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Transcript of Mrs. Dalloway
Julia Kristeva: Girls can write in a masculine mode, and boys can write in a feminine mode. Psychology, patriarchy and capitalism determine women's destiny, so the oppression of women is rooted in social, economic, and psychological factors Feminism in Mrs. Dalloway Woolf portrays the impact of the patriarchal society of England on women’s lives. She portrays the loneliness and frustration of women’s lives that have been shaped by the moral, ideological and conventional factors. Women Women have access to the politician and social life "There they sat, hour after hour, talking in her bedroom at the top of the house, talking about life, how they were to reform the world. They meant to found a society to abolish private property, and actually had a letter written, though not sent out. The ideas were Sally's, of course—but very soon she was just as excited read Plato in bed before breakfast; read Morris; read Shelley by the hour." (...)"And every profession is open to the women of your generation, said Miss Kilman. So she might be a doctor. She might be a farmer (...) In short, she would like to have a profession." Personality and independence development Men Specific values are not assigned. It depends on the nature of each one "And then to his utter surprise, suddenly thrown by those uncontrollable forces thrown through the air, he burst into tears; wept; wept without the least shame, sitting on the sofa, the tears running down his cheeks" Men take into account aspects such as intelligence and politic ideas in women "Was she, he wondered as she moved, respectable? Witty, with a lizard's flickering tongue, he thought (...) a cool waiting wit, a darting wit; not noisy." "For in marriage a little licence, a little independence there must be between people living together day in day out in the same house; which Richard gave her, and she him (where was he this morning, for instance? Some committee, she never asked what.) But with Peter everything had to be shared, everything gone into." Clarissa thought that if she had married Peter, he would have engulfed her and forced her soul. She gives reasons for rejecting him and marrying Richard. "The strange thing on looking back, was the purity, the integrity, of her feeling for Sally.It was not like one’s feeling for a man. It was completely disinterested, and besides, it had a quality which could only exist between women, between women just grown up. It was protective, on her side, sprang from a sense of being in league together." Clarissa’s love for Sally Seton was the most intense emotion A ROOM OF ONE'S OWN. Toril Moi COMMUNICATION AND PRIVACY DESILLUSIONMENT WITH THE BRITISH EMPIRE FEAR OF DEATH SHAKESPEARE CLARISSA AND SEPTIMUS: TWO SOULS OF VIRGINIA References. Mrs. Dalloway. WOOLF, Virginia
Modernism and gender. SCOTT, Bonnie
I am not a woman writer. MOI, Toril
A Feminist Perspective of Virginia Woolf’s Selected Novels: Mrs. Dalloway and To the Lighthouse. SHIHADA, Isam
Virginia y la locura: el universo fragmentado en Mrs. Dalloway de Virginia Woolf. ORTOLANO, Mariel "Clarissa cherishes the memory of being kissed by Sally. Nothing could ever be that wonderful." "Fear no more the heat o’ the sun / Nor the furious winter’s rages" "No, the words meant absolutely nothing to her now. She could not even get an echo of her old emotion. But she could remember going cold with excitement, and doing her hair in a kind of ecstasy (now the old feeling began to come back to her, as she took out her hairpins, laid them on the dressing-table, began to do her hair), with the rooks flaunting up and down in the pink evening light, and dressing, and going downstairs, and feeling as she crossed the hall "if it were now to die 'twere now to be most happy." That was her feeling—Othello's feeling, and she felt it, she was convinced, as strongly as Shakespeare meant Othello to feel it, all because she was coming down to dinner in a white frock to meet Sally Seton!" "Human beings have neither kindness, nor faith, nor charity beyond what serves to increase the pleasure of the moment. They hunt in packs. Their packs scour the desert and vanish screaming into the wilderness. They desert the fallen… And would he go mad?” "Not that she thought herself clever, or much out of the ordinary(…) She knew nothing; no language, no history; she scarcely read a book now (…) Her only gift was knowing people almost by instinct, she thought, walking on." "She felt that she had been given a present, wrapped up, and told just to keep it, not to look at it- a diamond, something infinitely precious, wrapped up, which, as they walked (up and down, up and down), she uncovered, or the radiance burnt through, the revelation, the religious feeling!" "She was very lonely, she was very unhappy! She cried for the first time since they were married. Far away he heard her sobbing; he heard it accurately, he noticed it distinctively; he compared it to a piston thumping. But he felt nothing. His wife was crying, and he felt nothing; only each time she sobbed in this profound, this silent, this hopeless way, he descended another step into the pit." "We think back through our mothers if we are women" "It is fatal for any one who writes to think of their sex. . . . It is fatal . . . in any way to speak consciously as a woman" "She wrote as a woman, but as a woman who has forgotten that she is a woman, so that her pages were full of that curious sexual quality which comes only when sex is unconscious of itself" "The whole of the mind must lie wide open if we are to get the sense that the writer is communicating his experience with perfect fullness. There must be freedom and there must be peace" "No age can ever have been as stridently sex-conscious as our own" "The King and Queen were at the Palace. And everywhere, though it was still so early, there was a beating, a stirring of galloping ponies, tapping of cricket bats; Lords, Ascot, Ranelagh and all the rest of it."