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Acting MM project
EG
by
Ella Green
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Updated Mar 23, 2021
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Chapters
00:00
Chapter 1
00:38
Chapter 2
00:40
Chapter 3
03:09
Chapter 4
03:11
Chapter 5
04:17
Chapter 6
04:19
Chapter 7
04:52
Chapter 8
04:54
Chapter 9
05:02
Chapter 10
05:10
Chapter 11
05:27
Chapter 12
05:28
Chapter 13
06:29
Chapter 14
06:31
Chapter 15
08:36
Chapter 16
08:38
Chapter 17
08:40
Chapter 18
09:30
Chapter 19
Audio Transcript
Auto-generated
00:00 - 00:02
Hi, there I am, Ella.
00:03 - 00:07
And here is my multimedia presentation on Chapter seven.
00:07 - 00:13
Chapter seven revolved around the topic of acting and specifically
00:13 - 00:20
acting for film, Um, and also how these different types
00:20 - 00:25
of acting played out in the movie Dr Strangelove or
00:26 - 00:28
How I learned to stop worrying and love the bomb.
00:30 - 00:32
Before we can get into the movie, though I think
00:32 - 00:36
it's important to talk about film acting and what that
00:36 - 00:38
means and the different kinds of film acting.
00:39 - 00:44
Yeah, no, There are four different types of actors that
00:44 - 00:45
we are talking about in class.
00:46 - 00:47
The first is persona.
00:47 - 00:49
Actors persona actors, actors themselves.
00:50 - 00:52
They are what we expect them to be.
00:53 - 00:55
They tend to play the same types of roles because
00:55 - 00:57
that is true to who they are.
00:58 - 01:00
Um, the person I think of is Amy Poehler.
01:01 - 01:07
She is always playing the witty, funny, lovable um, girl,
01:08 - 01:12
and I think that will probably see her be doing
01:13 - 01:13
that for a while.
01:14 - 01:17
The second type of actor is a chameleon actor.
01:18 - 01:22
Now a comedian actor is the complete opposite of a
01:22 - 01:25
persona actor, So a comedian actor is somebody who disappears
01:26 - 01:29
into each new role that they play and the new
01:30 - 01:32
roles that they play tend to have a different type.
01:34 - 01:36
Person I think of first is Leonardo DiCaprio.
01:37 - 01:40
We have seen him as a young lover and movies
01:41 - 01:43
like Romeo and Juliet and the Titanic, But we also
01:43 - 01:48
see him in completely different roles in movies like Inception
01:49 - 01:49
and the Revenant.
01:52 - 01:54
The next type of actor is going to be an
01:54 - 01:58
against type actor, so this is someone who usually plays
01:58 - 01:59
a pretty specific type.
02:00 - 02:04
But they branch out and do something that is kind
02:04 - 02:07
of unexpected and different than the audience has ever seen.
02:08 - 02:10
Steve Carell is a great example of this.
02:10 - 02:14
For a good majority of the beginning of his career,
02:15 - 02:17
he was doing, um, he was playing the funny guy,
02:18 - 02:22
whether that was the dumb, funny or the funny guy
02:22 - 02:24
who always went a little too far with his jokes
02:25 - 02:27
or something like that.
02:27 - 02:31
As he's gotten older, he has started to take on
02:31 - 02:34
roles that aren't really comedic at all.
02:34 - 02:41
There are more, um, Deep and um, retrospective type roles,
02:42 - 02:45
and I think it's been really cool to watch, and
02:45 - 02:46
the last type of actor that we're going to talk
02:47 - 02:47
about is a non actor.
02:48 - 02:51
Now this is someone who simply just has a cameo
02:52 - 02:57
in a movie or, um, they just play themselves in
02:57 - 02:57
the movie.
02:58 - 03:01
So David Bowie and Zoo Lander is what comes to
03:02 - 03:04
mind for me or Ellen Mosque in Iron Man three.
03:08 - 03:10
The next thing that I want to talk about is
03:12 - 03:15
the difference between film and theater acting now.
03:15 - 03:17
A lot of times I think that acting can just
03:17 - 03:19
be thrown together as one big thing.
03:20 - 03:23
But there is a huge difference between film acting in
03:23 - 03:26
theater acting, so film acting is going to be a
03:27 - 03:27
little more subtle.
03:28 - 03:31
There's going to be a lot more small, small details
03:32 - 03:32
that are going to matter.
03:33 - 03:35
Um, and the acting tends to be a little more
03:36 - 03:39
natural or even smaller than what we know is natural
03:40 - 03:42
theater. Acting, on the other hand, is going to be
03:42 - 03:45
bigger, more presentational, still detail oriented.
03:45 - 03:48
But it has to be big enough to read to
03:48 - 03:50
an audience of 6000.
03:53 - 03:55
You know, lots and lots of people.
03:55 - 03:58
It's very important to be able to get that story
03:58 - 04:00
across to the person in the front row as well
04:00 - 04:01
as the person all the way in the back.
04:02 - 04:03
So this is where they're a little bit different.
04:04 - 04:06
Film acting is definitely going to be a little more
04:06 - 04:10
subtle, and theater acting is definitely still detail oriented, but
04:10 - 04:12
it is a little more presentational and a little bigger.
04:15 - 04:17
Now. This does, um, ask the question.
04:18 - 04:19
How are these two styles?
04:20 - 04:21
Um similar?
04:21 - 04:26
Well, they are both rooted in storytelling and being honest.
04:27 - 04:30
Um, if an actor is not being honest and telling
04:30 - 04:34
a truthful story, um, it is immediately apparent to the
04:34 - 04:37
audience, and that makes it really difficult to watch.
04:37 - 04:40
Actually, as an audience member, film and theater actors really
04:41 - 04:43
have the same goal, and that's to tell a story
04:43 - 04:45
and to have the audience to believe it and to
04:45 - 04:48
have an audience to be completely engulfed in a story.
04:51 - 04:55
The next thing to discuss is going to be how
04:55 - 05:00
all of the things we've just discussed relate to the
05:00 - 05:01
movie Dr Strangelove.
05:03 - 05:08
So Peter Sellers I have deemed him to be the
05:08 - 05:08
ultimate chameleon.
05:09 - 05:15
Actor Peter Sellers plays three separate roles in this film.
05:16 - 05:21
He plays Lionel Mandrake, Merkin, roughly the President and Dr
05:22 - 05:26
Strangelove, and all of these roles are completely different roles
05:27 - 05:31
now. This is going to bring up a lot of
05:31 - 05:33
challenges almost too many to count.
05:34 - 05:38
Um, and I think one of the main challenges that
05:38 - 05:40
I'm sure that he experienced as an actor was how
05:40 - 05:43
can you make each of these roles different enough so
05:43 - 05:46
that people understand that you're not playing the same role
05:47 - 05:48
your three completely separate people?
05:49 - 05:53
And I think that it is incredibly important for him
05:54 - 05:54
to have channeled.
05:55 - 05:58
Yeah, a chameleon style of acting Or it just wouldn't
05:59 - 06:00
read to an audience.
06:01 - 06:05
Um, and also, you know, a challenge that I'm sure
06:05 - 06:06
that he had was.
06:06 - 06:11
How hard was this on Peter Sellers mind to keep
06:11 - 06:13
all of the roles straight to go from these three
06:14 - 06:17
different rules that were so different, How did he keep
06:17 - 06:17
everything straight?
06:18 - 06:23
And, um, how did that affect his mental state during
06:23 - 06:24
the filming of the film?
06:26 - 06:29
While there were a lot of challenges, I am sure
06:31 - 06:36
Peter Sellers did a brilliant job at distinguishing these roles
06:37 - 06:37
from one another.
06:38 - 06:44
Um, when Robin Williams was talking about this Peter Sellers
06:45 - 06:46
performance in this movie.
06:47 - 06:50
In an interview, he said that what he admired so
06:50 - 06:53
much about Peter Sellers performance was the amount of commitment.
06:54 - 06:56
He brought so much commitment to each role that he
06:56 - 07:00
played. And this showed in so many different ways.
07:01 - 07:03
It showed in the vocal variation that he had from
07:03 - 07:03
role to role.
07:04 - 07:05
Each role had a different accent.
07:06 - 07:09
Atrial spoke in a very specific way, and there was
07:09 - 07:12
a specific rhythm to how each of these three roles
07:13 - 07:15
spoke. And that made it really easy for the audience
07:16 - 07:20
to be able to identify what person we were watching.
07:21 - 07:22
And, um, what part of the story we were in
07:23 - 07:28
and, of course, costumes, hair, makeup that absolutely help distinguish
07:29 - 07:29
these roles from one another.
07:30 - 07:33
And in addition to, um, things like costume, parent makeup,
07:34 - 07:35
physicality of it.
07:35 - 07:38
All three of these roles, um, and people that Peter
07:38 - 07:43
Sellers was portraying they all had different physicality is I
07:43 - 07:43
mean, Dr Strangelove.
07:44 - 07:46
He's in a wheelchair so that one kind of speaks
07:46 - 07:46
for itself.
07:47 - 07:52
Um, but the other two, they had different mannerisms, and
07:53 - 07:55
I have no doubt that that's something Peter Sellers was
07:55 - 07:59
really careful about making choices with, um And then, of
08:00 - 08:03
course, there is improvisation in each and every character um,
08:05 - 08:07
in a lot of the articles that I read about
08:07 - 08:14
the movie, Um, it said that Peter Sellers would just
08:14 - 08:20
improv and Stanley Kubrick would pick his favorite moments of
08:20 - 08:22
improv that Peter Sellers had given.
08:22 - 08:23
And a lot of it wasn't even scripted.
08:24 - 08:26
So it was just Peter Sellers living in these characters,
08:27 - 08:31
finding how they talked, how they moved and then just
08:31 - 08:33
kind of rolling with it.
08:33 - 08:34
And I think that's pretty cool.
08:35 - 08:41
Mm. With all of that being said, um, I really
08:41 - 08:47
do think that this movie was a great example for,
08:48 - 08:52
um this subject for talking about film acting in the
08:52 - 08:53
different kinds of actors that we see.
08:54 - 08:56
Um, so why Dr Strangelove?
08:57 - 08:59
There are so many different styles of acting that are
08:59 - 09:02
used in this movie to convey the comedy and the
09:02 - 09:06
satire of this film and without these styles of acting,
09:07 - 09:11
um, the satirical spin that Stanley Kubrick so brilliantly put
09:11 - 09:14
on the film would not come across to the audience
09:15 - 09:15
at all.
09:15 - 09:17
And so I think it was absolutely essential to have
09:18 - 09:22
the different kinds of actors to have Peter Sellers being
09:22 - 09:24
this comedian actor and then to have your persona actors
09:24 - 09:26
who are what the audience is going to expect.
09:27 - 09:29
Um, I think that that was really important to the
09:29 - 09:30
production of this film.
09:32 - 09:33
Thank you for watching.
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