Untitled

Evasion

genre

Inspiration

Plot

shot sequence

mise-en-scene

films such as

The Bourne trilogy

The Usual Suspects

Saw

The costumes will be casual/smart and dark, mostly greys and blacks.each henchman will also be carrying a gun to enhance the danger which they pose. The music will have a dramatic feel to it and will probably be an instrumental by acclaimed artist Ashgo 9Teen as we have gained legal rights to use his material. The most likely pieces for use are the tracks 'Rayners Lane' or 'Rusteeq'. The likely location would be streatfield road as there are many side streets and alleys ideal for the main scene.For the shots with the man on the phone a dark room would be ideal to help conceal his identity and pose a question about the possible storyline to unfold.

a man takes out his pre-paid phone and makes a call to the 'king pin'. The king pin picks up the phone and expects to hear that the 'wanted man'has been caught. He hears from his henchman that and finds out this isn't the case and becomes displeased.They have a conversation about how the wanted man must be caught. The 'henchman' catches sight of the 'wanted man' and hangs up the phone and begins his pursuit. The 'wanted man' realises he is being followed and tries to shake off his follower and almost runs into the other 'henchmen'. The other 'henchmen' catch sight of the 'wanted man' and join in the pursuit. The 'wanted man' manages to put enough distance between his would capters and turns down an alley which turns out to be a dead end. The 'henchmen' follow him down the dead end alley and pull out their weapons expectedly and find out that the 'wanted man' has vanished.

how long can you evade the truth

psychological/man on the run

Close up of ashyo at a desk a (dark lighting, so the face is hard to see.)

Close up of ashyo's desk and pixulated photo next to pre-pay phone.

Tracking shot of ashyo picking up phone and answering phone.

Close up of Henchman 1.

focus shot on lower face and phone of ashyo.

manual focus shot of henchman 1, the wanted man passes through in the background.

medium shot of henchman 1/ tracking as he walks.

tracking shot of wanted man.

Tracking Henchman 1.

manual focus long shot henchman 2, wanted man walks towards then turns and walks out of shot.

*

manual focus long shot henchman 3, wanted man walks towards then turns and walks out of shot.

*Long shot of henchman 1, 2 walks towards wanted man's disappearance point.

Tracking shot of henchman, wanted man quite a way in front.

Medium shot wanted man walks into and towards camera.

Reverse shot of dead end alley /POV of wanted.

medium shot of all henchman

medium / long shot of empty alley.

medium shot of angry henchman.

The sequence will have a quick feel to it with the numerous shots used in quick succession. Tracking shots will be used to show the man on the run and extreme close ups will be used of the first man's phone ringing and him answering it. As was aforementioned the flashbacks will be clearly defined with some blur and tint, if possible although it should be recognised that this may prove difficult to acheive and so may have to be cut in the final plan. The costumes will be casual/smart and dark, mostly greys and blacks. The music will have a dramatic feel to it and will probably be an instrumental by acclaimed artist Ashgo 9Teen as we have gained legal rights to use his material. The most likely pieces for use are the tracks 'Rayners Lane' or 'Rusteeq'.