Loading presentation...

Present Remotely

Send the link below via email or IM

Copy

Present to your audience

Start remote presentation

  • Invited audience members will follow you as you navigate and present
  • People invited to a presentation do not need a Prezi account
  • This link expires 10 minutes after you close the presentation
  • A maximum of 30 users can follow your presentation
  • Learn more about this feature in our knowledge base article

Do you really want to delete this prezi?

Neither you, nor the coeditors you shared it with will be able to recover it again.

DeleteCancel

Make your likes visible on Facebook?

Connect your Facebook account to Prezi and let your likes appear on your timeline.
You can change this under Settings & Account at any time.

No, thanks

Postmodernism

Lecture, "Novel in the 21st Century"
by

T W

on 2 September 2014

Comments (0)

Please log in to add your comment.

Report abuse

Transcript of Postmodernism

What is "postmodernism"?

First, let's do a little literary history...
What about the novel in the twenty-first century?
Is it still postmodern?

Are WE still postmodern?
What is "postmodernism"
it's an open question
The post-WWII period witnesses the decline of colonialism and the rise of American imperialism.

A dramatic change to the nature of economic life across the globe (a "world system")
What is "postmodernism"? What does it have to do with "The Novel in the 21st Century"?
history (of the novel)
Circa 1700: the "birth" or rise of the novel

Shaped by the post-renaissance movements in science, industry, and philosophy that we call The Enlightenment, early novels are deeply concerned with categories of civility, decorum, citizenship, and the social codes of aristocratic society.

Famous novels of the Enlightenment period:
La Princesse de Clèves
(1678), Madame de La Fayette
Robinson Crusoe
(1719), Daniel DeFoe
Gulliver's Travels
(1726), Jonathan Swift [satire]
Robinson Crusoe
(1719), Daniel Defoe
A: Romanticism
Influenced by and concerned with science and nature, growing political unrest with the expansion of middle classes (French Revolution, 1789), and the waning allure of religion.
Famous romantic novels?
Romantic Novels:

Frankenstein; or, The Modern Prometheus
(1818), Mary Shelley
The novels of Jane Austen (1811-1818)
Sir Walter Scott's "historical" novels (1814-1832)
Caspar David Friedrich, Wanderer Above the Sea of Fog, 1818
UK: Victorian Period (1837-1901)
Or, the age of realism / naturalism
Defined by the solidification of political power in the middle classes, industrialization, urbanization, colonial expansion, etc.
The Victorian novel is overwhelmingly "realist" in nature (as opposed to the Romantic novel). Tends to be concerned with interpersonal relationships (especially domestic ones) and is occasionally moralistic.
Charlotte Brontë's
Jane Eyre
(1847), Emily Brontë's
Wuthering Heights
(1847), the novels of Charles Dickens, etc.
Modernist Period
roughly 1900 - 1945
Informed by European empire, the world wars, mass society and urbanization, advertizing, technology, rapidity of modern life, etc.
Tends to be highly experimental in its forms and to concern itself with the subjectivity of individual minds.
Major texts: James Joyce's
Ulysses
(1922), Virginia Woolf's
Mrs. Dalloway
(1925), the work of Samuel Beckett, Ezra Pound, T. S. Eliot, etc.
Monet's haystacks (1872)
Gertler's "Merry-Go-Round" (1916)
Otto Dix, "Prague Street" (1920)
Pablo Picasso's cubism
"Le Guitariste" (1910)
the financial
"world system"
an international
division of labor
a drop in
manufacturing
(in the West),
rise of an “info
economy”
stupefying speed of the stock market
Finance as virtual wealth
No gold standard
after 1973

1989: the fall of Soviet Communism.
Result: Capitalism as an increasingly global and unchecked economic force

“the world system” elevates the status of the “world” in general (i.e. "world literature," "world music," etc.)

"globalization:"
non-imperial expansion of capitalism through the leveraging of economic markets. (The capitalization of markets through military intervention happens, but less frequently.)
More economics
If we could give one word for this shift
in the balance of financial power, we
would probably say
“corporations.”

[i.e. not states]
While the historical conditions of postmodernism are still at play, there may be
historically novel
features of our historical moment.

Our goal: to understand the historical conditions of possibility for 21st century culture in the broadest terms.

One way to do this is to ask: How does daily, lived experience, the distributions of power, and our sense of the world differ from an earlier historical moment?
What does this new historical orientation do? How does it affect the cultures we inhabit?

One major concern:
commodities
Personality as commodity ("life style")
Individuality as a matter of consumer choice
New
temporality
pre-modern life: seasons :: modernism: mass transportation :: postmodernism: "24/7"
distraction / split attention
One more consequence of finance: the
commodification of art
Andy Warhol, 1962
Postmodern art

Art
ABOUT commodity

which
itself IS a commodity

(self-conscious, self-referential art)

[as opposed to oppositional art]
1. A new relationship to
the nation
Diminished sense of national identification
influenced, of course, by the transnational flow of capital and labor

2. The death of
“master narratives”
(Jean-François Lyotard)
religion, capitalism and socialism, etc.
the death of meliorist ideas of historical progress
especially after WWII and the holocaust
Other consequences of this
historical shift
?

3.
Media Society
the image or spectacle as a dominant cultural form
an era not even of cinema or photography, but of the You Tube “clip,” the "sound bite," and the “meme.”
television comes to dominate the media ecology of the post-war era, as well as its art. (internet?)
How does this manifest in the literary culture of the post-war era?
A few dominant
characteristics:
neither wholly
realist
nor
anti-realist
pasiche:
the mixing of "high" and "low" genres
science-fiction, spy fiction, etc.
meta-fiction
, or
self-conscious
fiction (Salman Rushdie, Vladamir Nabokov)
paranoia
(Don DeLillo, Thomas Pynchon)
An increasingly explicit attention to
large scale, non-national political
issues: globalization, imperialism, transnational communities,
the environment,
etc.
Example: Pop Art
Tom Wesselmann, "Still Life" (1962)
(note: this should be a zombie, not a robot)
New
institutional forces
in novel publishing

English as a
global

language
English-language books dominate the
global literary marketplace
, and translations overwhelmingly tend to be unidirectional
2002: about 215,000 new titles published in the US, 125,000 in the UK, 79,000 in Germany, 70,000 in Spain, and about 59,000 in France.

Corporatization of publishing since the 1960s
new emphases on
“big” books
that might be amenable to a diverse marketplace (including a marketplace reading in translation)
Emphasis on the
prize system
(Booker, Pulitizer, Oprah)
Open questions in the 21st century novel

1. The novel "after" the nation-state
The role of community (non-national, trans-national) in the world and in our sense of self.

2. The novel and science
How is “the human” being redefined in our contemporary moment, and what does that mean for literary character?
How does the novel imagine and dramatize life in the anthropocene?

3. Memory in a de-localized and virtual world
How is the internet forcing us to rethink individual and collective memory? Is memory still important, and if so, how/why?

4. Consumer society and Globalized (“Late”) Capitalism
How are these forces remaking “individual” identity (“character”)?
How are these forces remaking literature as an institution?
(the Hollywood-ization of literature?)
Full transcript