SCIENCE: MAY 25-28

MV
by Meghan Vismara0 views·Updated May 12, 2020

Audio TranscriptAuto-generated

  1. Welcome back class.
  2. Today is still.
  3. Monday, May 25th.
  4. Let's get back to our science.
  5. We talked about this saw we talked about Excuse me.
  6. We reviewed all their songs in the last video.
  7. We went through the new sound Notes video.
  8. I just want to hit a couple things of again
  9. because if we were in my class right now, I'd
  10. be hitting them six or seven times.
  11. So remember, sound a couple of key things to take
  12. away because there's so many vocabulary words.
  13. There's so many things to learn from this particular video
  14. section today.
  15. Sound needs matter to travel right Sound is matter with
  16. by operations.
  17. This is my matter, right?
  18. This is the thing that's vibrating off of it.
  19. If I have a bigger piece of matter, it's likely
  20. to create a slower sound wave.
  21. A slower sound wave is also called something that has
  22. a lower frequency.
  23. Frequency just means how faster Slow away this traveling with
  24. stout. So I play a lower No.
  25. It usually has more matter or a thicker string to
  26. buy right with and is moving slower.
  27. If I have a higher note, it is usually a
  28. centerpiece of matter or a shorter piece of matter, and
  29. that is going to create a faster sound wave moving
  30. back and forth really fast.
  31. So frequency is how fast it pitches, how higher low
  32. it is on both of those are related to each
  33. other. High pitched, high frequency, low pitch, low frequency.
  34. The other thing we talked about is volume.
  35. Ah, fancy way to say volume is amplitude How big
  36. that sound wave is.
  37. So I'm playing really, really loud.
  38. I'm creating a really big sound way.
  39. If I'm playing something really quiet, I'm creating a really
  40. small sound.
  41. So what does that look like with our slinky model
  42. of a compression or longitudinal wave?
  43. So, for example, this wave up top would be, ah,
  44. high pitch sound.
  45. How do I know my slinky is kind of work
  46. compressed together?
  47. It's moving faster.
  48. If I have a low pitch sound, that's what this
  49. next one looks like.
  50. It's more spread apart.
  51. My sound wave is moving slower, but a loud sound.
  52. It would look like this like you don't hear because
  53. it's huge, right?
  54. It's got a big sound wave, and if I have
  55. a little tiny slinky that it's quiet because it's really
  56. short. So amplitude is the measure from the top to
  57. the bottom and wavelength, or how fast it's going for
  58. frequency is measured from the two crunched parts of the
  59. Slinky. Just fun, extra information.
  60. So now we're gonna do our lab.
  61. Our lab is due to do so.
  62. You went through all this and it's making me go
  63. back through it again.
  64. Okay, we're doing the screaming cops lab today, and I
  65. just freaked my husband out by practicing this in my
  66. house. Our question today is how will the different positions
  67. of our hands affect the sound from the cup hypothesis?
  68. I predict that when my hands are closer to the
  69. top of the cup, the pitch will be what my
  70. hands are lower down.
  71. The pitch will be.
  72. What? Because let me show you the rig that we've
  73. got here.
  74. This is one highly heard you to do at home,
  75. especially if you have younger siblings who are bothering you
  76. when you're trying to do your school work.
  77. This is a very annoying sound that it will create.
  78. So I have in the picture you use a plastic
  79. coupling a plastic solo cup work slow.
  80. We're moving.
  81. So we hardly have anything left in my house this
  82. point. So I used an empty coffee filter.
  83. Basically, Just want any plastic thing that you never want
  84. to use again for recycling.
  85. Um, you also need a strength.
  86. The string is better if it is yarn or wool
  87. or something like that.
  88. Um, or like twine that you might use.
  89. Just be very careful with twine that you don't hurt
  90. yourself on the inside.
  91. You should tight a paper clip.
  92. I don't have any paper clips, so I tied a
  93. bobby pin.
  94. So you basically need something metal tied to a strength
  95. with a hole poked in the bottom pulled type.
  96. So then what we're gonna do is we're gonna take
  97. our fingers and we're gonna slowly pull it down and
  98. it's gonna make a sound.
  99. I haven't read it yet, which is what really makes
  100. the sound.
  101. But this is my matter.
  102. This is what's creating a vibrations.
  103. It's going throughout here.
  104. At what distance down my string Will my sound be
  105. the lowest at which distance down my string will my
  106. sound be the highest will be the shorter string or
  107. will review the longer string.
  108. That's really what I want you to keep in mind.
  109. So now let's fill in the type of data pause,
  110. fill in this section and come back when you're ready.
  111. If you're listening to this video now, I'm assuming you're
  112. writing for the answers.
  113. The type of data we're collecting here is qualitative.
  114. We're not measuring a decibel.
  115. We're not measuring a frequency.
  116. We're just using words and our observations.
  117. It'll be pretty clear without collecting numbers.
  118. My independent variable is where my hand is.
  119. Position on the string.
  120. How long the string iss, What's my deep henneberry?
  121. What do I need to measure?
  122. My dependent variable that I'm looking for is how high
  123. or low the pitches Depending on where my hand is
  124. down the string constants.
  125. What are some of things that need to make the
  126. experiment fair?
  127. I need to have the exact same type of container.
  128. No matter what I'm doing, I need of the same
  129. body pin I need of the same strength I need
  130. to make sure my hands are equally what Each time
  131. I do this, you need tohave water and the string
  132. because otherwise it won't work because of friction.
  133. So we are gonna do.
  134. It's really hard to measure 024 and six centimeters.
  135. So we're just gonna do all the way down 3/4
  136. away, down 1/4 of the way down and, like, 1/10
  137. of the way down just to show the difference.
  138. Okay, so this is my bucket again.
  139. It would work better if I had a centerpiece of
  140. string. It would work better if I had a paper
  141. clip in a plastic cup.
  142. But we're improvising.
  143. This is Cove in 19.
  144. So let's see what it sounds like all the way
  145. down first.
  146. So this would be our six centimeter measurement.
  147. Ready? 321 So don't a set.
  148. This is down here.
  149. Record observations on your sheet of what that sounds like.
  150. Okay, so now I'm gonna go about 3/4 of the
  151. way down.
  152. Are you ready?
  153. This is what it sounds like.
  154. Yeah, record your observations.
  155. So we have now recorded for our six centimeters and
  156. are four centimeters, so make sure you go back and
  157. listen to the sounds again if you need to.
  158. This is the two centimeter sound measurement, like 1/4 of
  159. the way down It's harder the further you go up.
  160. No. So write down your observations and zero centimeters.
  161. Are you ready?
  162. True. So as you noticed, is Mike closer?
  163. My hand is to the top, right?
  164. Zero centimeters almost doesn't have any sound because we need
  165. matter to vibrate in orderto have any south eso right?
  166. Your conclusion.
  167. Sentence. While you're doing that, you know this is the
  168. best way to annoy a sibling, dog or husband in
  169. my case to keep this fire desk go away.
  170. Oh, doing my homework.
  171. Are you annoyed yet?
  172. Great inventions of science?
  173. My dog is barking in the background because she doesn't
  174. like the noise.
  175. So what's pretty clear in our conclusion sentences that the
  176. closer we are to the cup, with the exception of
  177. the zero centimeters, lower the pitches.
  178. And that's because we have more amounted to vibrate.
  179. It's the same thing in my hand is further down
  180. the cup as it is playing a low note on
  181. my guitar.
  182. When have Mawr distance?
  183. Former My hand is culture to the toe.
  184. That's like playing a shorter strength or skinnier string or
  185. higher note on my guitar.
  186. So that's just kind of a way to practically use
  187. this information to create something very annoying.
  188. Um, so now you need to draw what you think
  189. the sound way would look like for each of the
  190. following distances based on their pitches and loudness.
  191. So I'm gonna draw this with you, Joe.
  192. You think that zero centimeter one would look like there
  193. was very little to no sound?
  194. So we draw a little, teeny, tiny one, but it
  195. is pretty high pitched.
  196. So you're wave should look something like this really tiny
  197. because it's not very loud.
  198. It's pretty short and pretty close together because the pretty
  199. high pitch the next 12 centimeters was a lot louder.
  200. And I would say they're all pretty consistently vowed after
  201. that, but it's still a pretty high pitch, so it
  202. should look something like this still pretty close together, but
  203. much louder, our next one is much lower, so it's
  204. still the same amount of loudness.
  205. But you should be able to see my compressions.
  206. My slinky is getting a little bit less squished together.
  207. And then finally, for low note, probable.
  208. If something like this right, really, really far spread apart
  209. so you can copy my slinky is if you want
  210. Teoh. These air compression waves when they're shorter, like my
  211. zero centimeters.
  212. That means that quieter when they're closer together, like my
  213. zero and two.
  214. That means they're higher pitch when they're further and further
  215. apart. That means they're lower poach so you could use
  216. it. Be at home.
  217. Give me a high for Monday.
  218. So down give you a low frequency sound This is
  219. the low frequencies out.
  220. I hope it's low frequency compression wave sound energy Give
  221. me a high amplitude down This is a high amble
  222. to town Loud means high amplitude sound energy longe do
  223. What do you think about sound energy waves as they
  224. go back and forth like this right when it leaves
  225. my house, it's going like this almost out to my,
  226. uh, other matter in the room.
  227. If you could show a map showing the relationship any
  228. graph showing the relationship between pitch and distance down the
  229. strength, what would it look like?
  230. Explain why and what would the axis be labeled?
  231. This one is a think question, so let's think about
  232. this. My first graph.
  233. It shows an arrow going up right?
  234. Something kind of like this.
  235. So let's think as the string gets long necessary is
  236. the string gets longer.
  237. Does my pitch get higher?
  238. That one's not gonna work.
  239. Right? Is my string gets longer, my pitch gets lowers.
  240. That one is not gonna work.
  241. Let's take a look at our next one.
  242. My next one looks kind of like this, right?
  243. So this one would be as my pitch is getting
  244. shorter, my, um, sound is getting lower, which also doesn't
  245. make sense.
  246. The next one shows a weird arrow going this way.
  247. And so this one is showing me as sound as
  248. my string is getting longer as my string is getting
  249. longer. My pitch is getting lower.
  250. No, it should be the one that looks like this
  251. because as my string is getting longer, my pitch is
  252. getting lower.
  253. That's what I really meant to say.
  254. I apologize.
  255. If that wasn't clear, this one, because it was my
  256. string is getting longer by pitches getting lower.
  257. That's what I was trying to say the whole time.
  258. So make sure you keep that in mind as you
  259. responding to this lovely question that I totally for have
  260. the answer to as I started against letting it.
  261. Thank you so much for joining me today.
  262. Guys. I hope you enjoy it are annoying lab.
  263. Go create your own annoying noisemakers for your siblings and
  264. family and have a wonderful evening until language arts when
  265. I'll see you again.