Imagination and Creativity in Education

KM
by Karissa Mills8 views·Updated May 11, 2021

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  1. imagine a world without imagination and creativity.
  2. It might look a little like this.
  3. A small dark room with the windows closed.
  4. Wouldn't that be extremely boring?
  5. There wouldn't be such thing as Wifi or iphones or
  6. even cars.
  7. Imagination opens the windows and shows us the landscapes and
  8. horizons that we would otherwise not perceive.
  9. The ability to imagine and create things pervades our entire
  10. existence sadly, schools today do not cultivate imagination and creativity
  11. and out of step with the real challenges Children are
  12. facing in an ever changing well that has been transformed
  13. by Digital technology.
  14. Sir ken Robinson, creativity expert validates this as he makes
  15. multiple statements were born artists, students are educated out of
  16. it. Schools kill creativity as emerging teachers.
  17. It is important to understand what imagination and creativity is,
  18. why it is important for students to be creative and
  19. imaginative and how to teach.
  20. For creativity.
  21. This mind map shows a substantial inter connectivity between imagination,
  22. creativity, the teacher and the student.
  23. It highlights the key terms that will be further explored.
  24. So what actually is imagination and creativity?
  25. A common misunderstanding is that they are merrily the same
  26. thing. And honestly, I previously thought this before studying more
  27. in depth about the two topics.
  28. However, it is important to understand that imagination is described
  29. of thinking of something or new ideas.
  30. These ideas are commonly unfamiliar and constantly changing imagination is
  31. implicit to creativity as creativity involves doing something meaningful with
  32. your imagination or you're thinking, creativity is unique to each
  33. person as it relates to the skills, abilities and attitudes
  34. of each individual.
  35. Thus, creativity requires originality and effectiveness in order to bring
  36. something new into being.
  37. So why is imagination and creativity important to students?
  38. There has been a vast amount of research that supports
  39. why it is important, firstly, students are more successful in
  40. their academic and non academic lives.
  41. A study conducted by the University of Sydney and investigated
  42. 643 students to determine whether students who participated in creative
  43. subjects, such as drama and art were more likely to
  44. succeed in the academic and social lives.
  45. The students who were involved in the study were from
  46. a range of different socio economic backgrounds from 15 Australian
  47. schools. The study not only revealed that students who are
  48. actively engaged in creative processes in their schooling were more
  49. likely to succeed in the academic and non academic lives,
  50. they thrived in multiple other areas.
  51. Some of these areas include motivation, enjoyment of school, homework
  52. completion, self esteem, life satisfaction and meaning and purpose.
  53. The importance of imagination and creativity is not only beneficial
  54. to students academic and social lives, but it also prepares
  55. them for the future jobs of the 21st century.
  56. We although we cannot predict the types of jobs that
  57. will exist in the future, The rapid increase of technology
  58. is expected to remain un invaded and may accelerate in
  59. some areas.
  60. The future of jobs report suggests that jobs that do
  61. not require social interaction and have low levels of creativity
  62. are more likely to be displaced by automation.
  63. In 2013, Oxford University conducted, conducted a research study that
  64. examined over 700 different occupations to see how technology influenced
  65. each job, They found that job creation is slowing while
  66. job deconstruction accelerates within a decade, half the jobs that
  67. currently exist are likely to be eliminated.
  68. Therefore, by the time a child who was five years
  69. old today turns 15, half the jobs teachers are currently
  70. preparing students for won't be there.
  71. Hence, if teachers do not foster imagination and creativity, these
  72. students will not have the skills that they need for
  73. future jobs.
  74. If teachers are not careful and deprive young Children of
  75. creative tasks, students will be educated out of using these
  76. skills that are essential to the 21st century, Jefferson and
  77. Anderson recommend that co creativity, ingenuity and imagination should be
  78. at the beating heart of learning.
  79. However, the overwhelming time pressures that are on teachers to
  80. crime and everything from a standardized curriculum has stripped teachers
  81. of their ability to create lessons that nurture students imagination
  82. and allow students to develop their creative abilities.
  83. As the world is rapidly changing, teachers must replace these
  84. outmoded structures of schools with new ways that prepare students
  85. to face the challenges of the 21st century.
  86. With confidence, teachers must have a larger focus on developing
  87. students ability to imagine by teaching them the skills, understanding
  88. and knowledge is before teaching them the facts and formulas,
  89. louis and note Brandon state that there is nothing more
  90. basic and fundamental in good education.
  91. When all we do is focus on the content and
  92. not the skills, we leave them unprepared for life outside
  93. school. Our task as teachers is to educate our students
  94. whole being so they can face the future.
  95. We must prepare them for the jobs of the 21st
  96. century. Therefore it is essential that teaches foster young Children's
  97. imagination and provide them with continual opportunities to be creative
  98. in the classroom.
  99. So you might be thinking, how do we teach imagination
  100. and creativity to ensure that we're preparing students for the
  101. 21st century, there is a large debate about whether or
  102. not creativity can be taught.
  103. Haynes argues that creativity cannot be taught in school, while
  104. Robinson maintains a stance that creativity can in fact be
  105. taught and assessed nelson states that while creativity can be
  106. developed and honed over time, students need to hone their
  107. creativity on different projects at different stages of their education
  108. with support from their teacher in order to fully develop
  109. their creative perspectives.
  110. Thus, teachers must support their students to reveal their creative
  111. potential rather than teach them how to be creative creativity
  112. is not something that is taught in a conventional way,
  113. it is not revealed by direct instruction.
  114. Instead, educators should guide students to think of new ideas
  115. as opposed to what is already known or perceived.
  116. Therefore, teachers must teach for creativity.
  117. So how do we do this?
  118. Well, if you walked into a classroom right now, this
  119. is probably what you'd see this top run right here.
  120. Children who are bored, unengaged and disruptive in the classroom.
  121. Instead, we want our classrooms to look like this, a
  122. classroom full of chattel and Children who are engaged in
  123. their learning and creating different things.
  124. So what can we do to change the way we
  125. run our classrooms to ensure that they look like this
  126. in order for teachers to teach for creativity, they need
  127. to be a facilitator plan for creative opportunities and use
  128. group work.
  129. Teachers must facilitate opportunities for students to use their imagination
  130. louis and note Brandon state that imagination, creativity and innovation
  131. are three concepts that are distinct phases on a continuum.
  132. Imagination is foundational on the continuum and must be well
  133. fed in order for creativity and innovation to occur in
  134. order for teachers to help students develop this foundation, it
  135. is recommended that teachers build strong relationships with their students
  136. in order to know their students interests to make learning
  137. more personal to them.
  138. This makes learning more interesting, exciting and effective and encourages
  139. students to reach a state of flow.
  140. Flow is defined as a state of effortless concentration and
  141. enjoyment. Flow generally occurs when a person is doing his
  142. or her favorite activity.
  143. They're able to be imaginative and creative.
  144. Therefore, it is important for teachers to understand that students
  145. will reach flow when they're doing something that they enjoy.
  146. Thus, new ideas.
  147. Creative learning and innovation are more likely to occur.
  148. So should teachers plan for creative opportunities?
  149. Yes and no.
  150. Teachers should allocate time for students to be creative and
  151. plan activities that embrace student interest in order to full
  152. flow to occur.
  153. However, a large part of planning for creativity is to
  154. plan for the unexpected to take place.
  155. It is common that students will be working on a
  156. task and suddenly have a new idea about something in
  157. order to foster students imagination and creativity.
  158. It is important that teachers embrace these moments in the
  159. classroom. Additionally, teachers must create high standards in the classroom
  160. so that students can learn how to fail.
  161. Robinson states that the problem isn't that we aim too
  162. high and fail.
  163. It's the opposite.
  164. We aim too low and succeed.
  165. If you're not prepared to be wrong, you'll never come
  166. up with anything original.
  167. Therefore, if we embrace students lightbulb moments and allow them
  168. time to collaborate in groups and talk about the idea,
  169. students will discover failures and successes on their own collaboration
  170. in groups is an important aspect of this process.
  171. According to faulty and savage, the teachers should incorporate group
  172. work to encourage imagination and creativity.
  173. Johnson confirms the benefits of group work.
  174. As he suggests, group work can be referred to as
  175. a liquid network.
  176. The liquid network is where you have lots of different
  177. ideas that are together, different backgrounds and interests, all jostling
  178. with each other bouncing ideas of each other.
  179. This is an environment that leads to new ideas and
  180. innovation. Therefore, teachers should plan opportunities for students to work
  181. in different types of groups, whether they be friendship, ability
  182. based or random.
  183. The implementation of group work in the classroom is part
  184. of students growth.
  185. First students make original discoveries themselves, using their imagination and
  186. then building on those discoveries by collaborating with others.
  187. Furthermore, group work encourages students to discuss and refine their
  188. ideas and promotes the use of imaginative capabilities.
  189. The capabilities for imaginative learning underscore how universal and accessible
  190. every aspect of imaginative learning is in group work.
  191. Students make connections with peers, learn empathy and patience towards
  192. others as well as articulate, identify and reflect on ideas
  193. in groups that's louis and note Brandon emphasis that by
  194. providing students a chance to apply their imaginative capabilities, it
  195. makes them more motivated to be in school as learning
  196. is more relevant, Imagination and creativity serve a crucial purpose
  197. in the classroom for the 21st century learners.
  198. In order for teachers to teach for creativity, teachers must
  199. facilitate and include opportunities for students to be creative, and
  200. finally, they should incorporate group work.
  201. This is essential in order for teachers to develop their
  202. imaginative and creative abilities, which proved to benefit student success
  203. at school and in their lives as well as prepare
  204. them for the jobs of the future.
  205. Creativity is as important in education as literacy and numeracy.
  206. So why do we not treat it with the same
  207. status? And to finish off here are my references.
  208. Thank you.