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english
KL
by
Keller Lake
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Updated Jan 27, 2022
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Chapters
00:00
Chapter 1
00:07
Chapter 2
00:38
Chapter 3
00:55
Chapter 4
00:56
Chapter 5
01:22
Chapter 6
01:23
Chapter 7
01:26
Chapter 8
01:48
Chapter 9
03:52
Chapter 10
03:54
Chapter 11
04:17
Chapter 12
04:18
Chapter 13
04:31
Chapter 14
04:32
Chapter 15
04:34
Chapter 16
05:04
Chapter 17
05:31
Chapter 18
05:32
Chapter 19
Audio Transcript
Auto-generated
00:01 - 00:06
this is my english semester final portfolio of the what
00:06 - 00:08
I think are the main things that I learned this semester
00:08 - 00:11
starting off with deeper analyzation.
00:11 - 00:15
One valuable thing that I learned this semester is deeper analyzation.
00:15 - 00:17
This helped me get a deeper understanding of
00:17 - 00:19
anything that I'm looking at in literature,
00:19 - 00:23
such as poem says a lot more than what you think you're looking at,
00:23 - 00:25
analyzing every stanza of the poem can help you piece
00:25 - 00:28
things together and understand what a poet is writing.
00:28 - 00:31
This isn't in just literature, you can also analyze our
00:31 - 00:35
looking at what the artist is doing with colors and shading and placement of the art.
00:35 - 00:39
Art is telling a story without words and that is how you can read it.
00:39 - 00:44
Here are some examples of some analyzation that I have done this
00:44 - 00:48
semester here is the first thing that we did this semester.
00:48 - 00:50
The analyzation of the story, the ledge
00:50 - 00:52
and here's the most recent thing
00:52 - 00:55
that I have analyzed this semester is a black man's burden.
00:57 - 01:02
How this can relate to the real world. You don't judge a book by its cover.
01:02 - 01:06
There's always something underneath like what we did with the iceberg project
01:06 - 01:12
where you only see the top of the iceberg until you know, until you see
01:12 - 01:15
what is at the bottom. There's a lot more than what you see
01:15 - 01:18
and you get a deeper, better understanding
01:18 - 01:20
and you look for hidden messages
01:20 - 01:20
and
01:21 - 01:23
anything there is a hidden message.
01:25 - 01:28
Another thing that I learned is identifying
01:28 - 01:31
literary elements similar to an idealization.
01:31 - 01:34
You're breaking down a story and piecing it
01:34 - 01:36
together to try and get a deeper understanding
01:36 - 01:40
of the story and you build relations by
01:40 - 01:43
doing this with the characters and with the settings
01:44 - 01:48
and you get more into the book and um you understand more of the book,
01:49 - 01:51
what are the literary elements,
01:51 - 01:52
the literary elements?
01:52 - 01:58
We can start with clot, there's plot diagram which has five things
01:59 - 01:59
on it.
01:59 - 02:02
There's the exposition which is the introduction of
02:02 - 02:05
the characters and the setting and kind of like
02:06 - 02:11
the habitat of where maybe the character is living or anything like that
02:11 - 02:13
in the society and the community.
02:14 - 02:16
The next is rising action where you get introduced to maybe
02:16 - 02:21
foreshadowing of the antagonist or maybe you get introduced to the antagonists
02:21 - 02:24
and then the climax which you are,
02:25 - 02:27
you're kind of
02:28 - 02:30
reaching the top of the introduction, you know,
02:31 - 02:34
basically all the characters and
02:34 - 02:39
maybe you know the problem by then. But or also it could just be the foreshadowing
02:39 - 02:44
the falling action which is where maybe something bad happens to the protagonist of
02:44 - 02:48
this story and they need to do something to fix it to help themselves.
02:48 - 02:51
And then the resolution is where everything worked out
02:51 - 02:56
uh kind of maybe the way they wanted it to or maybe not the way that you wanted it to,
02:56 - 02:58
but it's where they come to an end of the story,
02:59 - 03:03
the next is setting, there's five senses of setting which is touch, taste, sound,
03:03 - 03:04
smell, and sight.
03:05 - 03:07
Now we have characterization.
03:07 - 03:11
There are four types of characterization which there are a static character,
03:11 - 03:14
a dynamic character, a flat character and Iran character.
03:15 - 03:17
Now we have the point of views,
03:17 - 03:20
there's five types of point of views starting with first person
03:20 - 03:23
and second person and then we have a third person limited,
03:23 - 03:26
third person objective and third person omniscient.
03:26 - 03:28
And then now we have the conflict,
03:28 - 03:32
there is four types of conflict and they kind of explain themselves by
03:32 - 03:35
the names of man versus self, man versus man,
03:35 - 03:38
man versus nature and then man versus society.
03:39 - 03:41
Now we have the theme which is
03:41 - 03:43
kind of like maybe
03:44 - 03:48
what the story was about or maybe like the lesson of the story or the moral
03:48 - 03:52
of the story that kind of like explains the story and kind of like one sentence
03:54 - 03:59
um how this can relate to the real world is the you
03:59 - 04:04
get a deeper grasp of the story and the explanation of the story
04:04 - 04:08
and you can build relations with this and you
04:08 - 04:11
can add meaning to a conversation that you're having.
04:11 - 04:11
Maybe
04:11 - 04:13
if you're talking to someone and you can like
04:13 - 04:17
maybe think and peace their stories together like this.
04:18 - 04:23
Now here are some examples of some plot diagrams that I have done for
04:23 - 04:27
some of the stories that we have read like the ledge and then the other
04:27 - 04:28
ah
04:29 - 04:31
the other literary element questions that I have done
04:33 - 04:39
last we have criticism which is kind of like a judgment on literature and judgment on
04:39 - 04:43
the real world problems and giving feedback to
04:43 - 04:46
usually do better at what you're doing.
04:46 - 04:47
Such as like when
04:48 - 04:50
uh we did um
04:50 - 04:51
the
04:52 - 04:53
when we did
04:53 - 04:58
the article review of female criticism and
04:59 - 05:03
and uh historical criticism and stuff like that.
05:03 - 05:07
Now that is the end of, oh wait,
05:07 - 05:11
here's some experience of criticism that can relate to the real world.
05:11 - 05:14
You are almost always getting judged and
05:15 - 05:18
Ukrit and you need criticism to get better.
05:18 - 05:21
And you can also learn to criticize to give other people
05:21 - 05:25
a valid feedback as in what they may be doing wrong.
05:25 - 05:29
It doesn't always have to be mean. In fact, it shouldn't be mean.
05:29 - 05:31
It's helping them get better,
05:31 - 05:32
not putting them down
05:33 - 05:37
and that is it for my portfolio.
05:37 - 05:38
Adios chow.
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