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VV
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Vy Vu
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Updated Nov 5, 2020
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00:00 - 00:02
Hello, My name is View View and the book that
00:02 - 00:03
I chose to read.
00:03 - 00:04
It's called the Bonesetter's Daughter.
00:06 - 00:08
The author Amy Tan, is the second of three Children,
00:08 - 00:10
Red John and Daisy Tan, to Chinese immigrants.
00:11 - 00:13
Her father died when she was only a teenager, and
00:13 - 00:15
she was raised by her mother, Daisy, who she has
00:15 - 00:18
a conflict in your relationship with due to their differing
00:18 - 00:20
views on tans, education and behavior.
00:20 - 00:22
When she began to repair her relationship with her mother,
00:23 - 00:25
10 began to learn more about Daisy's past life in
00:25 - 00:28
China. Tan centers the boats that his daughter and her
00:28 - 00:31
previous works off her own relationship with her mother, since
00:31 - 00:35
the novels focused on the relationships between American born daughters
00:35 - 00:36
and their immigrant mothers.
00:36 - 00:40
Additionally, Ruth Young, the female protagonist of the novel, shares
00:40 - 00:43
similarities with Tan, such as pursuing a career in liberal
00:43 - 00:45
arts and uncovering secrets of her mother.
00:49 - 00:52
Tan uses different types of narration and characterization to describe
00:53 - 00:55
an ambivalent relationship between Ruth Young and Lulea.
00:55 - 00:58
Lou Young, with Chinese immigrant mother who guards her secrets,
00:59 - 01:01
which would ultimately allow her audience to understand that parents
01:02 - 01:03
will try to have the best intentions for their Children,
01:04 - 01:06
even if their Children do not recognize it.
01:06 - 01:10
This novels year towards Asian American readers, more specifically, her
01:10 - 01:14
Chinese American readers as 10 includes Chinese cultural references and
01:14 - 01:17
portrays Ruth as a Chinese American who is sometimes conflicted
01:17 - 01:20
with her cultural identity and faces issues with her mother
01:20 - 01:27
due to their differing culture views, Tan focuses on the
01:28 - 01:31
characterization of Ruth in Luling and the portrayal of the
01:31 - 01:32
different mother daughter Dynamics.
01:32 - 01:35
Within the story, 10 characterizes Ruth as a passive, methodical
01:36 - 01:39
and accommodating individual who longs for affection.
01:39 - 01:42
In contrast, Tan portrays really as a stubborn, aggressive and
01:43 - 01:47
confrontational woman who, outwardly expressing their anger and discovered but
01:47 - 01:49
rarely shows any affection towards for 46 year old daughter.
01:50 - 01:54
Ruth attributes doing strange and erratic behavior with millions.
01:54 - 01:56
Diagnosis, um, with dementia.
01:58 - 02:00
The contrast between the mother and daughter characterization sets a
02:00 - 02:03
narrative of how a mother can affect their daughter's life
02:03 - 02:05
and behavior in the past, present and future.
02:06 - 02:08
The narrative will later allude to why Ruth's harbor slightly
02:09 - 02:10
ill feelings towards her mother.
02:11 - 02:14
Precious auntie lootings mother is characterized as an infection.
02:14 - 02:19
Affectionate, educated and strong woman transforms pressure anti from a
02:19 - 02:21
mute woman reading the death of her father and husband
02:22 - 02:25
to a affectionate and caring individual that could talk to
02:25 - 02:25
her actions.
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10 displays precious anti as a caring mother figure in
02:29 - 02:31
new inside to amplify the effect of precious aunt.
02:32 - 02:35
His death on doing this application allows the audience to
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contextualized doings erratic and aggressive behavior with a strong emotional
02:39 - 02:43
stressor. 10 introduces precious anti sporadically throughout the text to
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develop roots, rudimentary understanding of precious aunties importance in her
02:47 - 02:51
mother's life while also evoking a feeling of anticipation within
02:51 - 02:51
the audience.
02:56 - 02:58
The court is divided into two main parts with story
02:58 - 02:58
and wings.
02:59 - 03:01
Tail Tan employs two different types of narration.
03:02 - 03:04
A third person subjected narrative in the first person narrative
03:05 - 03:07
in the first part of the book 10 Narratives from
03:07 - 03:10
a third person subjective narrative to allow the audience to
03:10 - 03:11
see what's thoughts and views.
03:11 - 03:13
Washington In San Francisco, the audience can observe.
03:14 - 03:17
It's passive in accommodating nature, as Ruth works with her
03:18 - 03:21
clients. Trust from neck emotionally with her divorcee boyfriend art
03:21 - 03:22
and worries for her mother when she went into his
03:22 - 03:23
living is waning.
03:23 - 03:27
Mental health due to dementia can expand on routes, adolescence
03:27 - 03:30
as well by show Katie, showcasing different instances when Ruth
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began to crave affection and a motherly figure but was
03:33 - 03:36
met with her mother's preoccupation for this precious anti and
03:36 - 03:36
a curse.
03:37 - 03:40
Thisted patient solidifies the conflict between Ruth and her mother.
03:41 - 03:44
10 causes audience to feel more personally connected to losing
03:44 - 03:46
by choosing a first person narrative to tell rulings.
03:47 - 03:50
Tail. Additionally, 10 uses more abstract writing during this part
03:50 - 03:52
of the novel to characterize living as a more coherent
03:53 - 03:55
and intelligent character, which contrast with his view of her
03:55 - 03:58
mother. This part of the novel falls moving through her
03:58 - 03:58
life in China.
03:59 - 04:01
The beds include her life living with the Loo plan,
04:01 - 04:01
her plan.
04:02 - 04:05
Marriage to the Chiang family deck cause that caused her
04:05 - 04:08
mother suicide and her immigration to America to seek a
04:08 - 04:10
better life for herself and her future Children.
04:10 - 04:13
Interviews that living is tryingto atone for her, since since
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she feels guilty for her mother's suicide, she newly tries
04:18 - 04:20
to rent the consequences of her actions from harming Ruth,
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thus showing how loons behavior was do not Onley turn
04:24 - 04:27
dementia, but also by her Buddhist regrets caused by the
04:27 - 04:28
death of her loved ones.
04:29 - 04:32
In the epilogue, 10 prevents presents both Ruth and Luling
04:33 - 04:36
as more empathetic and understanding individuals who can compromise to
04:37 - 04:38
reach situations that are mutually beneficial.
04:39 - 04:42
For instance, Looting agrees to live in the Miramar manner.
04:43 - 04:45
A retirement home, which is a notion that she used
04:45 - 04:45
to reject.
04:46 - 04:50
10 reinforces their character growth by portraying the different ways
04:51 - 04:52
that Ruth and living grows emotionally.
04:53 - 04:56
Buildings portrayed to be more apologetic and understanding when she's
04:56 - 05:00
cognizant of changing behavior interests apologize for past actions, can
05:01 - 05:04
conclude the novel with roots emotional growth by characterizing route
05:04 - 05:06
as a more confident and reassured woman who has a
05:06 - 05:09
great understanding off her mother's intentions since she no longer
05:09 - 05:12
rest for others but rather herself for her mother and
05:13 - 05:14
her grandmother, Thank you.
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