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Philippine ballads

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Jamille Gabionza

on 9 March 2011

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Transcript of Philippine ballads

PHILIPPINE BALLADS Music Literature 9 BALLAD a form of verse, often a narrative set to music
often used by poets and composers from the 18th century onwards to produce lyrical ballads
In the later 19th century it took on the meaning of a slow form of popular love song
As new genres of music, began to emerge in the early 20th century the popularity of the genre faded, but the association with sentimentality led to the term ballad being used for a slow love song from the 1950s onwards. the term is now often used as synonymous with any love song, particularly the pop or rock power ballad. Categories
Traditional ballad Sentimental ballad literary ballads
ballad operas the most commonly understood meaning of the term ballad, sometimes called "tear-jerkers" or "drawing-room ballads"
a slow, sentimental tune or love song, often written in a fairly standardized form
structure Intro-{Verse-Chorus}{Verse-Chorus}-Middle 8-{Chorus}-{Chorus}-(Outro) OPM (Original Pilipino or Pinoy Music) originally referred only to Philippine pop songs, especially those in the ballad form 1970s* APO HIKING SOCIETY APO HIKING SOCIETY PILITA CORALES APO HIKING SOCIETY NORA AUNOR REY VALERA FREDDIE AGUILAR BASIL VALDES 1980s- 1990s SHARON CUNETA
REGINE VELASQUEZ narrative songs, simlar to epics, are seen as an important medium
that recount in vivid fashion the everydays life or trials, ordeals and
achievementsof a hero in a given world and society. folk ballads 21st c SARAH GERONIMO
Leron Leron Sinta
Atin Cu Pung Singsing (Kapampangan) Ballad stanza: four-line stanza, known as a quatrain, of alternating lines of iambic tetrameter (eight syllables) and iambic trimeter (six syllables), known as ballad meter. most often found in the folk ballad. Sentimental ballad Traditional ballad Originated from Filipino Sarswela
the popularity stems from electronic media exposure and its ability to be performed by both professionals and amateurs.
music is characterized by dance oriented rythmic patterns (i.e. balse, danza, foxtrot)
melodies are lyrical yet simple, sometimes folk-song like, and romantic Ballads of the Philippines 1920s- 1940s sarsuela arias: Ang Mahiwagang Binibini Philippine cinema: Bituing Marikit Ang Kiri Dakilang Punlo Bituing Marikit Dahil Sa 'Yo Ikaw ang Buhay Giliw ko 1950s* emergence of record discs, radios, phonographs, and jukeboxes Villar Recording Company 1960s* Filipino Love songs in the lyric style of the Kundiman movie industry Saan ka man naroon Restie Umali Ako ay Pilipino Ngayon at Kailanman George Canseco Patriotic and Nationalistic sentiments Bayan Ko Constansio de Guzman Antonio Maiquez
Mike Velarde
Manuel Villar Alice Doria Gamila Willie Cruz 'middle of the road' music was "Filipinized" and made more "earthly" combined elements such as: American ballad, broadway, and light kundiman trend for music competitions i.e. World Popular Song Festival, Tokyo Music Festival, Metro Manila Popular Music Festival, Himig Awards Broadcast Media Council Resolution B76-311 Resolution 77-35 broadcast at least one Filipino composition every hour playing two original Filipino works for every hour of broadcast
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