'Remember Me As a Time of Day'
by tiffany chan
LOCATION AND TIME
- Evening/night time; 9:30pm-12am
- Central/Sheung Wan (trams)
- Yau Tsim Mong district
CINEMATOGRAPHY & LIGHTING
SOUNDS
- Diegetic sounds - city
- Instrumental sounds
'We Might As Well Be Strangers'
EDITING
CHARACTERS
- Handheld
- Not always focused
- Different mediums e.g. reflections
- Lighting of characters
- Colour blocking
THEMES
- Alex (male) and Wren (female) both 16 years old
- Parallel editing
- Jump-cuts
- Invisible editing
- Cross-cutting
'Remember Me As A Time of Day' - Explosions in the Sky
'The Only Moment We Were Alone' - Explosions in the Sky
ALEX
WREN
- Isolation/loneliness
- Unrequited love
- Loss
- Highly observant
- Artistic, creative - photographer
- Needs personal space
- Quiet
- Non-judgemental
- Tranquil
- Extroverted
- Solitary
- Stubborn
- Irrational
- Curious
- Dislikes thinking ahead (spontaneous)
We Might As Well Be Strangers (2010), dir. Heiward Mak
SUMMARY
DIRECTORS
GENRE
- Contrasting characters
- Cinematography - bokeh
- Urban loneliness
- Feelings > plot
- Cross-cutting narrative
- Wong Kar-wai - (Chungking Express, Fallen Angels)
- Sofia Coppola (Lost in Translation)
- Michel Gondry (Eternal Sunshine of the Spotless Mind)
CONTEXTUAL POINTS
- Memories are "reset" at 12am everyday.
- Alex and Wren are two lost teenagers wandering aimlessly through Central.
- When they cross paths, it is revealed they were former lovers.
- Sci-fi (ish)
- Indie
- Romance (non-traditional)
Eternal Sunshine of The Spotless Mind (2001) dir. Michel Gondry
RESEARCH TEXTS
- Non-traditional romance story
- Contrasting characters
- Tone and feel
- Mildly depressing, melancholia
- Feelings > plot
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