ARDMORE

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Community Support

Uplifting and empowering Ardmore’s artists and the local community have been a priority since Ardmore Ceramic Art was established by Fée Halsted in the 1980s. In November 2010, Fée Halsted was honoured by the Philadelphia-based Women's Campaign International for her "inspirational work" in empowering the women of KwaZulu-Natal. Previous honorees include Hillary Clinton and Joe Biden.

Ardmore has always had an open door policy towards people who want to learn and develop their creative talent and earn a sustainable income through art. In addition Ardmore assists the artists by cooking a nutritious meal each day and providing healthcare. Training programmes have included life skills, financial planning, health and HIV-Aids awareness.

The Ardmore artists are considered by their community to be the isigweli – the fortunate ones – and have been encouraged to share their earnings to benefit others. One of our Ardmore Design projects is a fabric featuring designs by celebrated artist the late Wonderboy Nxumalo who embellished his ceramics with his poetry inspired by the joys of love and the sorrows of HIV-Aids – warning people about the disease without forgetting the thrill of being in love. Ardmore produces the Wonderboy Wisdom fabric with Mavromac. Proceeds go to Wonderboy’s mother and to Khazimula, a local orphanage that cares for Aids orphans and for children who have been abused or abandoned. In this way Wonderboy’s legacy supports his family and the community even though he is no longer with us. Anyone wishing to find out more or wanting to make a contribution towards the community work undertaken by Ardmore should email us.

ARDMORE

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The Context of Ardmore ceramics

Intention and/or function?

Materials and techniques

Where is Ardmore studios?

Who started Ardmore studios?

How does their work bring transformation(i.e change) into the socio-political context of South Africa?

How does their work create empowerment opportunities in South Africa?

How does their work transcend the boundary between craft and art?

Why is their work unique?

Discuss what techniques the Ardmore artists used to create these jugs. You must describe what the terms scratch and slip and hand modelling means, as well as how the artists have used glazes to create intricate patterns.

What is the function of these jugs?/ why did the artists make them?

http://www.ardmoreceramics.co.za/world-of-ardmore/community-support

imagery/ symbolism

Elements & Principles

How do the jug reflect South African Culture?

Are the animals realistic?

What elements and principles can you identify?

e.g •Colour?

•Texture & pattern?

•3-D form?

•2-D shape?

• Line?
• Contrast?

How has the artist used these Elements and principles to enhance their design?

http://www.southafricaholiday.org.uk/nature/b_owls_typical.htm

About Ardmore

Ardmore Ceramic Art was established by Fée Halsted on Ardmore Farm in the foothills of the Drakensberg Mountains of KwaZulu-Natal, where she lived after obtaining her BA (Fine Arts) Honours degree and lecturing at Natal Technikon. Here she met Bonnie Ntshalintshali, daughter of their housekeeper, whose polio meant that she was unable to work in the fields. Fée and Bonnie quickly developed a synergy and under Fée's mentorship, Bonnie's natural skills as an artist blossomed. Five years later, in 1990, Fée and Bonnie were jointly awarded the prestigious Standard Bank Young Artist Award, the first such artistic partnership to be recognised. With this success came the demands of creating ceramics for their exhibition, so Fée offered other local women the opportunity to train at Ardmore, producing pieces to generate income for the fledgling studio.

Fèe, through necessity, developed the exuberant exotic style that has made Ardmore ceramics famous. "I made tiles and if one cracked, I'd stick a rabbit or bird on the top to hide it," she recalls. Their work broke from the ceramic conventions of the time: fired terracotta clay was painted with plaka paints, boot polish and oven blackeners. Glues and putty were also used. Later American Amaco paints and transparent glazes brought vibrant colour and fine painting style to the ceramics.

In 1996, Fée and her family moved to Springvale Farm in Rosetta in the KZN Midlands, allowing the artists at the Berg Studio in the Champagne Valley to explore their independence. At Springvale she established a smaller studio and gallery, and in 2003, the Bonnie Ntshalintshali Museum was created to honour Fée's co-artist and friend after her tragic death from HIV/AIDS in 1999.

A few years later, Fée and her family moved to the Caversham Valley, relocating the studio and museum and building a spacious gallery and offices. This created a unique home for Ardmore and in 2009 she amalgamated the Berg and Rosetta studios here.

Ardmore's 25th anniversary in 2010 saw the launch of Ardmore Design Collection, which translated Ardmore's distinctive imagery and styling into functional, superb quality ceramic and non-ceramic products including dinnerware, tapestries, furniture, fabrics for soft furnishings, and more. This new venture was made possible through a generous grant in late 2009 by the Business Trust's Shared Growth Challenge Fund.

The artists from the Ardmore studio are given training, direction, materials, a studio and a guaranteed market for their work, supported by a skilled marketing and administrative team. Over the years, Ardmore's artists have won numerous awards and exhibited widely in South Africa and around the world. Ardmore artworks feature in leading galleries and collections, including the Museum of Art & Design in New York, the Museum of Cultures in Basel, Switzerland, and the Tatham Art Gallery in Pietermaritzburg, South Africa. The acclaimed auction house Christie's has acknowledged Ardmore artworks as "modern day collectibles".

http://www.ardmoreceramics.co.za/world-of-ardmore/about

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