humour

Use of irony and melodrama

sublime

horror

gothic novel

the moral: the rich should help the poor

prejudice

science fiction

feelings

Victorian education

utilitarianism

Dickens

What is a horse?

Hard Times 1854

the dark hero

society as corruptive

the creation of the monster

Frankenstein

1819

the overcoming of human limits

the ethical problems

of science

Mary Shelley

a mixture of different literary genres: detective story, gothic, epistolary, thriller, horror

a complicated structure: beginning in medias res, three narrators, wide use of flashbacks

critique of Victorian hypocrisy tending to hide and suppress inappropriate feelings or instincts

good and evil are parts of the same person

themes: the struggle between good and evil but from a new psychological point of view

Jekyll's experiment

The Strange case of Dr Jekyll and Mr Hyde 1886

who wins in the end? an open question

the dangers of scientific progress

a forerunner of Freud's theories

Stevenson

Aestheticism

the aim of art is just beauty

art for art's sake

beauty is artificial

art is useless

morality or didacticism is not the aim of art

the importance of sensations

the scandal

the dandy

the theme of the double

a gothic novel

Dorian's death

the faustian influence

The Picture of Dorian Grey 1890

aphorisms

he criticizes the hypocrisy of Victorian society

Oscar Wilde

The twentieth century

Modernism

indirect interior monologue

sense of duty

fear of the unknown

Eveline

Dubliners 1914

paralysis

epiphany

the stream of consciousness

symbolism

the use of mythology

direct interior monologue

Joyce

Molly's monologue

Ulysses 1922

a satire of the Russian revolution

an allegorical satirical fable

Old Major's speech

power corrupts

Animal farm 1946

dystopian novels

a nightmarish world

against dictatorships

Wnston Smith's at home in London

Winston Smith: an anti-hero

Nineteen-eighty-four 1948

Orwell

the Theatre of the Absurd

lack of plot

desolate setting

no characterization for the protagonists

metaphorical meaning

does it hurt?

lack of certainties

aimless existence

difficulty of communication

Waiting for Godot 1952

monotony of human life

difficulty of understanding reality

Godot: a mysterious name

pull up your trousers

Beckett

a circular structure

a tragi-comedy

humour

tragic situation