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Artworks of Magic Realism often showed
us the everyday world at different, unfamiliar points of view or vision, and
it always tried to develop a mystery atmosphere, painted in detail and sharply focused, but realistic style of imaginary.
It painted with contemporary subjects
and commonplace objects from everyday life with magic elements.
Magic Realism evolved as a current
within Post-Expressionism in
Weimar, Germany; it evolved by
shedding Expressionism’s emotionally
charged nature.
Giorgio de Chirico was a Greek-born Italian artist. In the years before World War I, he founded an art movement which profoundly influenced the surrealists. He also had the most important influence on Magic Realism.
-In 1916 he painted his famous "Hector and Andromache (Ettore e Andromaca)" and
"The Disturbing Muses (Le Muse inquietanti)"
-In 1919, he presented his first personal exhibition at Anton Giulio Bragaglia's Art Gallery. De Chirico's painting was greatly appreciated by the German artists of "Magic Realism" and of the "New Objectivity". That moment marked the beginning for De Chirico of an intense period of exhibitions throughout Europe,United States and particularly in France.
In the first 30 years of 20th century, some of the American styles were closely related to Magic Realism of Germany.
Although much of the magic in German art disappeared in the 1930s with the rise of the Nazis(racist / the police). In the 1930s, it appeared in North America as the representational art.
Magic Realism in Europe and the second phrase in America evolved together for approximately forty years. As many artists outside Germany recognized these trends and began adding "magical" elements to their art, the movement soon spread to other European countries and subsequently to the other parts of the Americas. It continued in representational art during the 1930s, 40s and 50s.
Many early works of
Magic Realism were inspired by the naive paintings of Henri Rousseau or by the Metaphysical art of Giorgio de Chirico, particularly those produced before 1915.
Magic Realism
Surrealism
Magic Realism was first initiated after World War I, around 1919, in Europe.
It came before Surrealism.
Magic Realism was a part of the Return to Order (opposition of abstraction).
- Magic realism always wants to bring us the everyday life at different, unfamiliar points of view and vision.
Other influences
came from a number of Italian, and French contemporary artists.
- Surrealism takes us to another world, one which is unreal and exists only in our mind. It presents the impossible and sharply focuses on the subconscious which often shocks us.
* Painters of Magic Realism are observers of society and nature.
For this reason, artists of Magic Realism
kept adding dreamlike and magic element to their art, but the subject matter still is always possible.
* Painters of Surrealism are always exploring the depths of the subconscious mind.
- They both use a mixture of realism and fantastic elements.
The sleeping Gypsy
(1897)
Night Light
by Rob Gonslaves
The Prodigal Son
(1922)
Magic Realism’s similar style is '
New Objectivity'. In 1925, Gustav Hartlaub organized an important exhibition of contemporary German art under the title of Die Neue Sachlichkeit (New Objectivity). More than 130 works by 32 artists were shown. The exhibition had great influence on early Magic Realism; more artist began to utilize magic element in their artworks.
Love song (1914)
Ladies of the lake
by Paul Bond
In the 1960s, Magic Realism started to apply to literature and eventually to films.
Now, it is most commonly used as a literary and media genre.
It is easier to develop the complex mixture with the elements of fantasy and magic through Cinema or photograph.
surprise!
Henri Rousseau wasn't formally trained to paint. He did painting as a hobby before he accepted a early retirement and focused on painting full time.
Some of his artworks was exhibited in the National Gallery, London in 1891 and in MOMA, New York, in 1910.
Although his work is called native art, some of his exaggerated, dreamlike works let many classify him as a surrealist.
The dreamlike element from his artwork was an inspiration of Magic Realism.
Symbolism
The dream (1910)
Two Monkeys in the Jungle
The concepts of Magic Realism
became more clearly defined in the second half of the 1920s. Art critic Emilio Bertonati commented that Magic Realism should refer to a more restricted concept. He thought that subject matter and content should be consider in addition to style.
Der rote Gürtel,
( 1929)
Alexander Kanoldt (29 September 1881 – 24 January 1939) was a German magic realist painter and one of the artists of the New Objectivity.
Alexander Kanoldt
Stilleben VII (1926)
Il paese di Bellegra II, 1925
(1891-1955)
Charley Toorop
Born March 24 1891, Katwijk, South Holland,
Netherlands.
Died November 5, 1955 Bergen.
She was a Dutch painter and is best known of her self-profits.
Carel Willink
Born March 7, 1900, Amsterdam, Netherlands.
Died October 19, 1983.
He was a Dutch Magic Realism painter.
He called his style of Magic realism "imaginary realism".
(1901-1991)
(1902-1940)
Dick Ket
Born 1902, Bennekom, Netherlands.
Died 1940
He is a Dutch Magic Realist painter and a printmaker.
His paintings noted his still lifes and self-portraits.
He was born with a serious heart defect.
(1920-2011)
George Tooker
Born 1920, Brooklyn, NY, USA.
Died March 27, 2011 Hartland, Vt, USA.
He was an American Magic Realist painter.
George Tooker
(1932-2002)
Mati Klarwein
Mati Klarwein
Born April 9, 1932, Hamburg, Germany.
Died March 7, 2002 Deia, Mallorca, Spain.
He was a French Magic Realist painter and best known for his works used on the covers of music albums..
He is an American-born artist living in Spain.
He is best known for work in the areas of fantasy art and magic realism. He specializes in painting, stone lithography and sculpture
(1956-)
Cindy Betzer Pharis
Born November 9, 1956, Phoenix, Arizona, USA.
Lives and works in Los Angeles, CA, USA.
She is a mixed media visual artist and her art centers around the human figure.
Cindy Betzer Pharis
Bjork Carlton