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Digital Archives & Interactive Virtual Exhibits
Transcript of Digital Archives & Interactive Virtual Exhibits
), points us toward the potential for
“IR to recover a sense of the body as part of the
(c) dissemination, and
(d) insemination of ideas in the public sphere.”
(Jacqueline Rhodes and Jonathan Alexander,
Interactive Virtual Exhibits
Missed Connections in an Era of Transition:
DH, Historiography, Installation Rhetoric, Oral History, Collective Memory & Public History Repositories
-- How do we acknowledge and work against dominant historiographic processes that
have erased marginalized communities?
-- How do we effectively engage with the local?
-- How do we respectfully include the voices of citizen stakeholders in our practice?
-- And how do we deliver historiographic projects in ways that stakeholder communities
outside of our field will find useful?
(Enoch & Gold,
76.2, pg 109)
[RSA Dissertation Award]
Oral History Review
Vol. 40, No. 1, pp. 8–24)
Computers and Writing
- Future Oriented
Public Memory and Historiography
- Past Oriented
- Fem/Rhet and Comm Studies
What is at stake?
Where do we go from here?
* Develop relationships, exchange
ideas, strategies, products
* Engage in the work we say we
want to do, create prototypes
Built from scratch
National Endowment for the Humanities
& State Humanities Councils
Local & Regional Community
Foundations or Collaborations
Transition from Physical to Digital
- Pictures of Documents
- Audio-Visual Capture
- Content Harvesting Tools
- Curation Considerations
- IRB Documentation
- Omeka - Evernote
- Prezi - Korsakow
- Scalar - iMovie
- Infographics - Mind Maps
Research and Curation
Exchanges & Collaborations:
- Academics Across Disciplines
- Public Education Professionals
- Local Communities
Professional language used by archivists has been distorted, “...a trend that began years ago when Information Technology professionals began talking about “archiving” back-up tapes and the like. Apparently “archiving” is now just a technological subroutine, not a rich and complex professional endeavor in its own right” (532).
Digital Archives &