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Ultimate truth stories
Internalization
Externalization
Trilling's Lament "How come it that we start out Originals and end up Copies?"
Gertz (1986) "It is the copying that originates."
We have little choice but to start out copies. Then we engage in the process of origination.
Key: What difference would it make if a person who had been situated in an oppressive 'story' - being told - found herself either to be entitled to her own 'story-telling rights' or to have them restored and be enabled to tell her own life and become her own author?
In-determinant Nature of Stories
Lives are shaped through the storying of experience
Good stories are more transformative of the reader's experience than poor stories.
This element of indeterminacy that evolks the text to 'communicate' with the reader...
Perfromance As shaping
Experience structures expression
Life is the performance of text
A sense of lived time.
The units of time are the building blocks from which we construct stories as they have a beginning and end.
Thus it is the story in which we situate our experience that determines the meaning we give the experience.
Critical Thought encourages us to review our assumptions.
Bubenzer, D. L., West, J. D., & Boughner, S. R. (1995). The narrative perspective in therapy. In M. White (Ed.), Re-Authoring Lives: Interviews & Essays (pp. 11-40). Vancouver, BC: Dulwich Centre Publications.
Epson, D., White, M. & Murray, K. (1992). A proposal for re-authoring therapy: Rose's revisioning of her life and a commentary. In S. McNamee & K. J. Gergen (Eds.), Therapy as social construction (pp.96-115). Thousand Oaks, CA: Sage.
White, M. (1995). Re-authoring lives: Interviews & Essays. 199-213. Vancouver, BC: Dulwich Centre Publications.
Social scientists, including Kenneth Gergen, proposed that the 'narrative' or 'story' provides the dominant frame for live experience and for patterning of lived experience.
What we know of the world we only know through our own experience
What processes are involved in our interpretation of it?
Unique Outcomes
1. Looking for sub-stories beyond the dominant life story
2. Focus on the aspects of experience that stand outside of dominant stories and sub-stories. These provide a point of entry for re-authoring.
- Such as being curious about linkages or details about events.
3. Then request the person names the counter-plot, gives meaning. This is Important.
1. Letters: Sending clients an account of developments in therapy with them.
2. Expectations document: Can be a document a person uses to re-author their lives and get others to sign-on, commit, invite to join the client in their new definitions.
1. ID circumstances underwhich document might be consulted.
- Consider pre-established schedule, duress, equation of risk.
2. Speculate about consequences of consulting this document.
- Consider responses to problematic circumstances, relationships,
- Can put these consequences into the document.
- Note: Predictions are not actions
1. Review events between sessions to identify circumstances which warranted consultation of the therapeutic documents.
2. Verify predictions, reflect on significance & accuracy.
- Usual Outcome: people acknowledge extent to which they have become "authorities" in own lives.
- Might discuss meaning of ability to influence shape of their lives and explore possible future steps.
3. If review of events contradicts predictions, therapist can investigate for missing vital pieces of information from document.
1. Introduce the idea of a therapeutic document.
- Discuss how this might be appropriate
- Give other positive examples
2. Therapist shares thoughts on what might be included but does not impose ideas.
- Document is not essential to this work.
- Ask "Would you be interested in receiving such a document?"
3. Proceed with type of form if positive.
- Form could be: letter, charter, statement of position, letter of reference, document of identity.
4. After form is agreed upon, discuss process: collaboration or non-collaboration, therapist uses notes?
1. Delivery: Is document to be mailed, picked up after the session?
-consider confidentiality, living arrangements
2. How readily available will the document be for the client?
- consider living arrangements again.
3. Who may/should read this document?
- Consider the audience, recruiting an audience, authentic reaction of the audience
4. How Many Copies are to me made?
These stories determine the selection of the aspects of experience to be expressed.
Notion of Authenticity
These stories determine real effects and directions in our lives and in our relationships.
These stories give the shape of that expression that we give to those aspects of experience.
Stress: The freedom of the client to construct his or her own life.
A person arrives at a sense of authenticity in life through the performance of texts
1. Michael White says: No, it is more of a philosophy, epistemology, a personal commitment, a politics, and ethics, a practice, a life, and so on.
2. Training: Go to the Dulwich Centre in Australia OR consider an agency of social justice in the US.
Reauthoring:
1. enables people to separate their lives and relationships from knowledges/stories that are impoverishing;
2. assisting them to challenge practices of self and relationship that are subjugating;
3. encouraging persons to re-author their lives according to alternative knowledges/stories and practices of self and relationship that have preferred outcomes.
"The theme that underlies all Foucault's work is the relationship between power and knowledge, and how the former is used to control and define the latter. What authorities claim as 'scientific knowledge' are really just means of social control. Foucault shows how, for instance, in the eighteenth century 'madness' was used to categorize and stigmatise not just the mentally ill but the poor, the sick, the homeless and, indeed, anyone whose expressions of individuality were unwelcome."
Philip Stokes, Philosophy: 100 Essential Thinkers,
Mistake: the narrative metaphore = a form of representationalism.
BUT it is the constructionist orientation that accompanies the narrative metaphor.