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SCIENCE: MAY 25-28
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Meghan Vismara
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Updated May 12, 2020
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00:01 - 00:01
Welcome back class.
00:02 - 00:02
Today is still.
00:02 - 00:03
Monday, May 25th.
00:04 - 00:05
Let's get back to our science.
00:06 - 00:09
We talked about this saw we talked about Excuse me.
00:09 - 00:10
We reviewed all their songs in the last video.
00:11 - 00:12
We went through the new sound Notes video.
00:13 - 00:15
I just want to hit a couple things of again
00:15 - 00:17
because if we were in my class right now, I'd
00:17 - 00:18
be hitting them six or seven times.
00:19 - 00:21
So remember, sound a couple of key things to take
00:22 - 00:23
away because there's so many vocabulary words.
00:24 - 00:26
There's so many things to learn from this particular video
00:27 - 00:27
section today.
00:28 - 00:32
Sound needs matter to travel right Sound is matter with
00:32 - 00:33
by operations.
00:34 - 00:35
This is my matter, right?
00:35 - 00:38
This is the thing that's vibrating off of it.
00:39 - 00:41
If I have a bigger piece of matter, it's likely
00:41 - 00:43
to create a slower sound wave.
00:43 - 00:47
A slower sound wave is also called something that has
00:47 - 00:47
a lower frequency.
00:48 - 00:50
Frequency just means how faster Slow away this traveling with
00:51 - 00:52
stout. So I play a lower No.
00:54 - 00:56
It usually has more matter or a thicker string to
00:56 - 00:58
buy right with and is moving slower.
00:59 - 01:02
If I have a higher note, it is usually a
01:02 - 01:05
centerpiece of matter or a shorter piece of matter, and
01:06 - 01:08
that is going to create a faster sound wave moving
01:08 - 01:09
back and forth really fast.
01:10 - 01:13
So frequency is how fast it pitches, how higher low
01:13 - 01:16
it is on both of those are related to each
01:16 - 01:18
other. High pitched, high frequency, low pitch, low frequency.
01:19 - 01:21
The other thing we talked about is volume.
01:21 - 01:26
Ah, fancy way to say volume is amplitude How big
01:26 - 01:27
that sound wave is.
01:27 - 01:28
So I'm playing really, really loud.
01:30 - 01:33
I'm creating a really big sound way.
01:33 - 01:37
If I'm playing something really quiet, I'm creating a really
01:37 - 01:38
small sound.
01:38 - 01:40
So what does that look like with our slinky model
01:41 - 01:43
of a compression or longitudinal wave?
01:44 - 01:47
So, for example, this wave up top would be, ah,
01:47 - 01:48
high pitch sound.
01:49 - 01:51
How do I know my slinky is kind of work
01:51 - 01:52
compressed together?
01:52 - 01:53
It's moving faster.
01:54 - 01:56
If I have a low pitch sound, that's what this
01:57 - 01:57
next one looks like.
01:58 - 01:59
It's more spread apart.
01:59 - 02:02
My sound wave is moving slower, but a loud sound.
02:02 - 02:04
It would look like this like you don't hear because
02:04 - 02:05
it's huge, right?
02:06 - 02:08
It's got a big sound wave, and if I have
02:09 - 02:14
a little tiny slinky that it's quiet because it's really
02:15 - 02:20
short. So amplitude is the measure from the top to
02:20 - 02:24
the bottom and wavelength, or how fast it's going for
02:25 - 02:30
frequency is measured from the two crunched parts of the
02:30 - 02:32
Slinky. Just fun, extra information.
02:33 - 02:34
So now we're gonna do our lab.
02:35 - 02:38
Our lab is due to do so.
02:39 - 02:40
You went through all this and it's making me go
02:40 - 02:41
back through it again.
02:42 - 02:44
Okay, we're doing the screaming cops lab today, and I
02:44 - 02:46
just freaked my husband out by practicing this in my
02:47 - 02:49
house. Our question today is how will the different positions
02:50 - 02:52
of our hands affect the sound from the cup hypothesis?
02:53 - 02:55
I predict that when my hands are closer to the
02:55 - 02:57
top of the cup, the pitch will be what my
02:57 - 02:58
hands are lower down.
02:58 - 02:58
The pitch will be.
02:59 - 03:01
What? Because let me show you the rig that we've
03:01 - 03:01
got here.
03:02 - 03:04
This is one highly heard you to do at home,
03:04 - 03:07
especially if you have younger siblings who are bothering you
03:07 - 03:10
when you're trying to do your school work.
03:10 - 03:12
This is a very annoying sound that it will create.
03:13 - 03:16
So I have in the picture you use a plastic
03:16 - 03:18
coupling a plastic solo cup work slow.
03:18 - 03:19
We're moving.
03:19 - 03:21
So we hardly have anything left in my house this
03:21 - 03:23
point. So I used an empty coffee filter.
03:23 - 03:26
Basically, Just want any plastic thing that you never want
03:26 - 03:27
to use again for recycling.
03:28 - 03:30
Um, you also need a strength.
03:31 - 03:33
The string is better if it is yarn or wool
03:34 - 03:34
or something like that.
03:35 - 03:37
Um, or like twine that you might use.
03:38 - 03:40
Just be very careful with twine that you don't hurt
03:40 - 03:41
yourself on the inside.
03:42 - 03:43
You should tight a paper clip.
03:43 - 03:45
I don't have any paper clips, so I tied a
03:45 - 03:45
bobby pin.
03:45 - 03:48
So you basically need something metal tied to a strength
03:49 - 03:52
with a hole poked in the bottom pulled type.
03:53 - 03:54
So then what we're gonna do is we're gonna take
03:55 - 03:59
our fingers and we're gonna slowly pull it down and
03:59 - 03:59
it's gonna make a sound.
03:59 - 04:01
I haven't read it yet, which is what really makes
04:02 - 04:02
the sound.
04:02 - 04:03
But this is my matter.
04:04 - 04:06
This is what's creating a vibrations.
04:06 - 04:07
It's going throughout here.
04:08 - 04:11
At what distance down my string Will my sound be
04:11 - 04:13
the lowest at which distance down my string will my
04:13 - 04:16
sound be the highest will be the shorter string or
04:17 - 04:18
will review the longer string.
04:18 - 04:20
That's really what I want you to keep in mind.
04:21 - 04:25
So now let's fill in the type of data pause,
04:25 - 04:27
fill in this section and come back when you're ready.
04:28 - 04:30
If you're listening to this video now, I'm assuming you're
04:30 - 04:31
writing for the answers.
04:32 - 04:33
The type of data we're collecting here is qualitative.
04:34 - 04:35
We're not measuring a decibel.
04:36 - 04:36
We're not measuring a frequency.
04:37 - 04:39
We're just using words and our observations.
04:39 - 04:41
It'll be pretty clear without collecting numbers.
04:42 - 04:44
My independent variable is where my hand is.
04:44 - 04:45
Position on the string.
04:45 - 04:48
How long the string iss, What's my deep henneberry?
04:48 - 04:49
What do I need to measure?
04:50 - 04:53
My dependent variable that I'm looking for is how high
04:53 - 04:55
or low the pitches Depending on where my hand is
04:56 - 04:57
down the string constants.
04:57 - 04:58
What are some of things that need to make the
04:58 - 04:59
experiment fair?
05:00 - 05:02
I need to have the exact same type of container.
05:02 - 05:04
No matter what I'm doing, I need of the same
05:04 - 05:06
body pin I need of the same strength I need
05:06 - 05:09
to make sure my hands are equally what Each time
05:09 - 05:12
I do this, you need tohave water and the string
05:13 - 05:15
because otherwise it won't work because of friction.
05:16 - 05:18
So we are gonna do.
05:18 - 05:21
It's really hard to measure 024 and six centimeters.
05:22 - 05:23
So we're just gonna do all the way down 3/4
05:24 - 05:27
away, down 1/4 of the way down and, like, 1/10
05:27 - 05:29
of the way down just to show the difference.
05:31 - 05:34
Okay, so this is my bucket again.
05:34 - 05:36
It would work better if I had a centerpiece of
05:36 - 05:38
string. It would work better if I had a paper
05:38 - 05:39
clip in a plastic cup.
05:40 - 05:40
But we're improvising.
05:41 - 05:42
This is Cove in 19.
05:42 - 05:44
So let's see what it sounds like all the way
05:44 - 05:45
down first.
05:45 - 05:47
So this would be our six centimeter measurement.
05:47 - 05:52
Ready? 321 So don't a set.
05:52 - 05:52
This is down here.
05:57 - 05:59
Record observations on your sheet of what that sounds like.
06:02 - 06:05
Okay, so now I'm gonna go about 3/4 of the
06:05 - 06:05
way down.
06:05 - 06:05
Are you ready?
06:06 - 06:06
This is what it sounds like.
06:08 - 06:12
Yeah, record your observations.
06:13 - 06:16
So we have now recorded for our six centimeters and
06:16 - 06:19
are four centimeters, so make sure you go back and
06:19 - 06:20
listen to the sounds again if you need to.
06:21 - 06:24
This is the two centimeter sound measurement, like 1/4 of
06:24 - 06:31
the way down It's harder the further you go up.
06:32 - 06:36
No. So write down your observations and zero centimeters.
06:36 - 06:36
Are you ready?
06:41 - 06:44
True. So as you noticed, is Mike closer?
06:44 - 06:46
My hand is to the top, right?
06:47 - 06:50
Zero centimeters almost doesn't have any sound because we need
06:50 - 06:54
matter to vibrate in orderto have any south eso right?
06:54 - 06:54
Your conclusion.
06:54 - 06:56
Sentence. While you're doing that, you know this is the
06:56 - 06:59
best way to annoy a sibling, dog or husband in
07:00 - 07:04
my case to keep this fire desk go away.
07:04 - 07:05
Oh, doing my homework.
07:08 - 07:09
Are you annoyed yet?
07:10 - 07:12
Great inventions of science?
07:14 - 07:15
My dog is barking in the background because she doesn't
07:16 - 07:16
like the noise.
07:18 - 07:21
So what's pretty clear in our conclusion sentences that the
07:21 - 07:23
closer we are to the cup, with the exception of
07:24 - 07:26
the zero centimeters, lower the pitches.
07:26 - 07:27
And that's because we have more amounted to vibrate.
07:28 - 07:32
It's the same thing in my hand is further down
07:32 - 07:36
the cup as it is playing a low note on
07:37 - 07:37
my guitar.
07:38 - 07:40
When have Mawr distance?
07:41 - 07:42
Former My hand is culture to the toe.
07:44 - 07:47
That's like playing a shorter strength or skinnier string or
07:48 - 07:49
higher note on my guitar.
07:51 - 07:53
So that's just kind of a way to practically use
07:53 - 07:55
this information to create something very annoying.
07:57 - 08:00
Um, so now you need to draw what you think
08:00 - 08:02
the sound way would look like for each of the
08:02 - 08:04
following distances based on their pitches and loudness.
08:05 - 08:09
So I'm gonna draw this with you, Joe.
08:09 - 08:13
You think that zero centimeter one would look like there
08:13 - 08:14
was very little to no sound?
08:15 - 08:18
So we draw a little, teeny, tiny one, but it
08:19 - 08:19
is pretty high pitched.
08:30 - 08:33
So you're wave should look something like this really tiny
08:34 - 08:35
because it's not very loud.
08:35 - 08:38
It's pretty short and pretty close together because the pretty
08:38 - 08:43
high pitch the next 12 centimeters was a lot louder.
08:43 - 08:45
And I would say they're all pretty consistently vowed after
08:46 - 08:56
that, but it's still a pretty high pitch, so it
08:56 - 08:59
should look something like this still pretty close together, but
08:59 - 09:03
much louder, our next one is much lower, so it's
09:03 - 09:04
still the same amount of loudness.
09:07 - 09:12
But you should be able to see my compressions.
09:13 - 09:15
My slinky is getting a little bit less squished together.
09:16 - 09:20
And then finally, for low note, probable.
09:20 - 09:23
If something like this right, really, really far spread apart
09:24 - 09:25
so you can copy my slinky is if you want
09:26 - 09:29
Teoh. These air compression waves when they're shorter, like my
09:29 - 09:29
zero centimeters.
09:30 - 09:33
That means that quieter when they're closer together, like my
09:33 - 09:33
zero and two.
09:34 - 09:36
That means they're higher pitch when they're further and further
09:37 - 09:41
apart. That means they're lower poach so you could use
09:41 - 09:42
it. Be at home.
09:42 - 09:43
Give me a high for Monday.
09:44 - 09:48
So down give you a low frequency sound This is
09:48 - 09:49
the low frequencies out.
09:50 - 09:55
I hope it's low frequency compression wave sound energy Give
09:55 - 09:58
me a high amplitude down This is a high amble
09:58 - 10:08
to town Loud means high amplitude sound energy longe do
10:10 - 10:11
What do you think about sound energy waves as they
10:11 - 10:13
go back and forth like this right when it leaves
10:14 - 10:16
my house, it's going like this almost out to my,
10:18 - 10:19
uh, other matter in the room.
10:20 - 10:23
If you could show a map showing the relationship any
10:23 - 10:27
graph showing the relationship between pitch and distance down the
10:27 - 10:29
strength, what would it look like?
10:29 - 10:31
Explain why and what would the axis be labeled?
10:33 - 10:36
This one is a think question, so let's think about
10:36 - 10:37
this. My first graph.
10:37 - 10:39
It shows an arrow going up right?
10:42 - 10:45
Something kind of like this.
10:46 - 10:50
So let's think as the string gets long necessary is
10:50 - 10:51
the string gets longer.
10:52 - 10:52
Does my pitch get higher?
10:53 - 10:54
That one's not gonna work.
10:54 - 10:57
Right? Is my string gets longer, my pitch gets lowers.
10:58 - 10:58
That one is not gonna work.
10:59 - 11:00
Let's take a look at our next one.
11:03 - 11:08
My next one looks kind of like this, right?
11:09 - 11:11
So this one would be as my pitch is getting
11:11 - 11:18
shorter, my, um, sound is getting lower, which also doesn't
11:18 - 11:19
make sense.
11:20 - 11:26
The next one shows a weird arrow going this way.
11:32 - 11:35
And so this one is showing me as sound as
11:36 - 11:39
my string is getting longer as my string is getting
11:40 - 11:42
longer. My pitch is getting lower.
11:44 - 11:51
No, it should be the one that looks like this
11:52 - 11:54
because as my string is getting longer, my pitch is
11:54 - 11:55
getting lower.
11:55 - 11:56
That's what I really meant to say.
11:57 - 11:57
I apologize.
11:57 - 12:00
If that wasn't clear, this one, because it was my
12:00 - 12:02
string is getting longer by pitches getting lower.
12:02 - 12:03
That's what I was trying to say the whole time.
12:04 - 12:06
So make sure you keep that in mind as you
12:06 - 12:09
responding to this lovely question that I totally for have
12:10 - 12:12
the answer to as I started against letting it.
12:12 - 12:13
Thank you so much for joining me today.
12:14 - 12:16
Guys. I hope you enjoy it are annoying lab.
12:17 - 12:20
Go create your own annoying noisemakers for your siblings and
12:20 - 12:24
family and have a wonderful evening until language arts when
12:24 - 12:24
I'll see you again.
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