A2

EI
by Edwina Irwin1 view·Updated Feb 1, 2021

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  1. what is a text in human experience.
  2. In technical terms, text give insight into the nominees, paradoxes
  3. and inconsistencies and human behavior and motivations.
  4. If you break it down a little bit, it takes
  5. helps us see the world from a new and different
  6. perspective from my way now that we know what a
  7. text is, how does your light to human experiences as
  8. E. T.
  9. I said experience is a part of their time, where
  10. it takes often survived beyond their time in place of
  11. origin, which really means that shared in personal experiences give
  12. tips more death, understanding and truth to what has happened.
  13. But what positive human experiences of the cages, the texts,
  14. the ones we generally see the most of a conflict
  15. love tragedy in time.
  16. As you all know from Romeo and Juliet, they're all
  17. love ends in tragedy.
  18. What are some really life versions that contain all four
  19. of these things?
  20. If you look at The Crucible, which is based off
  21. the 16 92 Salem Witch trials, we get to see
  22. our conflict starts the bloom from greedy, land hungry men
  23. who only wished to have certain things in life, which
  24. are money lending status, which suddenly says scandals being revealed
  25. within the village.
  26. Secret lovers and people turning on each other to hopefully
  27. save themselves from everything ending in tragedy, which over time
  28. collapses on itself.
  29. If we look at this speech, all the world's a
  30. stage by which William Shakespeare provides insight into how your
  31. life can be summed up into seven stages for being
  32. an infant who needs guided into the big Broadwell toe
  33. wanting schoolboy who fought you with everything that has to
  34. get their way in the coming of Lovering.
  35. A soldier fighting for what you love and what you
  36. want to return.
  37. Thio also wanting justice for all.
  38. Finally, everything slowing down as you reach the sixth stage
  39. and the end where you're back to square one with
  40. almost nothing left as your time is right now.
  41. So let's not try to understand all of this at
  42. once, because it would make it even more confusing than
  43. it already is.
  44. So let's look at how conflict first started in the
  45. Crucible on how it puts everything into motion in Shakespeare
  46. speech, Miller and Shakespeare wanted their text to be about
  47. the causes and consequences of human actions But what does
  48. that even mean?
  49. The power off the text lies in its ability to
  50. cause human actions to be experienced as a collective from
  51. each individual connected with each other due to the consequences.
  52. And they now share universal experiences like giving birth of
  53. being born.
  54. Being ruled over by institutional power and death can inflict
  55. different emotions and feeling stress can be implemented or taken
  56. away. Having a constant feeling like you're being watched, controlled
  57. and have no freedom of speech by the people above
  58. you, becoming closer with some It only be torta part
  59. or should experiences that we have to undergo every day
  60. is a collective and individual some consequences that people revert
  61. to a lashing out the people they love, rebelling over
  62. what is thought to be unfair and unjust and lying
  63. to protect themselves as soon an act.
  64. One of the Crucible, Abigail lies to Mr Paris and
  65. to the people in the room with her to protect
  66. herself from the consequences she could face when she says,
  67. the speaking of witchcraft, Betty is not Wicht, it started
  68. to cite.
  69. It started the cycle of liars that she soon keeps
  70. spreading to try and protect yourself from getting accused of
  71. being a witch as well as trying to protect us
  72. cousin from getting into any more trouble.
  73. The reality of Abigail's World is an explicit reminder of
  74. how million uses her theft hurt indiscretions as warning off
  75. how it can become corrupt hero desire for what we
  76. cannot have.
  77. Creating rivalry and conflict between lovers.
  78. The dramatic realities of human experience is becoming a parent
  79. through Shakespeare speech.
  80. All the world's a stage.
  81. When we look at the 2nd and 4th stage, conflict
  82. starts to grow and blossom as you can, as from
  83. a soon as you can talk.
  84. When looking at the second stage, you can gather that
  85. it's starting there.
  86. When the Y new school boys off to school, we
  87. get the sense that he's fighting to try and stone
  88. home when he says, creeping like snow on willing to
  89. school every point in life as a child, we have
  90. not wanted to go to school for some reason or
  91. another, whether it's because you didn't get enough sleep that
  92. night, felt sick that morning when you woke up or
  93. you're trying to convince your mom and dad a let
  94. you stay home because you've forgotten about assessment due the
  95. next day, they all come back to the same universal
  96. shared experience of struggling conflict.
  97. The fourth stage, on the other hand, is different.
  98. It's within yourself that you choose to become a soldier
  99. and a fighter, not a bystander.
  100. From growing up and wanted to be like your hero
  101. to becoming someone else's involves overcoming your worst.
  102. Fear yourself.
  103. You're your worst fear, and that's why you're seeking the
  104. bubble reputation to protect yourself, to shoot those around you.
  105. In this way, Shakespeare makes life more transparent by highlighting
  106. how difficult it is to accept confrontation with others in
  107. oneself. As time is coming to an end, time is
  108. constantly on the move, taking away as we all the
  109. sun get, the realization that age is catching up with
  110. us pulling us back to where we first started losing
  111. control as we try to grasp the unbearable truth that
  112. has unraveled itself to us.
  113. Shakespeare explores this idea that human experiences are being challenged
  114. by time and how ages of consequence off life coming
  115. to an end, ultimately making us have a loss of
  116. control over ourselves as exhibited in this speech.
  117. All the world's a stage in this speech, Shakespeare goes
  118. through. The six stages of human experience have through everything
  119. we come back to, where we first had a glimpse
  120. of life and the potential to help.
  121. The last stage of human experiences is when is when
  122. we have become frail and fragile, exposing all the cracks
  123. and memories we have developed over our lifetime that ends
  124. this strange, eventful history, its second childish in May of
  125. oblivion. This feeling of everything becoming a blur and almost
  126. as if it was a lifetime ago makes us feel
  127. loss of control, of how we are reverting back in
  128. time to experience yet again.
  129. It's uncertainty of what is to come after we pass
  130. sons teeth, sons, I sans taste sans everything the inedible
  131. coming in close aging, feeling more more like a curse
  132. than a blessing, forcing us to come to the unsettling
  133. answer that time has run out and that there is
  134. now an opening for a new beginning, since everything from
  135. your last But time is a curse, continuing on for
  136. reverent lengths that feels like a lifetime never slowing down
  137. for anything, not even time itself makes it unbearable moments,
  138. even lumber and exhilarate than you ever fathomed it could
  139. be. And the seeming this breathtaking fragments entire, moving as
  140. quickly as a blink of an eye, only living a
  141. memory of what you have experienced behind in a lot
  142. space. You call your mind, you can't change it.
  143. The Crucible, by Arthur Miller is simply just in event,
  144. trapped in time for that, we get to relieve if
  145. we choose so.
  146. But for the people who had to endure it, it
  147. will live on with them like a scar.
  148. Always there faded away, but still trials of the presence
  149. it once had for once being hubris and full of
  150. spirit to a visible physical decline, representing his spiritual decline
  151. and looking sorrowful, exhausted.
  152. Surely the audience had the emotional toll the case and
  153. its repercussions have had on Reverend Hale.
  154. If he is taken, I count myself his murderer.
  155. Grief and guilt hold up time, making it feel as
  156. if one day is a year in years 10 resulting
  157. in human looking as if he's almost on his deathbed
  158. with no more time left all the deaths he has
  159. witnessed and signed off Yeah, on coming to haunt him
  160. as he tries to live the rest of his life,
  161. carrying the weight of it.
  162. Acceptance coming with time.
  163. As you think back onto life he wants held, he
  164. had his goodness.
  165. Now, God forget, I take it from him as well
  166. as the life he had with them.
  167. Also, this chose to let him have his final moments
  168. of peace as his human experience comes to a close
  169. so he can feel the white lift off his shoulders
  170. that he's carried all those years.
  171. Inevitably, time came to an end for Hail and Proctor,
  172. but still lives on, thanks to the stories left behind
  173. for us to experience what they had.