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Paul Revere's Ride By Henry Wadsworth Longfellow
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KRISTINA LOWE
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Updated Mar 29, 2020
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00:00 - 00:01
Hey, guys, it's me again.
00:02 - 00:03
Um, it is.
00:04 - 00:07
I'm here to read the poem that we are going
00:07 - 00:09
to spend Wednesday and Thursday discussing.
00:09 - 00:12
So I'm gonna post a link to this reading on
00:12 - 00:13
the same power point.
00:13 - 00:15
You can go ahead and get a jump start if
00:15 - 00:17
you want, but we're gonna focus on this poem on
00:18 - 00:18
Wednesday and Thursday.
00:19 - 00:19
So here I go.
00:20 - 00:21
This one's a little bit longer.
00:22 - 00:25
This one is a narrative poem, which means that it
00:25 - 00:26
tells a story.
00:26 - 00:29
So we did read a narrative poem in class this
00:29 - 00:30
year. We read Barbara Frenchie.
00:31 - 00:34
If you remember from Barbara Fritchie, it told the story
00:34 - 00:37
of a brave woman who decided that she was gonna
00:37 - 00:39
stand up to the Confederate soldiers.
00:40 - 00:43
Andi just told a story of her day, Um, in
00:44 - 00:45
this in her act of heroism.
00:45 - 00:48
So this poem that I'm going to read Paul Revere's
00:48 - 00:51
Ride is also a narrative poem, and it's going to
00:51 - 00:54
tell the story of Paul Revere in his ride to
00:54 - 00:57
born people in Boston that the British were coming.
00:57 - 00:58
So here we go.
00:59 - 01:02
Paul Revere's Ride by Henry Wadsworth Longfellow.
01:03 - 01:05
Listen, my Children and you shall hear of the midnight
01:06 - 01:09
ride of Paul Revere on the 18th of April and
01:09 - 01:11
75. Hardly a man is now alive.
01:12 - 01:14
Who remembers that famous day in year?
01:15 - 01:16
He said to his friend.
01:17 - 01:19
If the British march, by land or sea from the
01:19 - 01:22
town tonight, hang a lantern aloft in the belfry arch
01:23 - 01:25
of the north church tower as a signal light.
01:26 - 01:29
One if by land and two if by sea and
01:29 - 01:32
I, on the opposite shore will be ready to ride
01:33 - 01:36
and spread the alarm through every Middlesex village and farm
01:36 - 01:39
for the country folk to be up and to arm.
01:40 - 01:42
Then he said good night.
01:43 - 01:46
And with muffled or silently road to the Charleston shore,
01:47 - 01:50
Justus, the moon rose over the bay, where swinging wide
01:50 - 01:53
at her moorings lay the Somerset, British Man of War.
01:54 - 01:57
Ah, phantom ship, with each mass turns far across the
01:57 - 02:00
moon like a prison bar and a huge black hulk
02:01 - 02:04
that was magnified by its own reflection in the tide.
02:05 - 02:09
Meanwhile, his friend through alley and street wanders and watches
02:10 - 02:13
with eager ears till in the silence around to me,
02:13 - 02:16
here's the muster of men at the barrack door, the
02:16 - 02:18
sound of arms in the tramp of feet and the
02:19 - 02:21
measured tread of the grenadiers marching down to their boats
02:22 - 02:22
on the shore.
02:24 - 02:27
Then he climbed to the tower of the church up
02:27 - 02:30
the wooden stairs with stealthy tread to the belfry chamber
02:31 - 02:34
overhead, and startled the pigeons from their perch on the
02:34 - 02:35
somber rafters.
02:35 - 02:38
That round him made masses and moving shapes of shade
02:40 - 02:42
by the trembling ladder, steep and tall to the highest
02:43 - 02:47
window in the wall, where he paused to listen and
02:47 - 02:49
look down a moment on the roofs of the town
02:50 - 02:52
and the moonlight flowing overall.
02:53 - 02:56
Beneath in the churchyard lay the dead in their night
02:56 - 03:00
encampment on the hill, wrapped in silence so deep and
03:00 - 03:04
still that he could hear like a sentinels tread the
03:04 - 03:08
watchful night wind as it went creeping along from tent
03:08 - 03:13
to tent and see me to whisper a swell a
03:13 - 03:16
moment on Lee, he feels the spell of the place
03:16 - 03:18
in the hour and the secret dread of the Lonely
03:19 - 03:20
belfry and the dead.
03:21 - 03:23
For suddenly all his thoughts are bent on a shadowy
03:24 - 03:27
something far away where the river widens to meet the
03:27 - 03:31
bay, a line of black that bends and floats on
03:31 - 03:34
the rising tide like a bridge of boats.
03:35 - 03:40
Meanwhile, impatient to mount and ride, booted and spurred with
03:40 - 03:44
a heavy stride on the opposite shore, walked Paul Revere.
03:45 - 03:48
Now he patted his horse's side, now gazed on the
03:48 - 03:53
landscape, foreign near, then impetuous, stamped the earth and turned
03:53 - 03:55
and tightened his saddle girth.
03:56 - 03:59
But mostly he watched with eager Search the Belfry tower
03:59 - 04:03
of the Old North Church as it rose above the
04:03 - 04:07
graves on the hill, lonely and spectral and somber and
04:07 - 04:11
still and low as he looks on the bell phrase
04:11 - 04:14
height, a glimmer and then a gleam of light.
04:15 - 04:18
He springs to the saddle, the bridal he turns but
04:19 - 04:20
lingers and gazes till full.
04:20 - 04:23
On this site, a second lamp in the Belfry burns
04:24 - 04:27
Ah, hurry of hoofs in a village street, a shape
04:28 - 04:30
in the moonlight, a bulk in the dark and beneath
04:31 - 04:34
from the pebbles in passing, a spark struck out by
04:34 - 04:36
Esteve that flies fearless in Fleet.
04:37 - 04:37
That was all.
04:38 - 04:41
And yet through the gloom and the light, the fate
04:41 - 04:44
of a nation was riding that night, and the spark
04:45 - 04:46
struck out by that Steven.
04:46 - 04:50
This flight Kendall the land into flame with its heat
04:51 - 04:54
he has left the village and mounted the steep and
04:54 - 04:57
beneath him, tranquil and broad and deep is the mystic
04:58 - 05:02
meeting the ocean tides and under the alders that skirt
05:02 - 05:02
its edge.
05:03 - 05:06
Now soft on the sand, now loud on the ledge
05:07 - 05:07
is heard.
05:07 - 05:09
The tramp of his steed as he rods.
05:11 - 05:13
It was 12 by the village clock when he crossed
05:14 - 05:15
the bridge into Medford Town.
05:16 - 05:18
He heard the crowing of the cock and the barking
05:18 - 05:21
of the farmer's dog and felt the damp of the
05:21 - 05:24
river fog that rises when the sun goes down.
05:25 - 05:27
It was won by the village clock.
05:28 - 05:31
When he galloped into Lexington, he saw the gilded weather
05:31 - 05:34
cock swim in the moonlight as he passed, and the
05:34 - 05:38
meeting house windows blank and bear gaze at him with
05:38 - 05:42
a spectral player, as if they already stood aghast at
05:42 - 05:44
the bloody work that would look upon.
05:45 - 05:48
It was to buy the village clock when he when
05:49 - 05:52
became to the bridge and conquer town, he heard the
05:52 - 05:55
bleeding of the flock and the twitter of birds among
05:55 - 05:58
the trees and felt the breath of the morning breeze
05:58 - 06:02
blowing over the meadows brown and one was safe and
06:02 - 06:03
asleep in his bed.
06:03 - 06:06
Who at the bridge would be first to fall, who
06:06 - 06:09
that day would be lying dead, pierced by a British
06:10 - 06:10
musket ball.
06:12 - 06:14
You know the rest in the books you have read
06:15 - 06:17
how the British regulars fired and fled.
06:17 - 06:19
How the farmers gave them ball for ball from behind
06:20 - 06:23
each fence and farmyard wall, chasing the red coats down
06:23 - 06:27
the lane, then crossing the fields to emerge again under
06:27 - 06:29
the trees at the turn of the road and only
06:29 - 06:31
pausing to fire and load.
06:33 - 06:36
So through the night road power of year And so
06:36 - 06:38
through the night when his cry of alarm to every
06:38 - 06:42
Middlesex village and farm ah, cry of defiance and not
06:43 - 06:43
of fear.
06:44 - 06:46
Ah, voice in the darkness A knock at the door
06:47 - 06:51
In a word that shall echo forevermore for born on
06:52 - 06:54
the night wind of the past Through all our history
06:55 - 06:59
to the last In the hour of darkness and peril
06:59 - 07:02
and need the people will waken and listen to hear
07:03 - 07:07
the hurrying hoofbeats of that steed in the midnight message
07:08 - 07:09
of Paul Revere.
07:10 - 07:14
Okay, so again, you should have some context of this
07:14 - 07:16
poem in the meaning behind it.
07:17 - 07:18
I know it was long.
07:18 - 07:21
There are questions for you to answer related to this
07:21 - 07:23
poem. And this again is the poem that we're gonna
07:23 - 07:28
focus on for Wednesday and Thursday of this upcoming week.
07:28 - 07:30
So I'm gonna go ahead and post this power point
07:30 - 07:34
to Google Classroom right now and you guys can get
07:34 - 07:34
a jump start.
07:35 - 07:36
I will see you all tomorrow.
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