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Philippine History

The Invasion of Limahong

The Martyrdom of Rizal

First Mass at Limasawa

They developed the Filipino imagery in their work, taking images from the customs and traditions of the people.

Camote Diggers

Bayanihan

Blood Compact

Fiesta

Muslim Wedding

Customs & Tradistions

Oil Canvas Paintings

The Nose Flute

Muslim Betrothal

Work Style

He is best known for his historical epics, and one of his favorite subjects is fisherfolk.

Francisco further enhanced his art in mural painting as he, together with Edades and Ocampo, was commissioned to do several murals for lobbies and private residences.

Achievements

After WWII

Magpupukot

Fisher Folk at Wawa

1973 - He was the second Filipino who received the title of National Artist in Painting

1964 - Republic Cultural Heritage Award

1959 - his awards are first prize for his work "Kaingin" at the annual Art Association of the Philippines, "Most Outstanding Alumnus“

He taught at the University of Santo Tomas School of Fine Arts at the same time that he was doing work in cinema with Manuel Conde.

Rising Philippines

Water Color

Manuel Conde

Cockfighting

Fiestas with Higantes

Siete Infantes de Lara

Stations of the Cross

Modernist Painting

Education

Tinikling

THANK YOU

Childhood

Education

  • fond of playing basketball than Practicing his skills in painting
  • His father died when he was just 5 years old
  • His mother attended him to school alone

Botong Francisco

  • Studied College at University of the Philippines School of Fine Arts
  • In 1959 he was the recipient of a Most Outstanding Alumnus Award that gave an honour to his alma mater

The Triumvirate

UP School of Fine Arts

Together with Galo Ocampo and Victorio C. Edades, he formed the first group of modernists in Philippine art called "The Triumvirate“

The Triumvirate

Personal Information

  • November 4, 1962
  • Mother - Maria Villaluz
  • Father - Filipe Francisco
  • "Carlos" or "Botong"
  • Angono Rizal

Carlos Modesto Villaluz Francisco

Carlos "Botong" Francisco

by: Carlos Vincent Oliveros

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