Solutions
Pricing
Log in
Teams
Get started
Log in
Get started
Myth Busting Curator
NV
by
Nayeli Velazquez
·
6 views
·
Updated Mar 1, 2021
Share
Embed
Create your own
Chapters
00:00
Chapter 1
00:17
Chapter 2
00:50
Chapter 3
01:45
Chapter 4
02:27
Chapter 5
03:36
Chapter 6
04:13
Chapter 7
05:10
Chapter 8
07:37
Chapter 9
08:11
Chapter 10
Audio Transcript
Auto-generated
00:00 - 00:01
Hello, everyone.
00:01 - 00:03
My name is Natalie Velasquez and welcome to my myth
00:04 - 00:07
busting curator presentation where I will be discussing African artworks
00:08 - 00:09
as well as myths about African art.
00:10 - 00:13
The three artists I will be discussing artworks from are
00:13 - 00:14
all a way of essay.
00:14 - 00:16
Willie Bester and Inca Shoni Bear.
00:18 - 00:21
The first artwork I will be talking about was created
00:21 - 00:23
by the artist named all the Way of the Sea
00:24 - 00:27
all the Way was born in Nigeria in 18 75
00:28 - 00:30
Holloway is considered to be one of the most important
00:31 - 00:33
20th century artists by Western are historians.
00:34 - 00:38
He was a great wood sculpture that incorporated African style
00:38 - 00:39
and culture into his art pieces.
00:40 - 00:42
His designs were known as usual.
00:42 - 00:46
ANA, always artistic talent, is recalled in Turkey and impressed
00:47 - 00:48
poems by the European culture.
00:51 - 00:53
The first art book is called The Veranda Post, and
00:54 - 00:55
it's a mounted wood sculpture.
00:56 - 00:59
This sculpture, created by all the way, is called the
00:59 - 01:01
veranda posts, and it was created in 1938.
01:02 - 01:05
The space is commonly seen in the exterior courtyard of
01:05 - 01:07
a Yoruba palace.
01:07 - 01:09
When looking at the sculpture, the thing that stands out
01:10 - 01:12
the most would be the question warrior that is sitting
01:12 - 01:13
straight on a horse.
01:14 - 01:17
This typically would symbolize, symbolize political power as well as
01:18 - 01:21
dominance. This piece is honored in the Yoruba culture to
01:21 - 01:23
show power and dominance as well as wealth.
01:24 - 01:27
As we can see, the warrior king is holding a
01:28 - 01:31
spear on his left hand while he's holding a pistol
01:31 - 01:31
on his right hand.
01:33 - 01:36
As for the woman in this sculpture, which are seen
01:36 - 01:39
under the horse represents spiritual power for women among the
01:39 - 01:44
European. This also symbolizes fertility and abundance for women.
01:46 - 01:48
The second artwork I will be discussing was created by
01:49 - 01:52
the artist named Goenka, shown Ebert, which is a British
01:53 - 01:53
Nigerian artist.
01:54 - 01:58
His artwork explores many interesting topics, such as cultural identity
01:58 - 02:01
as well as colonialism and post colonialism.
02:02 - 02:04
He is mostly known for the fabric that he uses
02:05 - 02:08
in his art pieces called and Cara Fabric, which he
02:08 - 02:12
buys in London and was inspired by Indonesian design, which
02:12 - 02:14
was eventually sold to colonies in the west of Africa.
02:15 - 02:18
This fabric is also a Dutch wax fabric.
02:19 - 02:23
His work does a great job incorporating both cultures such
02:24 - 02:25
as African and the British cultures.
02:28 - 02:31
This second artwork is called the Butterfly Kit, which was
02:31 - 02:32
made in 2017.
02:33 - 02:36
The Butterfly Kid comes from one of the biggest exhibition
02:36 - 02:40
called Trade Winds that includes two sculpture figures, one which
02:40 - 02:42
is a girl and the other one, which is a
02:42 - 02:44
boy. In this one.
02:44 - 02:47
It's the girl which reaches her hand out, almost giving
02:47 - 02:48
the symbol of hopefulness.
02:51 - 02:54
Ginga has mentioned in his interviews before that his work
02:55 - 02:59
always uses theatrical language and his specific in this specific
02:59 - 03:02
culture, a whole story is told between the two sculptures
03:02 - 03:02
in the exhibition.
03:04 - 03:08
Yeah, the Inca manages to reflect or present global issues,
03:08 - 03:09
such as in this sculpture.
03:10 - 03:13
He shows the implications in Africa from two different points
03:14 - 03:16
of views, one being the girl and the other being
03:16 - 03:21
the boy, both with different issues, with some circle but
03:21 - 03:21
same circumstances.
03:24 - 03:26
As we can see, the girl doesn't have a face.
03:27 - 03:29
She rather has a black sweater as ahead, while she
03:29 - 03:33
wears intricate colours with a butterfly with butterfly wings, which
03:33 - 03:35
once again symbolizes hope.
03:36 - 03:42
Okay, the third art piece discussed was created by the
03:42 - 03:45
contemporary African artist Willy Buster.
03:45 - 03:47
He uses mixed media for his collages.
03:48 - 03:51
He combines oil paint and collage pasted with photographs, which
03:51 - 03:52
he has taken himself.
03:53 - 03:57
He also integrates several pectoral forums and Mont edges it
03:58 - 04:01
with objects, which he has collected himself from townships of
04:02 - 04:03
Cape Town in South Africa.
04:03 - 04:06
He also does a great job incorporating social and political
04:07 - 04:12
issues in his art to raise awareness of African problems.
04:14 - 04:18
This third art piece is called Ham Becali, which also
04:18 - 04:20
means goodbye for well in the Zulu culture.
04:21 - 04:24
The art piece was made in 1993 and it was
04:24 - 04:28
made with oil, wood, metal, plastic, fabric, horn, leather and
04:28 - 04:29
newspaper on board.
04:31 - 04:35
Bester use leftovers of society to create art pieces that
04:35 - 04:37
would depict the political history of South Africa.
04:38 - 04:41
In the specific art piece, he makes a tribute to
04:41 - 04:44
Steve Biko, who was a South African anti apartheid activist.
04:45 - 04:47
He was a part of a campaign known as the
04:48 - 04:51
Black Consciousness Movement during the late 19 sixties and the
04:51 - 04:52
late 19 seventies.
04:54 - 04:57
In the painting, we can see several objects such as
04:57 - 05:00
a guitar, a dove and other African symbols, all surrounding
05:01 - 05:01
the portrait of Steve Biko.
05:04 - 05:06
This art piece is very unique and colorful, with different
05:07 - 05:09
symbols, all to pay tribute to the activists.
05:10 - 05:14
Mhm. Now I will be discussing myths about African art.
05:14 - 05:17
One myth would be his African arterial thing.
05:18 - 05:21
The question whether African art is a subject for academic
05:22 - 05:23
research has been debated by many.
05:24 - 05:26
The question is whether African art is a real thing
05:27 - 05:27
or just another concept.
05:29 - 05:32
There are historians that argued that African art is a
05:32 - 05:36
lazy term, anything that doesn't exist in Nigeria.
05:36 - 05:39
Important mixed media artist named Dennis was a DB argues
05:40 - 05:43
that there was never that there was never been such
05:44 - 05:45
a thing as African art.
05:45 - 05:49
Well, there are other collectors, artists and historians that argue
05:49 - 05:53
the opposite as African art is in art, with varying
05:54 - 05:56
cultures representing different expectations and values.
05:57 - 06:00
African art is also argued to be more expressive and
06:01 - 06:02
more spiritual than European art.
06:05 - 06:10
Another myth about African art would be if African art
06:10 - 06:13
must look a certain way to be classified as African.
06:16 - 06:21
In previous readings, the 10th of Latin City, the authenticity
06:22 - 06:24
and the definition of African art has been discussed.
06:25 - 06:28
African art has been seen as primitive, mostly by the
06:28 - 06:32
West. But when it comes to what African art really
06:32 - 06:34
is, many would say that African art is a representation
06:35 - 06:39
of varying African cultures that may come in sculptures, paintings
06:40 - 06:43
and a combination of other things, like mentioned in the
06:43 - 06:46
previous slides by the artist Willie Bester, who does a
06:46 - 06:49
great job CA lodging mixed objects in his art pieces
06:50 - 06:52
to represent a certain culture or issue.
06:53 - 06:58
In some instances, while determining who gets to decide what
06:59 - 07:01
is African art and what isn't it all comes up
07:02 - 07:05
to the West and the West, art Western artists as
07:06 - 07:11
well as the curator, although many may have mixed opinions
07:11 - 07:13
about what is and what is an African art.
07:14 - 07:17
But as mentioned by Yinka Shown Ebert, nothing is as
07:17 - 07:18
authentic as it seems.
07:19 - 07:23
And this may stay a debate for years as authenticity
07:24 - 07:27
and assumptions are a controversial topic when it comes to
07:27 - 07:28
African art.
07:30 - 07:33
African or I can tell a history of varying cultures
07:33 - 07:35
as well as symbolizing African values.
07:37 - 07:40
Yeah, now, the two discussion questions I would like you
07:40 - 07:41
to think about would be one.
07:41 - 07:43
Would you agree with the Inca Shawnee bear that nothing
07:44 - 07:46
is as authentic as it seems when it comes to
07:46 - 07:47
African art?
07:47 - 07:50
And to do you think there should be a specific
07:52 - 07:55
thick features, including an African art to be considered art,
07:57 - 07:59
considering that there are many that debate.
08:00 - 08:03
Some pieces aren't African because they don't show certain symbols
08:04 - 08:07
or features, while others may think certain features are in
08:07 - 08:10
no way African rather offensive or vulgar.
08:11 - 08:14
This is my We're excited Page, Thank you so much
08:14 - 08:16
for listening, and I hope you learned from the many
08:16 - 08:19
African artists mentioned as well as your beautiful and unique
08:19 - 08:20
artwork show.
See full transcript