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New Zealand Viola Music
Transcript of New Zealand Viola Music
Could have been written by Britten or Walton Alfred Hill and Lilburn Introspective - walnut brown colour and sound Viola Qualities Recitative I - Static/recitative
Scherzo - Moto Perpetuo
Recitative II - Lyric
Dance - Dance Watson solo viola sonata 40 Years alive and 40 dead Anthony Watson - Tragic Watson Recatitive II
John Rimmer - Mahurangi
A. Taylor - Ghosts mvt 1
Ligeti mvt 1
Solo sections from L. Holmes Recitative II
Samuel Holloway - Domestic Architecture Lyric Stamitz, Hoffmeister, Telemann
Walton, Vaughan Williams, Britten
Hindemith and Bartok Expressive lyricism - complex and rich timbre (or acoustic mistake)
Percussive strength - when alone
High tessitura - intriguing beauty
String techniques - pizz, bartok pizz, harmonics, etc.
C string An archetypal schematic His friends and colleagues:
Gordon Skinner, Michael Smithers ONZM, William Dart, etc.
A difficult life. limited output Little about him is published. Martin Lodge is writing a book. Harominc stasis
C string - long lines,
Sustained quiet and sustained very loud Played Viola in National Orchestra
First Mozart Fellow Moto Perpetuo Watson - Scherzo
Martin Lodge - Pacific Rock opening
Alex Taylor - Ghosts m.5
Ligeti sonata - mvt 4 Prestissimo con sordino A few bits of stolen Bach etc - Pedagogical Dance Static Watson - Dance
Biddington - Dance
Lodge - quote near end
Lilburn - Suite mvt 5. Allegramente
A. Taylor - Ghosts mvt 2 and 4
Farquhar - Chap Chap Irregular time signatures
Lilting, fiddling, folky
Open strings (C + G) Watson - 1 Recitative I
Alex Taylor - Ghosts mvt 3, [inner]
solo sections from L.Holmes - Recitative II Uses the traditional dark and noble timbre - legato and rich
An angry element was introduced by Watson Percussive
fast repeated notes
ostentation and interruptions