Ruined Lighting Designer 07/30/2020 Rebecca Salas

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If I were the lighting designer, we're going to start

off with Act one scene one.

Here's A were introduced to most of the characters, as

well as seeing Mama's Bar for the first time.

So I feel as though having that natural light coming

to this makeshift bar would really show how third world

this really is, as well as having this natural, pure

light to be a facade as to what her business

actually is, as well as a way to mask some

of the traumas that these women have gone through.

Act one Scene two.

The place States of the bar is decorated in Christmas

lights, and it's very festive, so I figured it might

be dusk as it's getting packed with minors and soldiers.

So I feel as though having a nice blue calming

light would indicate that, as well as having thesis lighting

of the twinkling Christmas lights ECU unseen creep.

Here we have Sophie painting Salima Snails, and we find

out that she's pregnant and it's morning, so I would

like for it to have that golden ray of light

to show the early hours of the day, and it

show kind of against the characters to show that they're

hiding something or they're really struggling with their inner demons,

as you can see in this painting, how the light

creeps in through the trees while also know illuminating them.

That glancing for here we meet the commander and we

find out that it's just so I would like to

show the general colors of a sunset, which is the

light blue, purple two pink, as well as having the

lesser characters contrast with the main characters.

You can see here how the ash not contrast with

the background behind them, and I would like to indicate

the important characters of the scene, which would be Mama

and Commander, as well as showing how they're living their

own world.

Well, there's chaos buying them.

Act one, scene five.

It's morning, and here's when we find out that Sophie

has been stealing from Mama and course she gets angry

with her, but again, she feels respect issues one of

the first girls to ever try to steal from her.

So I feel as though having a warm light would

not only indicate the time of day, but also kind

of represent home almost feeling as even though she's angry

with Sophie, she still feels kind of warm towards her

act. One Scene six.

In the scene, Christian comes in being shocked and feeling

disbelief towards the actions of war and what he's seen

on his on the road.

And we also meet Fortune and Simon as the answer,

looking for Salima.

So I feel as though having a very dry and

natural looking setting would work well.

It feels all the lighting should represent how mom was

feeling as she lies to fortune, saying that she doesn't

live here, so I want the lighting to be as

almost as ambiguous as possible.

Next up is Act two, Scene one.

This one is a real short scene, but it's raining

as Moloch and Sophie, or singing and fortune is outfront

taking guard until he gets a Lima.

So I wanted Teoh contrast between the inside five and

the outside vibe.

So of course it's raining, so it's gonna be kind

of dark where fortune is.

But I also wanted to contrast it with the light

grey that's coming out of the bar.

Act two, Scene two.

In the scene we find out of Selena's past and

why she ran away and will not speak to Fortune

for the scene.

It's very serious and very depressing, in my opinion.

And for that I would like to have a more

somber lighting like he can see here with the cool

colors released, shining through and having an emphasis on Salima

like this painting, I would like for her to have

a sort of warm color pointing at her, but at

the same time, she is reflected something much darker and

colder to show that although she's shows this kind of

front, she's still holding onto this guilt as she feels

that it was all her fault for a big Raped

a Que Scene three.

It's raining and nighttime.

So this is one Simon trustee, a fortune to go

back to the base and try to forget Salima.

So for this, I picture a kind of warm light.

A Simon only means well, but also it's nighttime and

fortune is feeling this disregard and depression, as I would

like to the light to show that nutrients we were

feeling when we first madame to be met with this

kind of darkness, back to scene for in the scene.

We meet the rebel leader as well as the leader

of the government's army.

So I want the lighting here to be much more

uneasy and a little disheveled as it kind of catches

Mama off guard as she tries to play both sides

of this war just to make sure that her business

doesn't struggle to seen five We are currently outside, as

this is when Fortune tells the key mender that the

rebel leader has visited Mama's bar right before he came

over. So for this I would like the same neutral

kind of lighting is I feel like it should tie

with Fortune is we really don't know what his motives

are, but have it to have more shades as we

see him going under Mama's nose and snitching on her.

Essentially, as you can see here, how I would like

the commanders to be Braley lip as you see these

three women on the right and then have fortune shaded

as you see the Children on the left, back to

Scene six.

Here. It's morning, and this is when Mama gives the

diamond collector the diamond to pay for Sophie's reconstructive surgery.

For this I would let the natural like to come

in as to show some kind of hopefulness, impurity.

And then, of course, when that all goes to the

wall, I would like the when the attack comes in.

The white flash that comes by is represented by this

painting here on the bottom, right, and I would like

for it to be kind of like a strobe effect

where the black and white kind of bounce off of

each other.

And then it reverses back toothy painting on the left,

where it's the morning and the light is shining through

to seen seven, I feel is all the lighting should

match the first scene.

As here we find out Mama is ruined as well.

And I would like just for it to show this

innocents that she's feeling as she's putting her guard down

for the first time and to have this feeling that

she's been spared from the scene before.

For the lighting, I would like for not to just

show the time of day.

I would also like it to somewhat represent the characters

as well, Like I said, how the warm light would

correlate with Mama and the cold light with Sylvie Mo

when she tells her story

Ruined Lighting Designer 07/30/2020 Rebecca Salas

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