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THE GALLERY PROJECT
MW
by
Margo Woollard
·
6 views
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Updated May 28, 2021
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Chapters
00:00
Chapter 1
00:09
Chapter 2
00:14
Chapter 3
00:41
Chapter 4
00:43
Chapter 5
00:53
Chapter 6
00:55
Chapter 7
01:01
Chapter 8
01:03
Chapter 9
01:12
Chapter 10
01:15
Chapter 11
01:28
Chapter 12
01:30
Chapter 13
01:32
Chapter 14
01:36
Chapter 15
01:39
Chapter 16
01:44
Chapter 17
01:47
Chapter 18
01:51
Chapter 19
02:02
Chapter 20
02:05
Chapter 21
02:09
Chapter 22
02:11
Chapter 23
02:14
Chapter 24
02:17
Chapter 25
02:20
Chapter 26
02:22
Chapter 27
02:25
Chapter 28
02:27
Chapter 29
02:30
Chapter 30
02:32
Chapter 31
02:34
Chapter 32
02:36
Chapter 33
02:39
Chapter 34
02:40
Chapter 35
02:43
Chapter 36
Audio Transcript
Auto-generated
00:01 - 00:05
Hello. This is my scheme for the isle 319 building
00:05 - 00:06
design Gallery project.
00:07 - 00:10
So we're going to start from here at the gallery.
00:11 - 00:14
So that's a model of the Gary Gallery there and
00:14 - 00:18
you can see in this section some main gallery spaces
00:18 - 00:21
going through the gallery um at the top you can
00:21 - 00:26
see a life drawing studio with built in seating and
00:26 - 00:28
the seating is constructed in a way that an easel
00:29 - 00:30
can be set up in a standing position.
00:31 - 00:34
And then there's also a sitting position for people observing.
00:35 - 00:38
You can see the variation in lighting throughout the different
00:38 - 00:41
spaces in the gallery highlighting different parts of artworks.
00:43 - 00:47
Yeah, this shows the gallery in an exploded acts on
00:47 - 00:51
a metric showing how the spaces and the relationship between
00:51 - 00:57
the first floor and the ground floor here.
00:57 - 00:59
The elevations as you would see it from Best Lane
01:00 - 01:00
and from the high street.
01:04 - 01:06
Mhm. And here is a key part of the space,
01:06 - 01:11
the Foia and the staircase with the apex glazing lighting
01:11 - 01:12
up that area.
01:18 - 01:22
So that's a three D wall mechanism showing you can
01:23 - 01:25
put kind of pressure your body into it and it
01:25 - 01:27
creates a relief image in the cafe area.
01:31 - 01:32
So if we go back here, we can have to
01:33 - 01:33
talk a tour of the gallery.
01:34 - 01:37
So, would start from here in the foyer, enter and
01:37 - 01:38
that's what the space looks like.
01:41 - 01:43
And if we go back, we'd walk through the gallery
01:44 - 01:45
into the temporary gallery.
01:49 - 01:51
From the temporary gallery would go into the Rosalie dots
01:52 - 01:54
collection of ceramics, which is a darker space.
01:55 - 01:58
It set out to be a play on kind of
01:58 - 02:01
a domestic setup of the table and chairs, dining room
02:02 - 02:02
table, and chairs.
02:04 - 02:06
And from there you've got the Edmund de WAal collection.
02:07 - 02:10
Looking over the next hour there at the end from
02:11 - 02:13
there, you'd walk around to the outside area with tim
02:14 - 02:15
Norris garden and the graffiti wall.
02:18 - 02:23
Then you've got the Michael glass pour collection and the
02:23 - 02:24
Christine's collection.
02:25 - 02:28
Now, if you were to go upstairs, you could see
02:28 - 02:33
the educational space looking over the staircase, the poetry in
02:34 - 02:37
general Arts and Crafts Studio and the life drawing studio.
02:41 - 02:45
Now, all of this culminates into the final drawing, the
02:45 - 02:49
show stopping drawing, which is a sectional model um of
02:50 - 02:55
the main foyer space, with pottery studio, some parts of
02:55 - 03:00
the gallery, um and obviously a view beyond that.
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