- Passive characters who are victim to monstrous women
- ‘helpless victims of a sexual/political imbroglio’ (Greenberg, p.93.)
-‘All the men in this tragedy are sacrificial victims on the altar of some destructive female deity’ (Greenberg ,p.101)
-Evidence of weakness through love?
- Women’s monstrousness leads the reader to question the twins’ masculinity
- Double Bind which ‘reduces them to total passivity’ (Greenberg, p.91)
- Male order has been turned ‘topsy-turvy in the chaos of female usurpation’ (Greenberg, p.91)
- Antiochus fulfils duty by ascending to the throne and marrying Rodogune
- Séléucus sacrifices himself – ‘gloire’
- Patriarchy triumphs despite female interference?
• Mother-figure, prime maternal influence on Joas
• Midwife: saves Joas from bloody massacre
• Very protective of Joas: 'je crains pour le fils de mon malhereux Frere' (235)
• Maternal love as weakness? Wants best for Joas rather than whole nation
• Doesn't agree with what Joad wants to do Act 1 Scene 2, but says 'A vos sages conseils, Seigneur, je m'abandonne'(188) Obedient wife.
• Serves Yahweh, paternal god, patriarchy
Joad
- Paternal authority in the play, upholds hegemony
- Dominance over Joas and his submissive wife, Josabet
- Strong belief in the true faith, acts on behalf of Yahweh - most powerful paternal force
- More nurturing side shown by his raising of Joas is a means to an end
Gender Identity and moral development
- An effective ruler
- Threatening women
- Male paradigm
'La Mère Monstrueuse'
Maternity: Josabet
'Cléopatre...est très mechante'
- The Protagonist
- Aristotle's Poetics
- Obsession with power
- As a maternal figure
- 'Elle est à peu près dénuée de sentiment maternal' Scherer
Love and Tension
- The Mother
- The Lover
- The Women
Athalie and Regency
- Opposite of Josabet, does not conform to gender stereotype. Doolittle: a woman cannot be simultaneously feminine and ruler as 'the function of rulership belongs to men'; as Athalie is 'an effective ruler', she cannot be feminine. Athalie demonstrates character traits that would be desirable in a male ruler; as she's female, unnatural and subversive
- Crawford: 'Regencies circumvented the exclusion of women that many contemporaries deemed "natural"' and 'undermined the de facto exclusion of women from political power that accompanied Salic law'
- Seen as threatening, usurping natural order of primogeniture
- Athalie written 1691: regency of Anne d'Autriche, Frondes and instability
Passivity
Representations of masculinity
GENDER ROLES:
CONFORM OR DIE
In Racine’s 'Athalie' and Corneille’s 'Rodogune'
The Twins - Masculine Role
Mathan
- Parallel to Joad, priest of Baal
- Equally dedicated, displays willingness to kill a child for the sake of his god
- Baal - male god but often associated with femaleness
- Destined to fail, male dominance of Yahweh triumphs
- Brave
- Heroic
- Rational and Reasoning
- Aristocratic
- Strong rulers
- Produce a heir
- Active and Dominant
Joas
- Neither childish nor masculine
- Mature, speaks language of the temple
- Passivity, used as a political pawn in conflict between Joad and Athalie
- Evades gender stereotypes, and is destined to fail
Symposium
Characters who conform to traditional gender roles tend to succeed