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Screening: Happy Together (2009, Wong Kar Wai, Hong Kong) wa

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Kate Taylor-Jones

on 8 February 2018

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Transcript of Screening: Happy Together (2009, Wong Kar Wai, Hong Kong) wa

Workshop: Queer lives – new experiences of gender and sexuality in East Asia
Questions to be explore: How does gender and popular culture interact? How can
‘stars’ chart changes in cultural approaches to gender? What form of masculinity do
we most often see in East Asian Cinema? What can it represent in both a cultural and
an historical analysis?

Screening: Happy Together (2009, Wong Kar Wai, Hong Kong)

Kam Louie (2012). Popular Culture and Masculinity Ideals in East Asia, with Special
Reference to China. The Journal of Asian Studies, 71, pp 929-943
Norman A. Spencer (2012) Ten Years of Queer Cinema in China, positions: east asia
cultures critique, Volume 20, Number 1, Winter 2012, pp. 373-383

Queer Cinema in China: 10 years
Questions to consider:
How can we document a social/cultural movement?
When something ispart of a subculture/underground movement does our mode of remembrance need to change?
How often are political/civil rights movements not-documented via their very nature as subversive?

Popular Culture and Masculinity Ideals in East Asia, with Special Reference to China
I want you to present this article in poster format. Consider the main arguments and how you could visually present them.

What is the wen-wu framework?
What is soft-masculinity?
What is a beautiful man?
Foucault - History of Sexuality
Judith Butler: Gender Performativity
Legacy of Confucianism

Legacy of Empire (both Japanese and Western) and events in each nations history

Familial structures

Economic structures

Legal structures

Hong Kong Handover

Star Power: Tony Leung (Fai) and Leslie Chung (ho)

What role does music play?

What do you make of the ending?

What are your thoughts on the cinematography?

What role does the waterfall play?

What function does the characture of Chang play?

Why set the film in Argentina?
Formerly an insult (and still can be used as such) but was a reclaiming of the term by initally gay men but then other gender activists.

New Queer Cinema is a term first coined by the B. Ruby Rich in Sight & Sound magazine in 1992 to define and describe a movement in queer-themed independent filmmaking in the early 1990s.

Not the same as gay cinema (although linked) - based on non-hetronormative models, ideas of freedom.

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