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R. McCall, Argosy #2
MA
by
Margo Alevs
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7 views
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Updated Apr 29, 2021
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Chapters
00:00
Robert McCall, Argosy #2
00:28
Chapter 2
00:59
Chapter 3
03:22
Chapter 4
Audio Transcript
Auto-generated
00:01 - 00:02
Hi, my name is Margaux Alvarez.
00:03 - 00:05
I'm a graduate student at the University of Arizona, getting
00:06 - 00:10
my master's in art in visual culture education And thank
00:10 - 00:12
you for stopping at my tour stop today.
00:13 - 00:15
We're going to be looking at robert Mccall who is
00:15 - 00:19
famous in Tucson, Arizona and Arizona in general and all
00:19 - 00:20
around the world.
00:20 - 00:24
He was a famous Nasa artist and I'm sure that
00:24 - 00:27
a couple of you are familiar with his work, um,
00:27 - 00:32
here is the man, the myth, the legend or Mccall.
00:32 - 00:37
Um, well known for what he did um with 2001
00:39 - 00:39
Space Odyssey.
00:40 - 00:43
He did the artwork for that as well as um,
00:44 - 00:46
I think you did some stuff for Steven Spielberg to,
00:46 - 00:48
but anyway, his stuff is everywhere.
00:48 - 00:49
He's done large scale murals.
00:50 - 00:52
But one of the things that I'm really inspired by
00:52 - 00:55
what he's done is what he calls floating worlds.
00:56 - 00:57
And you can see that on his website.
00:58 - 01:03
But I really enjoyed seeing all of these different images
01:04 - 01:08
of these floating spaceships and Oftentimes you can see a
01:09 - 01:12
desert scene and I think that that's from him being
01:12 - 01:14
inspired by the southwest landscape.
01:15 - 01:19
And it's very cool for me to see these super
01:19 - 01:25
awesome futuristic renderings and um, this just like artistic way
01:25 - 01:30
of thinking about the world around us and envisioning the
01:30 - 01:32
future of space travel and flight in our own backyard.
01:33 - 01:36
And uh, The one that we are going to be
01:36 - 01:38
looking at in particular is the Argus C# two.
01:39 - 01:42
And uh, for my activity that I would like to
01:43 - 01:46
have everyone practice is that when I'm looking at art,
01:47 - 01:50
oftentimes if I'm in a quiet space, if I'm in
01:50 - 01:53
a museum or if I'm just taking a second to
01:53 - 01:55
look at it, it can be a little meditative.
01:56 - 01:59
So I tend to just quiet myself quiet my mind
02:00 - 02:02
and I would like to do that with this piece.
02:03 - 02:04
Not this one, I'll show you the one in just
02:05 - 02:05
a second.
02:05 - 02:08
Um but I would like you to take a deep
02:08 - 02:11
breath in and out and kind of let your I
02:11 - 02:15
follow the movement of the painting, sort of what details
02:16 - 02:19
emerge. And then if you start to think about it,
02:19 - 02:21
like what sounds are you hearing?
02:22 - 02:27
And that's typically what happens when I'm viewing a piece
02:27 - 02:29
of work is I almost give it a soundtrack.
02:30 - 02:35
And so it could be anything from a very, oh,
02:35 - 02:40
I don't know, um like Super steven, Spielberg, very orchestrated
02:41 - 02:45
um orchestra epic like that.
02:46 - 02:47
Or maybe you don't hear much.
02:47 - 02:49
Maybe you just hear a song that you heard on
02:49 - 02:49
the radio.
02:49 - 02:53
But something that I hear when viewing this kind of
02:53 - 02:58
work is um I hear this group called Black moth
02:58 - 03:03
Super Rainbow and their song goes something like this and
03:04 - 03:08
I'll end with the image and you guys can pause
03:08 - 03:08
on it.
03:09 - 03:12
But um yeah, just start to listen to what sounds
03:13 - 03:14
are coming through with your head.
03:14 - 03:16
I think it's a very harmonious way to look at
03:16 - 03:53
art. So I was
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