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At 2:01 Allen carries out another Quick Time-Turn in a pirouette leading into high kick while Turning in Sustained Time. She then proceeds with four Turning steps that Transfer Weight creating a visual of Overbalance.
At 2:08 Allen does a series of four Turning-Jumps, the first three are executed in Sustained Time and the final Jump in Quick Time.
Laban’s concept of Time relates to Sustained and Quick Time and Dunlop’s Categories of Movement are: Transfer of Weight, Turning, Travelling, Stillness, Jumping and Overbalance. In examining certain fragments or phrases of the dance one can deduce the combination of some of the two concepts of movement.
1:44 - SWINGING
stepping across with skirt in opposition
2:08 - BALLISTIC
unpredictable direction changes
throwing, yet controlled energy
2:13/2:17 - PULSING
isolated legs and shoulders
2:44 - TO AND FRO
touch step touch, jump sisson section
ALL - SUSTAINED
uninterrupted continuity
There is a motif that happens a few time with the music and isolations. A timing of 1, 2, 3, and, ah happens a few times in the dance.
Valerie Preston-Dunlop describes seven dynamic qualities or colours within dance. These colours include pulsing, vibration, swing, sustained, falling, ballistic, and to and fro. Taking a closer look at West Side Story’s America choreography, it is clear to see many of these colours present within the movement.
Throughout the dance there are landmarks in the music that send the dance into the next section. At 1:34 there is a cannon in the music that propels into the start of the dance.
At 1:44 there is a shift and it gets a bass, at 1:46 the music opens up and the main dance begins, it gets a puerto rican feel to it.
at 2:10 Trumpets come in and this brings the rest of the girls in to join Debbie Allen
at 2:20 the music tones back to stop the dance and start the singing.
at 2:30 the music cuts out right before the big finale dance break.