Solutions
Pricing
Log in
Teams
Get started
Log in
Get started
Narrative structures Bo Rap y10
SF
by
scott feast
·
8 views
·
Updated Mar 18, 2021
Share
Embed
Create your own
Chapters
00:00
Chapter 1
00:22
Chapter 2
00:28
Chapter 3
01:21
Chapter 4
02:16
Chapter 5
02:43
Chapter 6
02:57
Chapter 7
03:50
Chapter 8
04:19
Chapter 9
04:20
Chapter 10
04:21
Chapter 11
04:35
Chapter 12
Audio Transcript
Auto-generated
00:01 - 00:03
right your time we're gonna be carrying on with the
00:03 - 00:03
second part of the salmon.
00:04 - 00:06
We're gonna be looking at narrative structures so that we
00:06 - 00:08
looked at me and said We also looked like technical
00:08 - 00:10
elements in the film and specifically we looked at sleepy.
00:10 - 00:11
Hold up.
00:11 - 00:13
This week, we're gonna be looking at its narrative structures,
00:14 - 00:17
which is a posh word for storytelling techniques and films.
00:18 - 00:21
Okay, and how films are put together in regards to
00:22 - 00:22
the plot.
00:22 - 00:25
So we are going to be looking at different storytelling
00:25 - 00:27
techniques in film.
00:27 - 00:29
So let's look at one of them now.
00:29 - 00:30
So we have non linear to begin with.
00:31 - 00:32
And this is where the events of the film are
00:32 - 00:33
told out of sequence.
00:33 - 00:34
So they're not told in order.
00:35 - 00:36
And it's not for the audience to put them together
00:37 - 00:38
in the head, which can be really confusing.
00:39 - 00:40
So if anyone's in the film Dunkirk, which is about
00:41 - 00:43
a very famous event in World War Two, where Lord
00:43 - 00:45
soldiers were trying to get off the beach but German
00:46 - 00:49
soldiers bombed the beach and attacked it, which ultimately had
00:49 - 00:51
serious consequences for the British troops.
00:52 - 00:53
So the film is all about the perspective of all
00:54 - 00:56
these different soldiers who were trying to get off the
00:56 - 00:58
beach. There's also a guy flying in a helicopter.
00:59 - 01:02
Sorry, not helicopter and airplane over the beach.
01:02 - 01:04
And it's all about how those stories all linked together.
01:05 - 01:06
But we're all told out of sequence.
01:06 - 01:08
It's really confusing, but it's a very good films.
01:08 - 01:10
I would highly recommend watching it.
01:10 - 01:11
Now. A lot of people not have sinned on a
01:12 - 01:14
lot of non linear films because it's not really the
01:14 - 01:14
trendiest thing to do.
01:15 - 01:17
But if you do get chance watching on linear filled
01:17 - 01:20
by all means, watch it and you'll get what I
01:20 - 01:21
mean in regards to being quite confusing.
01:23 - 01:25
Then we have circular storytelling, So this is where the
01:26 - 01:27
story ends where it begins.
01:27 - 01:28
So I think about stuff like friends.
01:29 - 01:32
Nothing happens to the character that changes during friends, and
01:33 - 01:34
they always end up back in the flat, don't they?
01:34 - 01:37
They don't really go anywhere, and it's this idea of
01:37 - 01:39
It's over and over and over and over and over
01:39 - 01:41
again that it's just rinse.
01:41 - 01:42
Repeat, rinse, repeat, rinse.
01:42 - 01:43
Repeat So nothing changes.
01:44 - 01:47
For the characters to get put in different situations, they
01:47 - 01:49
might have to go to a different location, but they
01:50 - 01:52
will always end up back in the home in the
01:52 - 01:55
apartment, and they don't change at all.
01:55 - 01:56
They remain the same character.
01:56 - 01:58
So I think about stuff like big Bang theory, how
01:59 - 01:59
I met your mother.
02:00 - 02:02
They all follow this idea of circular storytelling.
02:03 - 02:06
And again, they're all sitcoms, which is obviously an abbreviation
02:07 - 02:08
for situational comedies.
02:09 - 02:11
So that's where characters I put in the same location.
02:12 - 02:14
And it's all about how the humor from that situation
02:15 - 02:16
comes about.
02:17 - 02:20
Okay, then we have linear storytelling, which is what we
02:20 - 02:22
all know and love.
02:22 - 02:25
And that's everything that you guys are about in regards
02:25 - 02:26
to the kind of films that you watch.
02:27 - 02:29
So linear storytelling is when the story is told in
02:29 - 02:31
order, and at the end of the film, the characters
02:31 - 02:33
have changed and they've had a big growth.
02:33 - 02:36
And again, they've had experiences that make them think differently
02:37 - 02:38
about the world around them.
02:38 - 02:41
Okay, so that's linear storytelling where we have a clear
02:41 - 02:43
beginning, middle and end, which is going to lead on
02:43 - 02:43
to my next point.
02:45 - 02:47
So the most common way to tell a story in
02:47 - 02:50
the film is a free act structure, and that is
02:50 - 02:52
the basic road map to how we tell a story
02:53 - 02:53
in a film.
02:54 - 02:55
And you might have seen this in English, but it's
02:55 - 02:57
a tiny bit different in films in history books.
02:58 - 03:00
So in the frag structure we have Act one, which
03:00 - 03:02
is the beginning actor, which is a middle factory, which
03:03 - 03:03
is the end.
03:03 - 03:04
Act one is all the setup.
03:05 - 03:07
So this is where introduced to the characters in the
03:07 - 03:10
different situations and basically what the character is going to
03:10 - 03:11
achieve by the end of the film.
03:12 - 03:13
We are told in this part.
03:13 - 03:16
Okay, by the end of Act one, were then going
03:17 - 03:18
into actor, which is all the confrontation.
03:19 - 03:21
So this is where all the things happen that stopped
03:21 - 03:23
the character, getting what they want by the end of
03:23 - 03:23
the film.
03:24 - 03:25
So this could be a fight.
03:25 - 03:27
It could be they get dumped.
03:28 - 03:31
Its anything that is a roadblock to them, achieving what
03:31 - 03:33
they want by the end of the film, so usually
03:33 - 03:36
how it happens is the first point of conflict.
03:36 - 03:37
Things get bad.
03:37 - 03:40
The second part of conflict, things get worse, and then
03:40 - 03:44
the third point of conflict, things can't get any worse.
03:44 - 03:46
Okay, It gets really bad for him.
03:46 - 03:48
Which leads on to this where you can see it
03:48 - 03:51
says plot point to So in a film, we call
03:51 - 03:54
this a revelation and usually this point in the film,
03:54 - 03:54
it's something that happens.
03:55 - 03:55
It changes everything.
03:56 - 03:57
We thought we knew about the characters.
03:57 - 04:00
So the most famous revelation of all times in Star
04:00 - 04:03
Wars, where doctor says I am your father, it changed
04:03 - 04:04
everything. We thought we knew about the character and it
04:05 - 04:05
changed everything.
04:05 - 04:07
We thought we knew about the story of Star Wars.
04:07 - 04:10
Okay, so a revelation you guys will not as a
04:10 - 04:12
plot to us, but the proper name for his revelation.
04:12 - 04:14
It's something that happens towards the end of the film
04:14 - 04:15
that changes everything.
04:15 - 04:18
We thought we knew about the characters and everything we
04:18 - 04:20
thought we knew about the story, which then leads onto
04:21 - 04:22
this last bit here, which is the third act.
04:23 - 04:23
So this is the resolution.
04:24 - 04:26
So this is where everything sort it out.
04:26 - 04:29
So the character gets what they want and achieves everything
04:29 - 04:31
that they wanted to achieve over the duration of the
04:31 - 04:34
film. It's how the story naturally plays out to a
04:34 - 04:35
satisfying conclusion.
See full transcript