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Portfolio Assessment
AF
by
Andrea Fort
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Updated Nov 21, 2021
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Chapters
00:00
Chapter 1
00:06
Chapter 2
00:25
Chapter 3
01:22
Chapter 4
01:51
Chapter 5
02:11
Chapter 6
02:36
Chapter 7
03:11
Chapter 8
04:02
Chapter 9
04:28
Chapter 10
04:56
Chapter 11
04:58
Chapter 12
Audio Transcript
Auto-generated
00:01 - 00:03
Hi my name is Andrea Fort.
00:03 - 00:06
My portfolio assessment today described to me the
00:06 - 00:09
process of the Ap studio art portfolio,
00:09 - 00:13
there are three different portfolios for which students can choose.
00:13 - 00:16
One that most demonstrates mark making or drawing,
00:17 - 00:20
one that best demonstrates design or the application
00:20 - 00:23
of the art art elements and principles of design
00:24 - 00:25
Or three dimensional art.
00:27 - 00:28
The pictures I've chosen for.
00:28 - 00:32
You are all taken from examples from College Board's website.
00:32 - 00:34
Um these are all student examples that have scored a
00:34 - 00:36
five in the portfolio for the year of 2020.
00:38 - 00:41
Each of these three portfolios has two sections.
00:41 - 00:46
The selected works sections um account for 40% of the overall score
00:46 - 00:50
and the extended investigation which counts for 60% of the overall score.
00:50 - 00:53
Both sections require both visual evidence,
00:53 - 00:56
visual relations and written evidence as part of the rubric.
00:57 - 01:01
Although these portfolios are officially scored the
01:01 - 01:03
junior senior year of high school,
01:03 - 01:07
these portfolios begin starting in sixth grade with art one.
01:07 - 01:09
Students begin building the common vocabulary
01:09 - 01:12
that's required for self evaluations and
01:12 - 01:17
written evidence and begin practicing using the rubrics in a more basic form
01:17 - 01:20
and the rivers begin to get more complicated as students move up through
01:21 - 01:23
the vertical, align our curriculum.
01:25 - 01:29
The selected work section includes five pieces selected by the student.
01:29 - 01:31
Hopefully with the educators help,
01:31 - 01:34
they're actually mattered and mailed to the college board.
01:34 - 01:39
Um These works are physically evaluated by the adjudicators.
01:39 - 01:45
Um They're looking for a synthesis of materials processes and ideas kind
01:45 - 01:48
of an overall picture of what the artist is capable of.
01:48 - 01:51
Um It used to be called the breadth section,
01:54 - 01:57
the common vocabulary written through all of the rubrics.
01:57 - 02:03
For college board exists of written evidence, materials processes, ideas,
02:03 - 02:07
visual evidence, two dimensional skills, three dimensional skills,
02:08 - 02:09
drawing skills
02:09 - 02:10
and synthesis
02:14 - 02:18
within those vocabulary. The selected work rubric
02:18 - 02:21
And is divided into five sections. These are the five scores
02:22 - 02:26
within visual evidence, visual relationships and written evidence and educate.
02:26 - 02:32
An adjudicator scores each portfolio as far as advanced, good, moderate,
02:32 - 02:35
inconsistent, unclear or rude manner.
02:39 - 02:41
In the sustained investigation portion or the portion
02:41 - 02:44
that counts for 60% of the overall portfolio.
02:44 - 02:49
Score a total of 15 images is submitted to college board through the website.
02:49 - 02:52
These 15 images document an inquiry and
02:52 - 02:56
guided investigation through practice experimentation and revision.
02:56 - 03:01
Uh these pieces are usually centered around a central theme or an idea.
03:01 - 03:05
And within this section an adjudicator is not only looking at finished pieces
03:06 - 03:09
along with experimentation, revision of materials,
03:09 - 03:12
but also the thought process itself.
03:14 - 03:16
The accident investigation rubric
03:16 - 03:18
follows four categories.
03:19 - 03:20
Category A.
03:20 - 03:23
Asked for students to write their question
03:23 - 03:26
or inquiry that sustained their investigation,
03:26 - 03:28
um describing their theme
03:28 - 03:32
along with visual and written evidence. Category B.
03:32 - 03:35
Describe how your investigation shows evidence of practice,
03:35 - 03:37
experimentation and revision.
03:37 - 03:38
Again,
03:38 - 03:40
college board requires both written evidence in
03:40 - 03:43
this section along with visual illustration,
03:44 - 03:45
Category C.
03:45 - 03:47
A student must describe materials processes
03:47 - 03:51
and ideas along with providing visual evidence
03:52 - 03:53
and category D.
03:53 - 03:55
A student must describe their art and design
03:55 - 03:59
skills along with providing visual evidence of how
04:00 - 04:01
they're utilized them.
04:04 - 04:06
This section encourages process.
04:06 - 04:08
Unlike the selected works,
04:08 - 04:11
where adjudicators are looking at five finished pieces,
04:12 - 04:16
um sketchbooks, uh inspiration photography,
04:16 - 04:19
reference photography are encouraged in this section,
04:19 - 04:24
um as a compiled view of how the student has not only investigated
04:24 - 04:29
but then also executed the sustained investigation or concentration on a theme.
04:31 - 04:34
40% of selected works score and 60% of the
04:34 - 04:37
extent investigation are combined to calculate an
04:37 - 04:40
overall score score between one and 5.
04:40 - 04:43
Although the decision of each individual college,
04:43 - 04:45
a score of 3 to 5 is generally accepted for
04:45 - 04:47
college credit depends on which college are going for,
04:47 - 04:50
as far as which class that's going to be accepted for.
04:50 - 04:53
I included here pictures from my own portfolio as a
04:53 - 04:56
senior in the year 1999 where I scored a five
05:00 - 05:04
reference, I used the College board's central
05:04 - 05:06
and they're rubrics along with
05:07 - 05:10
Butler's practical guide for educators.
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