Acting MM project

EG
by Ella Green0 views·Updated Mar 23, 2021

Chapters

Audio TranscriptAuto-generated

  1. Hi, there I am, Ella.
  2. And here is my multimedia presentation on Chapter seven.
  3. Chapter seven revolved around the topic of acting and specifically
  4. acting for film, Um, and also how these different types
  5. of acting played out in the movie Dr Strangelove or
  6. How I learned to stop worrying and love the bomb.
  7. Before we can get into the movie, though I think
  8. it's important to talk about film acting and what that
  9. means and the different kinds of film acting.
  10. Yeah, no, There are four different types of actors that
  11. we are talking about in class.
  12. The first is persona.
  13. Actors persona actors, actors themselves.
  14. They are what we expect them to be.
  15. They tend to play the same types of roles because
  16. that is true to who they are.
  17. Um, the person I think of is Amy Poehler.
  18. She is always playing the witty, funny, lovable um, girl,
  19. and I think that will probably see her be doing
  20. that for a while.
  21. The second type of actor is a chameleon actor.
  22. Now a comedian actor is the complete opposite of a
  23. persona actor, So a comedian actor is somebody who disappears
  24. into each new role that they play and the new
  25. roles that they play tend to have a different type.
  26. Person I think of first is Leonardo DiCaprio.
  27. We have seen him as a young lover and movies
  28. like Romeo and Juliet and the Titanic, But we also
  29. see him in completely different roles in movies like Inception
  30. and the Revenant.
  31. The next type of actor is going to be an
  32. against type actor, so this is someone who usually plays
  33. a pretty specific type.
  34. But they branch out and do something that is kind
  35. of unexpected and different than the audience has ever seen.
  36. Steve Carell is a great example of this.
  37. For a good majority of the beginning of his career,
  38. he was doing, um, he was playing the funny guy,
  39. whether that was the dumb, funny or the funny guy
  40. who always went a little too far with his jokes
  41. or something like that.
  42. As he's gotten older, he has started to take on
  43. roles that aren't really comedic at all.
  44. There are more, um, Deep and um, retrospective type roles,
  45. and I think it's been really cool to watch, and
  46. the last type of actor that we're going to talk
  47. about is a non actor.
  48. Now this is someone who simply just has a cameo
  49. in a movie or, um, they just play themselves in
  50. the movie.
  51. So David Bowie and Zoo Lander is what comes to
  52. mind for me or Ellen Mosque in Iron Man three.
  53. The next thing that I want to talk about is
  54. the difference between film and theater acting now.
  55. A lot of times I think that acting can just
  56. be thrown together as one big thing.
  57. But there is a huge difference between film acting in
  58. theater acting, so film acting is going to be a
  59. little more subtle.
  60. There's going to be a lot more small, small details
  61. that are going to matter.
  62. Um, and the acting tends to be a little more
  63. natural or even smaller than what we know is natural
  64. theater. Acting, on the other hand, is going to be
  65. bigger, more presentational, still detail oriented.
  66. But it has to be big enough to read to
  67. an audience of 6000.
  68. You know, lots and lots of people.
  69. It's very important to be able to get that story
  70. across to the person in the front row as well
  71. as the person all the way in the back.
  72. So this is where they're a little bit different.
  73. Film acting is definitely going to be a little more
  74. subtle, and theater acting is definitely still detail oriented, but
  75. it is a little more presentational and a little bigger.
  76. Now. This does, um, ask the question.
  77. How are these two styles?
  78. Um similar?
  79. Well, they are both rooted in storytelling and being honest.
  80. Um, if an actor is not being honest and telling
  81. a truthful story, um, it is immediately apparent to the
  82. audience, and that makes it really difficult to watch.
  83. Actually, as an audience member, film and theater actors really
  84. have the same goal, and that's to tell a story
  85. and to have the audience to believe it and to
  86. have an audience to be completely engulfed in a story.
  87. The next thing to discuss is going to be how
  88. all of the things we've just discussed relate to the
  89. movie Dr Strangelove.
  90. So Peter Sellers I have deemed him to be the
  91. ultimate chameleon.
  92. Actor Peter Sellers plays three separate roles in this film.
  93. He plays Lionel Mandrake, Merkin, roughly the President and Dr
  94. Strangelove, and all of these roles are completely different roles
  95. now. This is going to bring up a lot of
  96. challenges almost too many to count.
  97. Um, and I think one of the main challenges that
  98. I'm sure that he experienced as an actor was how
  99. can you make each of these roles different enough so
  100. that people understand that you're not playing the same role
  101. your three completely separate people?
  102. And I think that it is incredibly important for him
  103. to have channeled.
  104. Yeah, a chameleon style of acting Or it just wouldn't
  105. read to an audience.
  106. Um, and also, you know, a challenge that I'm sure
  107. that he had was.
  108. How hard was this on Peter Sellers mind to keep
  109. all of the roles straight to go from these three
  110. different rules that were so different, How did he keep
  111. everything straight?
  112. And, um, how did that affect his mental state during
  113. the filming of the film?
  114. While there were a lot of challenges, I am sure
  115. Peter Sellers did a brilliant job at distinguishing these roles
  116. from one another.
  117. Um, when Robin Williams was talking about this Peter Sellers
  118. performance in this movie.
  119. In an interview, he said that what he admired so
  120. much about Peter Sellers performance was the amount of commitment.
  121. He brought so much commitment to each role that he
  122. played. And this showed in so many different ways.
  123. It showed in the vocal variation that he had from
  124. role to role.
  125. Each role had a different accent.
  126. Atrial spoke in a very specific way, and there was
  127. a specific rhythm to how each of these three roles
  128. spoke. And that made it really easy for the audience
  129. to be able to identify what person we were watching.
  130. And, um, what part of the story we were in
  131. and, of course, costumes, hair, makeup that absolutely help distinguish
  132. these roles from one another.
  133. And in addition to, um, things like costume, parent makeup,
  134. physicality of it.
  135. All three of these roles, um, and people that Peter
  136. Sellers was portraying they all had different physicality is I
  137. mean, Dr Strangelove.
  138. He's in a wheelchair so that one kind of speaks
  139. for itself.
  140. Um, but the other two, they had different mannerisms, and
  141. I have no doubt that that's something Peter Sellers was
  142. really careful about making choices with, um And then, of
  143. course, there is improvisation in each and every character um,
  144. in a lot of the articles that I read about
  145. the movie, Um, it said that Peter Sellers would just
  146. improv and Stanley Kubrick would pick his favorite moments of
  147. improv that Peter Sellers had given.
  148. And a lot of it wasn't even scripted.
  149. So it was just Peter Sellers living in these characters,
  150. finding how they talked, how they moved and then just
  151. kind of rolling with it.
  152. And I think that's pretty cool.
  153. Mm. With all of that being said, um, I really
  154. do think that this movie was a great example for,
  155. um this subject for talking about film acting in the
  156. different kinds of actors that we see.
  157. Um, so why Dr Strangelove?
  158. There are so many different styles of acting that are
  159. used in this movie to convey the comedy and the
  160. satire of this film and without these styles of acting,
  161. um, the satirical spin that Stanley Kubrick so brilliantly put
  162. on the film would not come across to the audience
  163. at all.
  164. And so I think it was absolutely essential to have
  165. the different kinds of actors to have Peter Sellers being
  166. this comedian actor and then to have your persona actors
  167. who are what the audience is going to expect.
  168. Um, I think that that was really important to the
  169. production of this film.
  170. Thank you for watching.