
Audio Transcript Auto-generated
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Hello there, Class.
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I hope you're doing well.
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So today we're gonna learn about one of my favorites
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rhetoric. For some of you, this may be more of
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a review, which is great.
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Use this chance to refresh your memory and add on
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to your notes.
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And for others, this might be brand new information.
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Wherever you're starting from, make sure to stop by office
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hours. If you want any examples, I would be happy
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to go over it with you before we get started.
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With all the content, I want you to take a
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second, pause the video and go ahead and jot down
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everything that comes to mind when you hear the word
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rhetoric. Now for many of you, when you were jotting
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down those notes, you might have had a lot of
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negative associations with it, for example, something like this.
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So former President Barack Obama says in 2016 quote.
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I told you earlier, all the talk of America's economic
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decline is political hot air.
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Well, so is all the rhetoric you hear about our
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enemies getting stronger and America getting weaker.
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Now here in this quote rhetoric is on the same
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level as hot air which is another way of saying
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Bologna. We get this idea that rhetoric is about manipulation
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or even outright distortion of the truth and in all
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honesty, outside of the academic realm.
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That's the way I personally hear rhetoric used most, especially
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when we're in an election year.
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However, the way we use it in English five is
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MAWR about the academic definition, which we're gonna look at
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in just a second.
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But first, let's go ahead and take a trip on
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the way back machine and think about where this connotation
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came from.
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So some of you guys might recognize the two men
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in this picture.
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On the left, we have Plato on the right.
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We have Aristotle, and they're two of the three greats.
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When it comes to ancient Greek philosophy, the first in
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the lineup would be Socrates.
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So Socrates was a mentor to Plato, and Plato was
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a mentor to Aristotle.
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This is just a fun fact.
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You don't have to remember it, but if you do
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want to remember the order of them, I usually think
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of spa, Socrates, Plato, Aristotle.
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Anyways. So Plato, who mentored Aristotle.
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Plato believed that rhetoric was an attempt to actually dissuade
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people from believing in the truth.
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He thought it was basically like putting lipstick on a
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pig. It was a way of gussying up a situation
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to seem better than it.
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Waas Aristotle said.
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No, no, no, no.
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When we actually think about how we compose an argument,
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if we could engage people's emotions, show them the logic.
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If we can give them an impression of our own
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credibility, all of that can help lead people to the
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truth. And so while Plato gives us the negative connotation
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that we saw in the Obama quote, Aristotle actually gives
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rise the definition that we use in academics.
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So let's go ahead and look at that basic definition
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produced, According to the dictionary, Your basic definition looks like
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this one the ability to use language effectively and to
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the art of using speech to persuade influence or please.
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Now, in an academic setting.
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That word right there persuade is the most important, because
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that's what we focus mostly on in our writing.
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And on the surface, these definitions seemed quite simple and
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straightforward, and that's because there is a little bit more
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when you scratch beneath the surface.
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So let's go ahead and do that.
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So as it happens, there are four pillars of rhetoric.
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Ah, lot more goes into rhetoric than just these four
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pillars, but this is a nice basic way of breaking
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it down, and they are ethos, pathos, logos and Cairo's.
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We're going to spend some time looking at what each
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one means, and then also thinking about how you could
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build it into your papers.
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So ethos that E.
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T. H might remind you of the word ethics and
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ethics is about morality right and wrong.
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So if you have that association, it helps you get
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to the definition of the term.
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So ethos is a strategic appeal the author speaker uses
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in their argument.
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It's their way of establishing their credibility, their trustworthiness on
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a given topic.
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So, for example, on the far left, we have a
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doctor. She's establishing her credibility by wearing the uniform of
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a doctor.
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That lab quote takes years and years of advanced training
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and experience before you could put it on.
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So if we had a question about, let's say our
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bones, we might go and talk to her about it.
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However, if you're paying attention and if you've seen Grey's
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Anatomy, you know that That's actually Callie Torres, that is
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an actress.
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So on the one hand, if she were an actual
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doctor, she would have a great deal of credibility on
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topics relating to our bodies.
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However, right now this is actually a misuse of ethos.
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She is not credible.
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We would not actually want to ask her questions about
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medicine. We could ask her questions about acting.
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Even singing she had a brief singing career is well,
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so you can see where on the one hand we
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aim for this ideal, but we always have to be
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on guard for trickery, which we'll talk about more later
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this semester.
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So in the middle we have Judy Woodruff, and if
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in the background, you see PBS news Hour, this is
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a well known and reputable source for news.
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They're known for having a balanced presentation where they try
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not to slant it either positive or negative, left or
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right, et cetera.
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If we had questions about current events or if we
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had questions about journalism, she's a great deal of credibility.
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But would we ask her questions about a root canal
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or getting our teeth cleaned No, she doesn't have ethos
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there. And then finally, on the far right, we have
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a beautiful, poetic author, Julia Alvarez, and she is well
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known for writing about her experience as a Dominican American.
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If we had questions about the dictatorship in the Dominican
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Republic, if we had questions about being a creative writer,
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we would ask her.
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So remember, ethos is situational just because someone has a
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doctor in their name just because they have a PhD,
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just because they have a great deal experience and a
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niche field doesn't mean they automatically have ethos in every
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situation. So you really got to think about it in
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your own writing.
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You already built in ethos a variety of ways.
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For example, you can demonstrate that you're knowledgeable about the
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subject and a literature class this would look like referring
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to very like particular detailed, specific examples from throughout the
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book. To show you read it carefully, you can also
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borrow the ethos of expert sources, and this Onley works.
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If you take the time to briefly establish their ethos,
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then you borrow it.
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You can prove a close association, for example, if you're
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invited to share your own anecdotal evidence and you're writing
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about a mental health issue and you have had mental
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health issues in the past, then that shows that you
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know about the issue on a first hand way.
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And then, of course, you could also include a counter
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argument to show that you are fair and balance.
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We're gonna be talking about counter arguments more a little
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bit later in the semester.
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So while ethos is very important because if they can't
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trust you, they're not gonna believe anything you have to
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say. Even if you're right, it's not the Onley pillar.
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Another one that is very important is pathos, and that
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P A T H might remind you of sympathy or
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empathy. The route we're looking at is emotion.
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So if you're thinking of its d notation, pathos is
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the strategic and appropriate use of emotion.
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In an argument, you'll note two things I said strategic
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and appropriate.
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You can actually misuse pathos, and we're gonna talk about
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that when we look at logical fallacies a little bit
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later in the semester, and you also notice that I
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said strategic because it's not just about seeing emotion or
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talking about emotions, and we're gonna talk about how to
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analyze it in just a second.
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How do you bring it into your own paper?
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So pathos is often overlooked because our education system focuses
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on the next one logos.
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But it's really important if you're gonna have a rhetorically
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sound argument to build it in.
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You could, for example, include a relevant anecdote.
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Remember, an anecdote is a personal experience.
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If you choose one that has an appropriate emotional tone
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for what you're trying to get your reader to feel,
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it could be really powerful.
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One easy place to integrate them would be in your
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hook. You could, of course, throughout the paper, focus on
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your tone.
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Your tone is your emotional reaction to the subject, and
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this is important because it will affect your readers mood,
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which is what we're trying to do with pathos.
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So if I am trying to get people to go
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out there and march in the streets, I might have
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an outraged tone.
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I might have one that's trying to give a call
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to action.
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I wouldn't necessarily wanna have a depressing one, because that
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might make people want to stay home and just eat
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chocolate and the other thing you could do, of course,
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is to be strategic and choose examples that illicit a
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target emotion in your audience.
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So what?
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I'm thinking about what quotes to include what examples I
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want to analyze.
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Make sure that they're still in tune with the emotion
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you want to get out of your audience, which is
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why it's really important to consider what emotion you want
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them to feel before you even begin.
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And, of course, when you're analyzing for pathos in an
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argument that you're experiencing, you want to make sure that
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you remember that pathos is about the audiences emotion.
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So you're author or speaker might include an example.
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You slow down and think, What are they trying to
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make me feel?
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Empathy, anger, excitement?
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How did they make me feel that way?
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And that's how you analyze for Phos is not just
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emotion in the text.
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Those the first two of the pillars of rhetoric the
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last two are logos and Cairo's no logos is the
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one that we focus on most throughout our education.
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So when you think about things like having a clear
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thesis and topic sentences and transitions, all of those are
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to deal with the well reasoned and thoughtfully structured argument,
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which is logos, Logos is the appeal to reason.
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So whenever you slow down and really explain your analysis
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in detail, you explain it.
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Step by step.
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Your reasons for believing.
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Whatever claim you made that right there is logos.
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You could also include a statistic, a fact or definition.
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This will be your evidence that you then analyze.
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And, of course, you consider your structure of your argument.
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Is it something that we can actually follow and understand
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it? Be convinced by And just as a pro tip,
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the Texas structure that we talk about sometimes in class
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is one easy way to help building logos.
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It alone isn't enough, but it's a really good start
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from logos is Cairo's now.
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Most often, people are familiar with ethos, pathos and logos.
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Before whatever reason, Cairo's often gets for gotten.
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So let's go ahead and look at it.
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Hi Rose is really straightforward.
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It's just a timely argument.
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So by time that I mean, is this argument coming
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at a time when it can actually make a change?
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For example, if I were to make a really thoughtful
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argument that Bernie Sanders should be elected president.
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Clearly, that ship has sailed a long time ago.
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So even if my argument has perfect ethos, pathos and
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logos, it means nothing.
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No one will be convinced by it.
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So that's Cairo's.
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On one side, you're thinking about the cultural context and
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whether or not it makes sense.
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The other side is the Kairos of the elements in
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your paper.
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So think about the order of ideas, and this will
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be a well balanced argument and this one I usually
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think of as a punch line.
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You could have a perfectly logical argument, but perhaps it
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goes from Topic aid to Topic Z to Topic three,
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and that just doesn't make sense.
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So you got to reorganize them in a way so
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that they flow well.
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And when I think about this, when I think about
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it like a punch line of a joke, a joke
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is on.
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Lee. Funny if you time it right.
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So, for example, we have this little cartoon.
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The joke is what did the Buffalo say to his
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son when he left for college by son.
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Now, if I had said if I had instead had
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said, you know the Buffalo says by son.
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When his son goes off to college, the time is
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off. It's not funny.
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I ruined the joke.
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So those are the four pillars.
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Why does it all matter?
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It's all about convincing our audience.
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And so I want to touch back on two terms,
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audience and genre.
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So the audience genre both shape how you communicate.
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And that's why I always note them on our props.
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So, for example, when we were thinking about how to
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make sure that we have strong pathos, we're thinking about
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what emotion we wanted our audience to feel, and that
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dictates our tone.
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And it also influences what we choose in terms of
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our anecdotes and evidence, etcetera.
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Beyond that, we also have to think of the genre,
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So the genre is the type of writing.
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Not all essays are the same.
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If I'm writing a letter to convince someone, then I
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need to have the format and structure of a letter.
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It's kind of like a contract between you and the
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audience. If you picked up a mystery novel, but you
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got some sort of cyberpunk novel, you're gonna be pretty
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mad. You might want your money back where you might
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throw it back at the library, whatever it happens to
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be. And so when you're thinking about how to deploy
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the four pillars of rhetoric, you have to think about
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who your audience is, and you have to think about
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what your genres.
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So that's a brief introduction to rhetoric.
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Please feel free to come by office hours with any
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questions, and then throughout the semester, we're gonna work with
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these terms in more detail.
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I'll talk to you guys later.