Send the link below via email or IMCopy
Present to your audienceStart remote presentation
- Invited audience members will follow you as you navigate and present
- People invited to a presentation do not need a Prezi account
- This link expires 10 minutes after you close the presentation
- A maximum of 30 users can follow your presentation
- Learn more about this feature in our knowledge base article
Do you really want to delete this prezi?
Neither you, nor the coeditors you shared it with will be able to recover it again.
Make your likes visible on Facebook?
You can change this under Settings & Account at any time.
Music Theory Jeopardy!
Transcript of Music Theory Jeopardy!
Model $100 $100 $100 $200 $200 $200 $200 $200 $300 $300 $300 $300 $300 $400 $400 $400 $400 $400 $500 $500 $500 $500 $500 The rate at which harmonies change through a piece When a chord becomes the temporary tonic by means of a secondary dominant. A dissonance with a bass note occurs on a strong beat, resolving to a consonance over the same bass note The intervallic framework between outer voices that underlies all melodic sequences. These two intervals cannot occur consecutively (between any voice) in any species of counterpoint This species of counterpoint features one voice with four notes played against one note in the other voice These are the three types of motion allowed between the two voices of a given counterpoint These occur when you leap in similar motion to an octave or a fifth ii and IV chords serve this function These types chords often fill the gap between two harmonic inversions of a triad Leading-tone chords serve this function These are just two triads that can serve as upper neighbor
chords to a I chord An example of a passing chord
between V and V6 This chord member is never doubled This chord member is doubled most frequently in a second inversion triad These two chord members of the dominant seventh chord must be resolved stepwise Other than the V7 chord, these are the other two most commonly used seventh harmonies The chord member that should always be doubled in a cadential six-four chord This cadence type is known for its inconclusive nature and interrupts the basic phrase model The end of a phrase, where harmonic, melodic, and rhythmic features articulate a complete musical thought The three tonal areas that form the basic phrase This cadence features a dominant chord in first inversion moving to a root position tonic chord This position of the dominant triad provides the strongest resolution to the tonic triad Music Theory Jeopardy! Nonchord
Tones Chord ID Secondary
Dominants Error Detection $200 $200 $200 $200 $400 $400 $400 $400 $600 $600 $600 $600 $800 $800 $800 $800 $1000 $1000 $1000 $1000