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Dramatic Elements
A3
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Antsdaman 317
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Updated Mar 24, 2021
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Chapters
00:00
Chapter 1
00:03
Chapter 2
00:20
Chapter 3
00:54
Chapter 4
01:46
Chapter 5
03:30
Chapter 6
Audio Transcript
Auto-generated
00:00 - 00:03
I will be speaking about the dramatic elements of $8.
00:04 - 00:05
Ibsen's A Doll's House.
00:06 - 00:09
So in a doll's house, the dramatic elements are used
00:09 - 00:15
as suspense, tool suspense tools and to gain readers overall,
00:16 - 00:23
um, concern in the story now first off is dramatic.
00:24 - 00:24
Dramatic irony.
00:25 - 00:27
Dramatic irony is when Assad's the audience.
00:28 - 00:29
No, something the other characters don't.
00:30 - 00:33
And we see this when Torvald is completely oblivious to
00:34 - 00:36
Nora's forgery crime as well as her.
00:36 - 00:39
Her plight with Craig's dad, to which she is being
00:39 - 00:40
blackmailed, blackmailed.
00:42 - 00:47
And while while we do know that, um, do know
00:47 - 00:50
something that's horrible, doesn't we do?
00:50 - 00:52
We do not know the outcome, which makes it up
00:53 - 00:54
for us as the reader very suspenseful.
00:57 - 01:03
Next is Fortune is foreshadowing for foreshadowing is when the
01:03 - 01:07
author gives hints and or clues to what is to
01:07 - 01:08
come in this story.
01:09 - 01:12
And this was done in Act two of Adults house
01:12 - 01:17
When Nora was speaking to the nurse to To which
01:17 - 01:21
the direct quote is I and if my little ones
01:22 - 01:24
had no mother should you surely would.
01:24 - 01:27
But she rebukes her, rebukes herself and says, What nonsense
01:28 - 01:28
am I?
01:28 - 01:34
I am talking, and this is definitely leans toward what
01:34 - 01:35
happens at the end of the story.
01:36 - 01:42
When when Nora divorces divorces, um, tour of old and
01:43 - 01:45
leaving, leaving behind her Children as well.
01:49 - 01:55
Fine. Finally, is is our 10 is our attention Now.
01:56 - 01:58
Tension is a little different is a little different from
01:59 - 02:04
is a little similar to suspense suspect Now tension is
02:04 - 02:07
attention is the built is the build up that happens
02:07 - 02:08
That happens in the story.
02:09 - 02:12
So you can you can see this in a variety
02:13 - 02:17
of ways you can look back at at like, um,
02:17 - 02:25
just Norah's first instance of, um, sort of disobedience as
02:26 - 02:30
well as as well as when Mrs Mrs High point
02:30 - 02:31
of tension.
02:31 - 02:35
When Mrs L tells Nora you can't let you cannot
02:35 - 02:36
let Torvalds see the letters.
02:38 - 02:42
This is where the tension builds up tremendously because because
02:42 - 02:45
Nora is doing so hard to keep to keep him
02:45 - 02:47
away from the from the letters.
02:47 - 02:50
And and I think, and I believe that the tension
02:50 - 02:54
builds up the highest when, um, the tour boat is
02:55 - 02:57
about to open the letters and there are There are
02:58 - 03:04
22 letters as well as well, yeah, but I or
03:04 - 03:06
when he's about to open the letters is what I
03:06 - 03:06
meant to say.
03:07 - 03:09
And I and I think that's when the tension builds
03:10 - 03:10
up the most.
03:10 - 03:15
Because because of just how, um, intense it is because
03:16 - 03:19
we don't know, we don't know how he's going to
03:19 - 03:19
react. React.
03:20 - 03:21
Is he going?
03:21 - 03:24
Is he going to turn her in or will Will
03:24 - 03:27
he take the blame or and what?
03:28 - 03:28
What will become Nora?
03:30 - 03:34
So all in all those dramatic, those dramatic elements were,
03:36 - 03:41
um, we're quite suspenseful and were useful in creating a
03:41 - 03:47
story that, um both interested readers and added added their
03:47 - 03:50
concern for the care for the characters as a whole.
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