7 Recommendations for Using the Flip (and other) Video Cameras in the (non-video) Classroom
This work was presented on March 10, 2010, at Rowan University, Glassboro, NJ. It is covered by a Creative Commons Attribution-Noncommercial-Share Alike 3.0 United States License (http://creativecommons.org/licenses/by-nc-sa/3.0/us/). Comments welcome. Th
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6 Recommendations for using flip video cameras in the classroom 7 (and other) Let students take the cameras home; get them thinking about and using the cameras right away. Ensure that students have the ability to edit video outside of class and from home. Sequence your assignments so students learn more advanced editing and sophisticated composition techniques over time. Talk with students at length about best practices for working with video files, moving video files to and from USB drives, and backing up their work. Provide options for file conversion and anticipate some problems. Depending on goals of the assignment, require students to use only Creative Commons licensed and public domain texts (music, images, video, and so on). Ensure that the cameras facilitate meeting course objectives and outcomes rather than being the primary focus of the class. Adapted from my Writing, Research, and Technology course description In this class, we are going to be extending traditional conceptions of composition by applying it to the medium of video. Kevin Kelly (2008) recently described the emerging video movement as a cultural shift “from book fluency to screen fluency, from literacy to visuality.” As a means of engaging visuality our primary assignment will be to create an oral history video composition that will ask us to think critically about how writing, research, and technology are in evolving in digital age. We are going to read theory on oral histories, learn oral history research methodologies, determine an area of study, interview people, and compose idea-driven videos that mash together interview footage with still images, primary documents, sound, and other video footage. We will also jump headlong into remix culture by creating our own videos by remixing and building on the creativity of others. Families of War: An Oral History by Rebecca R. WRT Fall 2009 Final Cut Pro vs Windows Movie Maker &and/or iMovie Benefits: Benefits: students will be able to do really cool stuff WINNER! comes installed on Windows PCs and Macs, meaning . . . students can work from school and home &(!!!) students will able to do stuff that is effective (and cool) enough to meet course objectives and outcomes with photostory 3 The One Change by Shelle D. music by TRYAD submitted Oct 5, 2009 Cerebral Palsy Remix by Shelle D. music by Rascal Flatts submitted Nov 9, 2009 2,343 views Recommended: Zamzar, which is free at http://zamzar.com. (non-video) What is Creative Commons? Wanna Work Together RG Remix creative commons images http://www.flickr.com/creativecommons/ creative commons music: http://jamendo.com public domain video (moving images archive): http://www.archive.org/details/movies Migrant Working Oral History Remix by Chris Cullen music by Bob Dylan WRT Fall 2009 for our purposes, watch up to 37 seconds a workshop with bill wolff, writing arts rowan university 10 March 2010 1st video responses as of March 9, 2010 Thank you and happy videoing! To see the presentation online go to http://j.mp/9KBk2H. For more info, to bounce off ideas, or just to chat, contact me at wolffw@rowan.edu. Creative Commons Attribution-Noncommercial-Share Alike 3.0 United States License http://creativecommons.org/licenses/by-nc-sa/3.0/us/
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