Loading presentation...

Present Remotely

Send the link below via email or IM

Copy

Present to your audience

Start remote presentation

  • Invited audience members will follow you as you navigate and present
  • People invited to a presentation do not need a Prezi account
  • This link expires 10 minutes after you close the presentation
  • A maximum of 30 users can follow your presentation
  • Learn more about this feature in our knowledge base article

Do you really want to delete this prezi?

Neither you, nor the coeditors you shared it with will be able to recover it again.

DeleteCancel

Make your likes visible on Facebook?

Connect your Facebook account to Prezi and let your likes appear on your timeline.
You can change this under Settings & Account at any time.

No, thanks

Trio Sonata in D, OP. 3 No.2: movement 4

No description
by

Catherine Johnston

on 11 October 2011

Comments (0)

Please log in to add your comment.

Report abuse

Transcript of Trio Sonata in D, OP. 3 No.2: movement 4

Corelli Context Tonality Forces Texture Rhythm & Metre Performance directions Written by italian violinist Arcangelo Corelli for the church in the Baroque period. The piece is actually a gigue, but could not be called this because the church would not have
allowed it to be
performed. 2 violins- for the treble clef staves.
Violone and organ-for the figured bass part.
Violone sounds an octave lower than written
and would nowadays be played on a cello. Structure A gigue. The main features of a gigue are:
-compound duple time,
-fast tempo
-Binary form. (AABB)
The same mood is maintained throughout.
Diatonic harmony and cadences. Functional harmony. Most chords in root position or first inversion triads. passing modulations. Cross rhythms ( bar 36.)
Hemiola in bar 27.
Syncopation.
Simple repeated rhythms
Appogiaturas.
Contrapuntal texture.
Stretto.
Figured bass- tells the musician
what chord and which
inversion they to play. The organist and
violone player 'realise' the figured bass. Hemiola Appogiaturas D major
1 A major
9 A major
20 D major
22 B minor
26 E minor
29 A major
32 G major
34 D major
36 Compound time signuature Stretto Simple repeated rhythms Syncopation Thanks for listening
(hope you learnt something) :) Tonic to dominant Dominant Dominant to tonic Tonic to relative minor Relative major to tonic Relative minor to subdominant Subdominant to dominant
Full transcript