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Comparing/Contrasting Constructivist, Continuity (Hollywood & Baziniesque) Editing w/ Sergei Eisenstein,Erich Von Stroheim and D.W. Griffith

Sergei Eisensteins'

Battleship Potemkin

warm up

set after the Russo-Japanese war

what are differences between continuity (vis-a-vis Hollywood type), constructivist and Bazin-esque editing ?

what were the reasons each of these editing styles favored by their champions?

Students will be able to analyze and compare continuity, constructivist editing through critical viewing of "Battleship Potemkin", "Birth of a Nation" and "Sunset Boulevard"

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