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The Shakespearean Handbook of Literary Devices
Transcript of The Shakespearean Handbook of Literary Devices
of a character's name, it is often characteristic. Two characters whose personalities
serve to contrast each other A contradiction Metaphor - a comparison where one thing is said to be another
Simile - a comparison using like or as A fourteen line poem in iambic pentameter with a rhyme scheme of ababcdcdefefgg An introduction A play on words a speech delivered by a character alone on stage, it allows the audiance to hear what the character's thoughts and feelings are. A reference to another piece of
literature or famous person
in a piece of literature. "Two households, both alike in dignity,
In fair Verona, where we lay our scene,
From ancient grudge break to new mutiny,
Where civil blood makes civil hands unclean.
From forth the fatal loins of these two foes
A pair of star-cross'd lovers take their life;
Whole misadventured piteous overthrows
Do with their death bury their parents' strife.
The fearful passage of their death-mark'd love,
And the continuance of their parents' rage,
Which, but their children's end, nought could remove,
Is now the two hours' traffic of our stage;
The which if you with patient ears attend,
What here shall miss, our toil shall strive to mend."
Prologue act 1 "Feather of lead" Act 1 Scene 1 Line 186 "Marry, that 'marry' is the very theme
I came to talk of. Tell me, daughter Juliet,
How stands your disposition to be married?" Act 1 Scene 3 line 69 "Romeo! humours! madman! passion! lover!" Act 2 Scene 1 Line 9 "'Tis but thy name that is my enemy;
Thou art thyself, though not a Montague.
What's Montague? it is nor hand, nor foot,
Nor arm, nor face, nor any other part
Belonging to a man. O, be some other name!
What's in a name? that which we call a rose
By any other name would smell as sweet;
So Romeo would, were he not Romeo call'd,
Retain that dear perfection which he owes
Without that title. Romeo, doff thy name,
And for that name which is no part of thee
Take all myself." Act 2 Scene2 Lines 40-52 "Now old desire doth in his death-bed lie,
And young affection gapes to be his heir;
That fair for which love groan'd for and would die,
With tender Juliet match'd, is now not fair.
Now Romeo is beloved and loves again,
Alike betwitched by the charm of looks,
But to his foe supposed he must complain,
And she steal love's sweet bait from fearful hooks:
Being held a foe, he may not have access
To breathe such vows as lovers use to swear;
And she as much in love, her means much less
To meet her new-beloved any where:
But passion lends them power, time means, to meet
Tempering extremities with extreme sweet." Prologue Act 2 ROMEO
[To JULIET]" If I profane with my unworthiest hand
This holy shrine, the gentle fine is this:
My lips, two blushing pilgrims, ready stand
To smooth that rough touch with a tender kiss.
Good pilgrim, you do wrong your hand too much,
Which mannerly devotion shows in this;
For saints have hands that pilgrims' hands do touch,
And palm to palm is holy palmers' kiss.
Have not saints lips, and holy palmers too?
Ay, pilgrim, lips that they must use in prayer.
O, then, dear saint, let lips do what hands do;
They pray, grant thou, lest faith turn to despair.
Saints do not move, though grant for prayers' sake.
Then move not, while my prayer's effect I take.
Thus from my lips, by yours, my sin is purged.
Then have my lips the sin that they have took.
Sin from thy lips? O trespass sweetly urged!
Give me my sin again." Act 1 Scene 5 Lines 102 - 121 ROMEO
"A torch for me: let wantons light of heart
Tickle the senseless rushes with their heels,
For I am proverb'd with a grandsire phrase;
I'll be a candle-holder, and look on.
The game was ne'er so fair, and I am done.
Tut, dun's the mouse, the constable's own word:
If thou art dun, we'll draw thee from the mire
Of this sir-reverence love, wherein thou stick'st
Up to the ears. Come, we burn daylight, ho!" "It seems she hangs upon the cheek of night
Like a rich jewel in an Ethiope's ear" Act 1 Scene 5 Lines 50-51 Simile ROMEO
"I am too sore enpierced with his shaft
To soar with his light feathers, and so bound,
I cannot bound a pitch above dull woe:
Under love's heavy burden do I sink.
And, to sink in it, should you burden love;
Too great oppression for a tender thing.
Is love a tender thing? it is too rough,
Too rude, too boisterous, and it pricks like thorn.
If love be rough with you, be rough with love;
Prick love for pricking, and you beat love down.
Give me a case to put my visage in:
A visor for a visor! what care I
What curious eye doth quote deformities?
Here are the beetle brows shall blush for me." Act 1 Scene 4 Lines 19-32 "Thou know'st the mask of night is on my face" Act 2 Scene2 Line 94