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Score Analysis on Mors, Clausula for Alleluya V. Cristus res
Transcript of Score Analysis on Mors, Clausula for Alleluya V. Cristus res
Presented by Hyeji and Lia
Mode - Lydian Reciting tone - C
The tenor line repeats itself
||: A + A + coda :||
Stepwise motion -- fewer leaps
Imitations -- sequences
Mode 5 is prominent in the tenor line.
Mode 1 is applied frequently in the three other upper voices.
Semibreves are set to the descending stepwise figure
In general, the tenor line is in an ascending gesture, while the other upper voices more often in a descending gesture.
A similar use of intervals is applied to all of the voices. No big leaps.
Smaller notes towards the ending. Notation ambiguity from facsimile or interpretative suggestions?
Four independent and elaborated voices, suggesting a more developed technique
Strict and clear beats, always note-against-note/rest
Clear beginning and ending, no text, suggesting as a substitute clausula
Semibreves set to the descending figures
Inversion -- mirror figure
The stepwise motion