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Culture in the 18th century

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Ariane Hudelet

on 15 February 2018

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Transcript of Culture in the 18th century

Culture in the 18th century: art as a new commodity
the birth of "culture" and "taste"
"[...] the idea that 'the common people' might have a culture (rather than just habits of rowdyism) dates from precisely the time when our idea of high culture was being invented. Popular culture has always been its ill-mannered twin."
John Mullen, Oct. 28, 2000
http://www.theguardian.com
Dawn of industrial revolution development of new printing techniques
The emergence of book culture
Change in social structure of society, the rise of the bourgeoisie, the emergence of "Taste"
1725: 75 printers in London
1785: 124 printers in London
1668: 198 men employed in printing
1818: 3365 men employed in printing

It is estimated that
337,000 book titles were printed
in the eighteenth century.
Henry Fielding
1707-1754

Samuel Richardson
1689-1761

Daniel Defoe
1660-1731

Yes, novels! I will not adopt that ungenerous and impolitic custom so common with novel–writers, of degrading by their contemptuous censure the very performances, to the number of which they are themselves adding — joining with their greatest enemies in bestowing the harshest epithets on such works, and scarcely ever permitting them to be read by their own heroine, who, if she accidentally take up a novel, is sure to turn over its insipid pages with disgust. Alas! If the heroine of one novel be not patronized by the heroine of another, from whom can she expect protection and regard? I cannot approve of it.

Norhanger Abbey
, 1817
From pride, ignorance, or fashion, our foes are almost as many as our readers. And while the abilities of the nine-hundredth abridger of the History of England, or of the man who collects and publishes in a volume some dozen lines of Milton, Pope, and Prior, with a paper from the Spectator, and a chapter from Sterne, are eulogized by a thousand pens — there seems almost a general wish of decrying the capacity and undervaluing the labour of the novelist, and of slighting the performances which have only genius, wit, and taste to recommend them.“I am no novel–reader — I seldom look into novels — Do not imagine that I often read novels — It is really very well for a novel.” Such is the common cant. “And what are you reading, Miss — ?” “Oh! It is only a novel!” replies the young lady, while she lays down her book with affected indifference, or momentary shame. “It is only Cecilia, or Camilla, or Belinda”; or, in short, only some work in which the greatest powers of the mind are displayed, in which the most thorough knowledge of human nature, the happiest delineation of its varieties, the liveliest effusions of wit and humour, are conveyed to the world in the best–chosen language.

Northanger Abbey
, 1817
William Hogarth, 1697-1764
British landscape garden
jardin à la française
British landscape garden : Stourhead
Laurence Sterne,
1713-1768
Jane Austen, 1775-1817
1764
1796
1794
John Locke, 1632-1704
"Before" and "After"
The conversation piece
The Strode family
A midnight modern conversation
18th century Britain in today's popular culture
The Rise of the Novel
High culture
''in the late seventeenth century high culture moved out of the narrow confines of the court and into diverse spaces in London.slipped out of palaces and into coffeehouses, reading societies, debating clubs, assembly rooms, galleries and concert halls; ceasing to be the handmaiden of royal politics, it became the partner of commerce.''
John Brewer,
The Pleasures of the Imagination
.
David Garrick, 1717-79
1720
1947
1759-67
An age of modernity, vs classicism
John Gay,
The Beggar's Opera
, 1728
Berthold Brecht,
The ThreePenny Opera
, 1931
Ella Fitzgerald, "Mack The Knife", 1963
Full transcript