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Alfred Hitchcock
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Kate Proper
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Updated Nov 2, 2020
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00:00 - 00:02
All right.
00:02 - 00:06
So this is my presentation on Alfred Hitchcock, the master
00:06 - 00:06
of suspense.
00:08 - 00:09
Mhm step.
00:10 - 00:13
He was considered the master of suspense because in his
00:13 - 00:17
films he used ah, lot of psychological suspense, which is
00:17 - 00:21
where you he would mainly focus on the mental or
00:21 - 00:26
emotional, um, conditions of characters and really focus on those
00:26 - 00:26
in play.
00:26 - 00:30
The story off of them, Um, he also when he
00:30 - 00:33
was making films, he didn't have much technology to do
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special effects or anything.
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So he really, um, he used intriguing scenarios and characters
00:40 - 00:42
rather than a bunch of special effects and c g.
00:42 - 00:46
I and everything, and he would capture the attention of
00:48 - 00:54
watchers with simple means rather than the C D and
00:54 - 01:00
everything. So I compared rear when No versus Psycho and
01:00 - 01:04
in Rear Window they It's their sort of similar, but
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they're also very different.
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They're similar in the sense that he used some of
01:09 - 01:12
the same filmmaking tools, like their point of views, the
01:12 - 01:14
point of view shots and, like close ups and everything.
01:15 - 01:17
And he had again very good actors.
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He was kind of known for that, so but they
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they didn't have a lot of differences so in rear
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window rear window.
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It was more of an uncomfortable feeling rather than it
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was suspenseful.
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But it wasn't.
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It was meant to make you feel more kind of
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on the edge of your seat.
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Everything and it also it had a feel good ending
01:37 - 01:38
and I would happy feel good ending.
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And it also you kind of in the beginning when
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he's in the chair and he's unable to move you.
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Kinda intense is his point of view.
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You kind of feel useless because you he's stuck in
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his apartment and he could only see how.
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And you can't really do much about it.
01:55 - 01:58
So then in Psycho you it gives us more of
01:58 - 02:01
an anxious sort of feeling rather than uncomfortable.
02:03 - 02:05
And, um, there's a lot of suspense in that film.
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There's a lot.
02:06 - 02:09
There's suspense when the mother kills marry on Marien.
02:11 - 02:13
I didn't actually watch the movie, but I thought I
02:13 - 02:14
read a lot of reviews and these were the main
02:14 - 02:17
things. And then, um, it really keeps you on the
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edge of your seat because it's such a messed up
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psycho thing.
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That's yeah, zzz crazy.
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But so, yeah, they're they're just they're different kind of
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movies. And then, um, if I were to use some
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of hiss pieces, I would use his music choice point
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of view shots in his film editing because those were
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three things that he was very well known for.
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And they really helped him to be successful in the
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filmmaking world because he did them so well and he
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was able to incorporate them in all of his films.
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So, yeah, that's my presentation about Alfred Hitchcock.
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