Elementos y principios del arte

Categories in Visual Arts

ELEMENTOS Y PRINCIPIOS DEL ARTE

REALISTA es la representación naturalista de la materia. (Null)

NON-OBJECTIVE

is a representation with no subject matter. The lines, forms, shapes, colors, textures become more important. (Null)

Es una representación sin contenido. Las líneas, formas, colores, texturas cada vez más importantes

ABSTRACTA shows the subject matter that can be seen but has changed, usually to meet the expressive needs of the artist.

Images can be placed in unusual ways. (Null)

Muestra el tema que se puede ver, pero cambiado, por lo general para satisfacer las necesidades expresivas del artista. Las imágenes pueden ser colocados de forma inusual

Three Musicians

Musiciens aux masques

Summer 1921

Oil on canvas

200.7 x 222.9 cm

The Museum of Modern Art, New York

7 Art Elements

LINE is the path of a moving point that defines the edges of shapes and forms (Null)

Artes Visuales

“SHAPE is the area enclosed by a line” (Null)

Based on Janelle Nule, Art Instructor

B.A./M.A. Kearney State University - Kearney, NE

Schneider Adams, Laurie

A History of Western Art

Fourth Edition

McGraw-Hill

LINE

Es el camino de un punto móvil que define los bordes de formas y figuras

COLOR

"La forma es la zona delimitada por una línea, dos dimensiones (geométrica y orgánica)"

* Elementos del arte

* Principios del arte

* Categorías

VALUE

TEXTURE

SPACE

Trio

Steve Magada,

1966, Oil,

Location Unknown

Burial of Pierrot by Henri Matisse, 1947, 16"x25", Stencil Print, Escole des Beaux Arts, Paris

SHAPE

Schneider Adams, Laurie

A History of Western Art

Fourth Edition

McGraw-Hill

SOURCES

Assembly of Sea Forms by Barbara Hepworth, 1972, marble with stelel base,.

“VALUE is the lightness or darkness of a surface, often referred to when SHADING.” (Null)

COLOR: Combinación de propiedades y cualidades del pigmento en posibilidades de aglutinación y de aplicación técnica en la pintura.

Tropical Jewels

Robert Wood,

Watercolor,

22" x 20"

Art: Independence Community College

Null, Janelle B.A./M.A. Art Apreciation,

http://faculty.indy.cc.ks.us/jnull/

Last update, Oct 2002

ArtLex: Art Dictionary http://www.artlex.com/

Schneider Adams, Laurie

A History of Western Art

Fourth Edition

McGraw-Hill

Claridad u oscuridad de una superficie

Es el grado alto y bajo que existe en el color

Value of Gray

FORMS are tridimensional, ocupy space or give that illusion (Null)

IMAGES:

Schneider Adams, Laurie

A History of Western Art

Fourth Edition

McGraw-Hill

Tea Time by Jen Metzinger, 1911, Oil, 30"x28", Philadelphia Museum of Art

Emphasis because of the different elements.

El énfasis debido a los diferentes elementos

CONTRAST is a big change in an element of art to create interest, without it a design would be monotonous. Bright vs. dull color, large vs. small shapes, etc.

Principles of Art

SPACE is the illusion of objects having depth on the 2-dimensional surface. Lineal and aerial perspective are used. (Null)

Medio donde se representan y ubican las formas planiméticas o volumétricas

Visual emphasis by contrast of forms

Énfasis visual por el contraste de las figura

The art elements are planned and organized according to the design principles.

Art principles became rules o laws for the artist at the time he is creating. (Null)

Movement is the arrangement of elements to create a sense of direction. (Null).

EMPHASIS is the focal point or point of interest within a composition. Importance given to an area or areas by contrast. (Null)

It can be symmetrical or asymmetrical.

BALANCE is the feeling of equilibrium among the elements, sense of being comfortable. (Null) 

Estabilidad de fuerzas y elementos opuestos luchando por compensarse mutuamente.(simetría o asimetría)

The Carnival

Winslow Homer,

1836-1910, Oil, 20"x30",

Metropolitan Museum of Art

Es la Relación de contrarios que intervienen entre la unidad y la variedad al ser representados con sus características formales y sus valores tonales, cromáticos o Lumínicos.

Fur covered Cup, Saucer and Spoon, Meret Oppenheim,1936

Still Life with Apples & Peaches" by Paul Cezanne, 1905, Oil, 32"x39", National Gallery of Art, D.C

Pemaquid Point

Gerald Brommer,

watercolor, 14"x20"

Center Stage

Jeff Owns,

watercolor,

24"x24"

It is linked to movement as the viewer’s eye is carried through the composition

PATTERN is the use of elements in planned or various repetitions. We can find it in nature, in art.

They increase visual interest by enriching surface appeal. (Null)

“TEXTURE is the ACTUAL surface feel of an area or the SIMULATED appearence of roughness, smoothness, or others”. (Null)

Numbers in Color,

Jasper Johns, 1930,

Encaustic and newpaper on canvas,

66"x49", Albright Knox Art Gallery, NY

El patrón es el uso repetido de los elementos.

Se aumenta el interés visual

Liberation of the Peon, Diego Rivera, 1931, Philadelphia Museum of Art

At the Moulin Rouge by Henri de Toulouse-Lautrec, 1893-95, Oil, Art Institute of Chicago

UNITY is the visual sense of oneness. Each element of art is arranged to contribute to the composition. Not so much variety (chaos), not so much order (boredom). (Null)

"Starry Night" by Vincent van Gogh, 1889, Oil, 29"x36", Museum of Modern Art, NY

"Street Music”

Margo Hoff,

acrylic and collage, 6'x10'4"

"Annapolis Excursion”

Frank Webb, watercolor, 25"x22