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methods in presenting art subject
Transcript of methods in presenting art subject
The Blessing - an Abstraction
"Queen" by Audrey Flack
Gustace Courbet: “The Stone-Breaker
presentation of subjects as it is. It is also the portrayal of objective reality.
"Blueberry Abstraction 9"
Elongation – subjects are lengthened or stretched out
El Greco: “the Resurrection
St Martin and the Beggar
it means to move away or to separate. The artist is more concerned about the presentation of a part or a portion of a subject.
A R T
a 19th-century movement in which art became infused with exaggerated sensitivity and a spooky mysticism.
Fauvism grew out of Pointillism and Post-Impressionism, but is characterized by a more primitive and less naturalistic form of expression.
Dada was a protest by a group of European artists against World War I, bourgeois society, and the conservativism of traditional thought. Its followers used absurdities and non sequiturs to create artworks and performances which defied any intellectual analysis.
Futurism was a modernist movement based in Italy celebrating the technological era. It was largely inspired by the development of Cubism. The core preoccupations of Futurist thought and art were machines and motion.
Surrealism is a style in which fantastical visual imagery from the subconscious mind is used with no intention of making the work logically comprehensible. Founded by Andre Breton in 1924, it was a primarily European movement that attracted many members of the chaotic Dada movement.
Expressionism is a style in which the intention is not to reproduce a subject accurately, but instead to portray it in such a way as to express the inner state of the artist.
5. Abstract Expressionism
Distortion – subjects are in a
Ex. Henry Moore: “Recumbent Figure
Mangling in art shows subjects or objects which are cut, lacerated, mutilated or hacked with repeated blows.
Cubism – the use of geometrical shapes
Nude in a Rocking Chair
The Three Musicians
Abstract Expressionism is a type of art in which the artist expresses himself purely through the use of form and color. It non-representational, or non-objective, art, which means that there are no actual objects represented.
John Henry Fuseli
[Swiss-born British Romantic Painter, 1741-1825]
Lady Macbeth 1784
The Nightmare, (1781),
Detroit Institute of Arts