Taking a picture with a DSLR Camera

AL
by Aaron Lange3 views·Updated Feb 13, 2021

Audio TranscriptAuto-generated

  1. and my name is Aaron Long, and today's date is
  2. February 12 2021 the pastors with speeches, candles.
  3. So my father started to pick up my camera one
  4. day and just take some photos off our cat.
  5. Look, mind you, he has no idea how to operate
  6. this camera and I shoot in manual.
  7. So he just decided to pick up the camera one
  8. day and shoot with same settings that I shot with
  9. probably the day before, when I was taking wildlife photography.
  10. So, as you can imagine, this is how the photo
  11. came out.
  12. Poor thing.
  13. It's the photo is completely under exposed.
  14. It's blurry.
  15. I mean, it's all around.
  16. It's about photo.
  17. Sadly, however, this is how the picture is supposed to
  18. turn out clear, Perfectly exposed.
  19. Cute. No, I'm gonna be showing you today how to
  20. get a photo like that.
  21. And by manually setting the settings in your camera how
  22. to manually operated camera by setting the shutter speed, which
  23. is the top row three I s O, which is
  24. the bottom road and the middle road, which is the
  25. aperture of the F star.
  26. Now, that's what I'm doing this because I want you
  27. to be able to take a clear photo and not
  28. lose your cool next time and cost like a sailor
  29. like my dad did because you thought, Take my photo,
  30. which just as easy as clicking a button.
  31. It's not a promise.
  32. So let's move on to the most important aspect in
  33. my opinion, which is the shutter speed.
  34. Now they're true, and it is very important to pay
  35. attention how to manually set your shoulder speed in order
  36. to get the clearest picture possible.
  37. The reason being is light sensitivity, right?
  38. The shutters open for only a short amount of time
  39. or a longer amount of time, depending on how you
  40. sit it.
  41. It's the difference between here.
  42. Click and click like when you're taking a photo booth.
  43. Time difference between clicks is the amount of time the
  44. camera uses the natural light to store the information of
  45. the picture being taken.
  46. So this directly plays into the motion effects.
  47. Because if I'm moving my hand really quickly like this
  48. and you wanna take a picture and your shutter speed
  49. is too slow, pictures gonna be blurry.
  50. But if the shutter speed is quick enough of the
  51. stores that information quicker.
  52. Then all of a sudden you get a perfectly frozen
  53. hand. That is true.
  54. I'll show you what I mean.
  55. So you move on to to in this example my
  56. photo I had the shutter speed set too slow for
  57. the emotion, for the speed of the motion that was
  58. happening off the hands and my subjects.
  59. The subjects were clear, but the hands are out of
  60. focus, their blurry because my shoulder speed wasn't quick enough
  61. to catch their movement.
  62. Now we can still have a super slow show.
  63. Just being great, get a great photo like when you're
  64. trying to shoot the Milky Way.
  65. You just can't have any movement because it will completely
  66. distort the photo.
  67. So when you have too high of a charter to
  68. be, though, you get the first effect of why this
  69. photo was completely bad.
  70. It is.
  71. There was not enough natural light to store enough information
  72. for the amount of time that the shutter was open.
  73. So it couldn't store enough information in the time that
  74. it was open Now, But you can still have a
  75. super fast shutter speed and get a super clear photo
  76. because remember, Like I said, you could get me waving
  77. my hand on the surface to be quick enough and
  78. then frozen.
  79. You can also do the same thing with flapping the
  80. flapping of a bird's wings.
  81. You can catch them like this as you see in
  82. the photo.
  83. Thank you.
  84. So to speak is quick.
  85. No. So that is probably the most important reason most
  86. important to pay attention during the next most important thing
  87. to pay attention to is the cameras Aiso.
  88. So the isso is basically the cameras, artificial light sensitivity,
  89. and it came from in the 19 seventies, 12 centralization
  90. organizations came together for filmmaking and digital photography becoming one
  91. I s So it's just the name that they stuck
  92. with because it is the acronym for the name of
  93. the emerging organization that deals with artificial light sensitivity.
  94. So why is I s so so important?
  95. As you can see, I am perfectly exposed.
  96. I'm perfectly in focus.
  97. I'm not blurry at all.
  98. So what happens when you have to, Logan eyes was
  99. the second reason why this photo was bad.
  100. There there's not enough artificial like to brighten up the
  101. picture and tell the camera.
  102. Okay, This might be what the information is that I
  103. was trying to shoot, ending up in a blurry photo.
  104. You can have the same blurry effect when you have
  105. too much information being stored in each individual pixel.
  106. As you can see, the license plate is completely blurry.
  107. Nas overexposed and between each No think there are thousands
  108. of artificially lit up pictures that you can see in
  109. the background, making the photo of grainy and blurry of
  110. the low quality photo because cameras artificially trying to put
  111. information here that it couldn't that it doesn't know what
  112. it is in reality.
  113. So now let's move on to aperture, which is actually
  114. the most important thing of camera.
  115. But because it deals with the natural light that the
  116. camera can take in, however, it's the easiest to control,
  117. so that's why it's last on you now.
  118. Aperture is the hole the size of the hole that
  119. the camera that the focal blades that the focal blades
  120. create, allowing in like more natural light if it's larger
  121. and smaller, less if it's smaller.
  122. Now, as you can see here in the diagram is
  123. exactly what I just explained.
  124. with the focal blades increasing or decreasing the diameter of
  125. the aperture.
  126. So when you have a lower number or yeah, when
  127. you have a lower number or a larger aperture, you
  128. have a shallower that the field because the camera can
  129. only focus on one plane, which means, as you see
  130. with my friend Rodrigo here, the plane that is focused
  131. on is the middle plane, the front plane, the foreground
  132. and the background completely out of focus.
  133. However, the middle ground where he's sitting at is completely
  134. in focus.
  135. That is the point of this of having shot out
  136. of the field.
  137. Now, if you have a lower average sure or a
  138. smaller hole, but a larger number, you have, uh, deep
  139. depth of field because the camera has to focus on
  140. everything in order to gather as much information as possible,
  141. meaning the background is perfectly and clear.
  142. Clear. The rocks are perfectly clear.
  143. I'm perfectly clear, so you have to be able to
  144. understand what type of photo that you're going for, because
  145. you can obviously get different type of effects for the
  146. different types of shoots.
  147. However, now that I gave you a short crash course
  148. in how to manually operate your camera.
  149. Can you actually tell me what is wrong with this
  150. photo I gave you Hinz.
  151. So my dad settings shutter speeds were too high in
  152. 2000 is too fast for indoor lighting.
  153. Thief soap was five but is too small.
  154. There's not enough natural light getting into the camera, and
  155. the I so 400 was not artificial enough light to
  156. try to make up for that lost information.
  157. So we'll always remember to have a higher shutter speed
  158. or lower started to be, depending on the amount of
  159. natural light in the natural speed motion that you want
  160. to capture higher, lower average or depending on how many
  161. subjects you want and focus that the field and how
  162. much like you want to get into the camera and
  163. the lower Hirai.
  164. So depending on the amount of light now she available.
  165. So I really hope that this hold you out.
  166. Thank you