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line can be considered in two ways. The linear marks made wi

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Sydney Sanders

on 15 September 2016

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Transcript of line can be considered in two ways. The linear marks made wi

Brennan, Chase, Sydney
Texture
Harmony
direction
Line
line can be considered in two ways. The linear marks made with a pen or brush or the edge created when two shapes meet.
unity
A shape is a self contained defined area of geometric or organic form. A positive shape in a painting automatically creates a negative shape.
All lines have direction - Horizontal, Vertical or Oblique. Horizontal suggests calmness, stability and tranquility. Vertical gives a feeling of balance, formality and alertness. Oblique suggests movement and action
Size is simply the relationship of the area occupied by one shape to that of another.
Texture is the surface quality of a shape - rough, smooth, soft hard glossy etc. Texture can be physical (tactile) or visual.
The tertiary colours fall between each primary and secondary. Between yellow and orange, for example, is yellow orange, between blue and violet is blue violet and so on.

All these colours around the outside of the colour wheel are called saturated colours. They contain no black, no white and none of their complimentary or opposite colour.
Value is the lightness or darkness of a colour. Value is also called Tone
Value
Gradation of size and direction produce linear perspective. Gradation of of colour from warm to cool and tone from dark to light produce aerial perspective. Gradation can add interest and movement to a shape. A gradation from dark to light will cause the eye to move along a shape.
size
Contrast is the juxtaposition of opposing elements eg. opposite colours on the colour wheel - red / green, blue / orange etc. Contrast in tone or value - light / dark. Contrast in direction - horizontal / vertical.
The major contrast in a painting should be located at the center of interest. Too much contrast scattered throughout a painting can destroy unity and make a work difficult to look at. Unless a feeling of chaos and confusion are what you are seeking, it is a good idea to carefully consider where to place your areas of maximum contrast.
Harmony in painting is the visually satisfying effect of combining similar, related elements. eg.adjacent colours on the colour wheel, similar shapes etc.
Dominance gives a painting interest, counteracting confusion and monotony. Dominance can be applied to one or more of the elements to give emphasis
Relating the design elements to the the idea being expressed in a painting reinforces the principal of unity.eg. a painting with an active aggressive subject would work better with a dominant oblique direction, course, rough texture, angular lines etc. whereas a quiet passive subject would benefit from horizontal lines, soft texture and less tonal contrast.
Harmony in painting is the visually satisfying effect
of combining similar, related elements. eg.adjacent colours on the colour wheel, similar shapes etc
Gradation
Contrast
Harmony
Shape
Color
Dominance
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